Check out these exclusive ‘Back To Black’ film posters

Sean Ono Lennon – the sons of Paul McCartney and John Lennon – have written a song together called ‘Primrose Hill’ – check it out below.The song is a tender acoustic number about spending time with a loved one at the popular London beauty spot, which appears on the single’s cover art.“I’ll always remember Primrose Hill,” James McCartney sings wistfully on the chorus, backed by a mellow guitar melody.“‘Primrose Hill’ is here!” shared James McCartney on social media alongside a picture with his co-writer. “Today I am so very excited to share my latest song co-written by my good friend @seanonolennon.

Ryan Coogler is teaming up again with Michael B. Jordan for an untitled Warner Bros. supernatural thriller.

Amy Winehouse biopic, Back To Black, is released today, which includes an original new song by Nick Cave.The film is directed by Sam Taylor-Johnson and follows the life and career of the iconic London singer, with the title role being taken on by Marisa Abela.The soundtrack, titled ‘Back To Black: Songs from the Original Motion Picture’, is set for release on May 17 via UMR/Island Records, and features three original recordings from Winehouse’s highly influential debut, ‘Frank’ and three songs from her multi-award-winning LP ‘Back To Black.It also includes a new original track called ‘Song for Amy’, which is sung by Cave.Cave, along with longtime collaborator Warren Ellis, composed and recorded the film’s score.A further five songs are included on the album, recorded by artists whom Amy Winehouse saw as an inspiration. These include tracks by The Shangri-Las, Billie Holiday, Minnie Riperton, Dinah Washington and Sarah Vaughan.The songs that appear in the film can all be found below.

Nick Cave and Warren Ellis have shared ‘Song For Amy’, a song they wrote for the new Amy Winehouse biopic ‘Song For Amy’ – listen below.The delicate, orchestrated track features over the opening credits of the film, which is out in UK cinemas now. Elegant strings underscore Cave’s deeply felt vocals as he sings, “You say that it’s time for us to call it a day / But I will love you anyway”.Listen to ‘Song For Amy’ below:Director Sam Taylor-Johnson’s Back to Black tells the Winehouse story in a feature film for the first time.

Amy Winehouse’s ex-husband Blake Fielder-Civil has shared his thoughts on the new biopic Back To Black, explaining that he found it “therapeutic”.The film – directed by Sam Taylor-Johnson – arrives in cinemas earlier today (April 12), and follows the life of the late singer. It stars Marisa Abela (Industry) as Winehouse and charts the iconic singer’s vibrant years living in London, as well as her intense rise to fame.In the movie, Winehouse’s former husband Blake Fielder-Civil is portrayed by Jack O’Connell (Skins, Godless, Lady Chatterley’s Lover). He stars opposite Eddie Marsan, who was cast as the singer’s father, Mitch.Now, appearing on today’s episode of Good Morning Britain, Fielder-Civil shared his thoughts on the biopic, and admitted that he found the film “almost therapeutic” due to how he was depicted.In the interview with host Kate Garraway, he said that some parts of the movie made him feel seen “in a more accurate representation” to what he is used to.“Not in a sense of being let off the hook or whitewashed, as [has] been alluded to… just in a sense of it wasn’t all about addiction,” he said.

Alex Ritman How does an actor authentically and respectfully embody a legendary real-life singer on screen without it being seen as tribute act? And how do they do it when so much of that person’s life as a performer — a life that tragically ended not long ago — was played out in front of the cameras, across the media, in interviews and captured on phones? This was the task given to Sara Green, the choreographer and movement coach who worked closely with “Back to Black” star Marisa Abela to help transform her into Amy Winehouse for Sam Taylor-Johnson’s biopic, which releases in the U.K. today with StudioCanal (and in the U.S. on May 17 with Focus Features).

Thousands will flock to the cinema today to watch the new Amy Winehouse biopic, Back to Black, as it hits screens for the first time.The film portrays the life of the iconic but troubled artist, who rose to fame with her incredible songs such as Rehab and Valerie, before tragically dying from alcohol poisoning in 2011, aged just 27. Despite her immense talent, Amy battled demons her entire life, including struggles with addiction and bulimia, which she faced throughout her music career. Actress Marisa Abela, 27, has been transformed into Amy, donning her signature black beehive hairdo, thick eyeliner, and tattoos, while Jack O'Connell plays her husband, Blake Fielder-Civil.

Alex Ritman In “Back to Black,” Jack O’Connell’s Blake Fielder-Civil swaggers into the life of Amy Winehouse — played by an exceptional Marisa Abela — with seductive bravado, sweeping the singer off her feet on their first meeting in a London pub thanks to, among other things, a lip-synced rendition of the Shangri-La’s “Leader of the Pack”. As the divisive biopic, directed by Sam Taylor-Johnson and released in the U.K.

Michael Douglas and the cast of Franklin touched down in Cannes today with a message. Speaking to press ahead of the world premiere screening of the series at Canneseries on Wednesday evening, the actor said the Apple TV+ period drama is a great reminder of “how fragile democracy is and how generous France was.”

Back To Black‘s Jack O’Connell has made his directorial debut working on a music video for Paul Weller.The actor has got behind the camera for the video for a song called ‘Nothing’, which will be part of Weller’s forthcoming album ’66’. The LP will be released on May 24.“It was a good stroke of fortune,” O’Connell told Variety.

Amy Winehouse biopic Back To Black arriving in cinemas, the search is on to find out which of her songs is the UK’s favourite.The film – which is directed by Sam Taylor-Johnson – is set to arrive on April 12, and will follow the life of the late singer. It stars Marisa Abela (Industry) as Winehouse and charts the iconic singer’s vibrant years living in London, as well as her intense rise to fame.Now, just days before it makes its way into cinemas, a nationwide search has been launched to uncover which of the singer’s tracks is the most-loved in the UK.Commencing last Friday (April 5) and running until tomorrow (April 10), a giant Back To Black touring installation has been making its way across Manchester, Glasgow and London.

For her ‘unofficial’ 2009 John Lennon biopic Nowhere Boy, Sam Taylor-Johnson had so little music to work with that the opening chord of “Hard Day’s Night” pretty much had to carry the whole movie. You might think that history would repeat for Back to Black, the short but fast-lived story of Amy Winehouse, who rose to international fame in her teens and never saw 28, never mind 30. Surprisingly, the Winehouse estate is all in, and although one might argue that the singer’s trainwreck notoriety has been slightly snow-washed to protect the living, there’s still a surprisingly hard edge here, in a rare film that gives rock’n’roll agency to a woman for once, like a reverse-angle Sid & Nancy.

Owen Gleiberman Chief Film Critic “Back to Black,” the 2006 album that the new Amy Winehouse biopic takes its title from, is a record built on an exquisite contradiction. The music has a crispy delicious retro-bop bounce, a quality that extends to Winehouse’s vocals, which take the growling-cat stylings of jazz legends like Sarah Vaughan and Billie Holiday and kick them up into something playfully ferocious. Yet when you tune into the lyrics, they’re as dark as midnight.

Director Sam Taylor-Johnson and her husband, actor Aaron Taylor-Johnson, arrive for the world premiere of her film, Back To Black, held at the Odeon Luxe Leicester Square on Monday (April 8) in London, England.

In partnership with STUDIOCANALNME is delighted to announce plans for a special print edition celebrating the life and legacy of acclaimed singer-songwriter Amy Winehouse – and to mark the release of new film Back to Black. There will also be a free NME Screens preview event where fans can see the film before it is released in cinemas (April 12).The 36-page magazine is an in-depth exploration of Winehouse’s story and features never-seen-before photos of Amy, captured during her extraordinary rise during the 2000s by photographer Tom Oxley.

Beyoncé and Paul McCartney.The “Texas Hold ‘Em” singer covers the 1968 Beatles beauty “Blackbird” — written by Macca, although credited to both McCartney and John Lennon — on her countrified new album “Cowboy Carter” that was released last Friday to rave reviews (including mine) and record-shattering streams.Bey’s honey- and harmony-coated rendition of “The White Album” classic — featuring African-American female country singers Tanner Adell, Brittney Spencer, Tiera Kennedy and Reyna Roberts making like Destiny’s Southern Child — is a revelation that repurposes the song from a black female perspective.And Sir Paul has given Beyonce’s “Blackbird” — which is styled as “Blackbiird” on “Cowboy Carter” — the most royal of blessings.“I am so happy with @beyonce’s version of my song ‘Blackbird,” he wrote in an Instagram post. “I think she does a magnificent version of it and it reinforces the civil rights message that inspired me to write the song in the first place.

Beyoncé used The Beatles’ original ‘Blackbird’ backing track in her cover of the song, recorded for ‘Cowboy Carter’.As well as covering the song for her new country album, it turns out the rendition of the band’s 1968 track are more similar than first thought – with it being revealed that the ‘Cowboy Carter’ version uses instrumental elements taken directly from the Beatles’ original master recording.According to Variety, that was confirmed by a representative for Beyoncé, who cited the singer’s team as well as other sourcesThe credits for the album have been gradually shared since the album’s release last week (March 29), and Paul McCartney is listed as playing guitar on the song, as well as one of the producers. However, there is no indication in the wording of the credits that his work on the track is taken from the 56-year-old original.Bey’s own spin on the song sees it renamed as ‘Blackbiird’ – making a nod to the album’s ‘Act II’ theme.

Katcy Stephan WME has promoted Francesca Blackburn and Alex Rowley Egarian to partner in the brand partnerships department, Variety has learned exclusively. London-based Blackburn joined WME as an assistant in 2007 and was promoted to agent in 2018. Blackburn initially worked in the music department before joining the brand partnerships team when the group expanded to London.

Amy Winehouse‘s 2006 album ‘Back To Black’, it has been confirmed that the character of Mark Ronson will not be in the upcoming film of the same name.The confirmation comes after Canadian actor Jeff Tunke claimed in an interview with The Daily Mail that the scenes he had filmed as Ronson had all been cut from the final movie. According to Tunke, the scenes being cut has also led to his credits being removed from the film and IMDb.However, the film’s director Sam Taylor-Johnson has since responded via a spokesperson, saying: “The character of Mark Ronson has never appeared on screen in the film, so it would not have been possible to ‘cut all the scenes’ involving Mark Ronson as they do not exist.”Ronson, who was Winehouse’s friend and collaborator, helped produced her seminal second album, 2006’s ‘Back To Black’.

Barbenheimer. Barbie, listed in our 2023 spring movie preview, and Oppenheimer, which was not, had yet to assert their primacy over the year’s box office and pop culture conversation.Few conceived those two films would spark a phenomenon that rippled through media, fashion, merchandising, music, and awards show after awards show after awards show.After all the hype and hot takes, red carpet looks, historic victories and milestones, the Barbenheimer convo only really finally abated with the Oscar wins that shuffled Barbie, Ken, and Oppy off the stage in March, ushering cinema into the spring/summer season.Now, new cinematic fascinations await, new soundtracks of the summer, your next new favorite character or performance, some star-making smash that’ll keep the world talking until 2025.