Cédric Jimenez’s Post-Bataclan Attack, Manhunt Thriller ‘November’ Hits Record-Breaking One Million Admissions In France

AGC International has inked a raft of key international deals on the action-thriller The Silent Hour, starring Joel Kinnaman and Mark Strong.

The European Film Academy has unveiled a new public-facing event called the Month of European Film.

EXCLUSIVE: The stacked multi-generational romantic comedy Maybe I Do, starring a host of A-listers including Diane Keaton and Susan Sarandon, has sold to a bunch of key international territories.

EXCLUSIVE: Beta Cinema has unveiled a raft of first deals for German director Kilian Riedhof’s drama You Will Not Have My Hate, inspired by the experiences of French writer Antoine Leiris, whose wife was killed in the November 13, 2015 terror attack on the Bataclan concert hall in Paris.

A Scots homeowner has been ordered to trim their bush by just 3cm after a row broke out between neighbours. The residents in Gullane, East Lothian, were unable to agree over how much to chop off the Leylandi hedge, which spans the back of their gardens.

Todd Spangler NY Digital Editor After two straight quarters of subscriber losses, Netflix returned to growth in the third quarter of 2022 — and told investors it’s expecting a strong Q4 to finish the year, even though it doesn’t expect big gains right away from the launch of its cheaper, ad-supported plans. The streaming giant reported 2.41 million net new paid subscribers in Q3, including a gain of 100,000 in the U.S./Canada region, to stand at 223.1 million worldwide as of the end of September. That handily topped Netflix’s previous forecast of a 1 million pickup for the period. For Q4, Netflix expects to gain 4.5 million new streaming customers, compared with 8.3 million in the year-earlier quarter. Netflix Basic With Ads is slated to launch in the U.S. on Nov. 3 and priced at $6.99 per month — three dollars less than the regular Basic plan. Similar ad tiers are also coming next month to 11 other countries: Australia, Brazil, Canada, France, Germany, Italy, Japan, Mexico, South Korea, Spain and the U.K.

Katie Maloney is dating younger!

Frank Doelger is helming a surveillance drama set that counts broadcasters ZDF, MBC and France Télévisions and streamer Hulu Japan as partners.

Utah Senate candidate Evan McMullin has paid over $1.6 million to Democratic firms and uses the Democratic fundraising platform ActBlue, despite running as an independent to unseat Republican Sen. Mike Lee.

Rebecca Rubin Film and Media Reporter Paramount’s R-rated thriller “Smile” continues to beat box office expectations in North America and beyond. Over the weekend, the horror movie added $16.3 million at the international box office, boosting its overseas tally to $66.4 million. Globally, “Smile” has grossed $137.5 million, a killer result for a film with a $17 million production budget. It’s an even bigger win when taking into account that “Smile” was originally commissioned for the streaming service Paramount+ and wasn’t intended to play in theaters at all. But positive test screenings encouraged Paramount to give the film a full theatrical rollout. It’s the studio’s latest win following “Top Gun: Maverick,” “The Lost City,” “Scream” and “Sonic the Hedgehog 2.”

Lise Pedersen At a time when heritage cinema is booming – thanks to outstanding progress in conservation standards and a growth in demand – Lyon’s Lumière heritage film festival Lumière is playing a leading role in uncovering long-forgotten cinematic gems.  “Dans la Nuit” (“In the Night”), widely considered one of the last, if not the last major French silent film, is one of them. It is the only film shot by French actor Charles Vanel, perhaps best remembered for his role as a desperate truck driver in Henri-Georges Clouzot’s acclaimed “The Wages of Fear,” which won both the Golden Bear and the Palme d’Or in 1953. Vanel also stars in the film, alongside Russian-French actress Sandra Milovanoff, who became a silent film era casualty as her Slavic accent was considered unsuitable for talkies. 

Marta Balaga Palestine’s Fresco Films has boarded Tamara Erde and Mathias Énard’s TV one-off “Breaking Bread,” with France’s Haut et Court Doc already locked as the main producer. Tony Copti will produce alongside Emma Lepers. Attempting to explore the Israeli-Palestinian conflict through food, “Breaking Bread” will try to answer one question: Does gastronomy separate us or bring us together? Clocking in at 52 minutes, the documentary – to be shot in Arabic, Hebrew and French – will go into production in the spring of 2023. Mediawan Rights handles the sales.

Manchester United have reportedly asked 'for information' on Inter Milan's Lautaro Martinez.

Independent projections predicted a $50 million opening weekend for the Universal and Blumhouse picture, on par with that of “Halloween Kills.” The 2021 sequel scored $4.9 million at its Thursday box office debut. In 2018, “Halloween” made $7.7 million on its first night and went on to earn an eye-popping $77.5 million from its opening weekend – the second highest of any rated-R horror movie at the time.Set four years after the events of “Halloween Kills,” “Halloween Ends” presents the last showdown between Laurie Strode (Curtis) and longtime nemesis Michael Myers.

EXCLUSIVE: Studiocanal has boarded Borgen creator Adam Price’s Danish workplace comedy Orchestra and will be shopping the show at Mipcom Cannes, as TV series boss Françoise Guyonnet talks The Wicker Man and breaking down barriers between TV and film.

Premium documentaries, co-productions and the changing streamer landscape are set to dominate next week’s Mipcom Cannes as thousands of buyers descend on the Croisette after three years off, according to a wealth of senior sales bosses.

Marta Balaga Scottish actor Alastair Mackenzie, recently spotted in “The Crown” and “Andor,” Jessica Frances Dukes and Debi Mazar have been added to the cast of Filip Jan Rymsza’s feature film “Object Permanence.” They join previously announced star Millie Brady, who plays Brooke Brooks: a former supermodel who becomes a successful lifestyle mogul and is the first person to IPO herself. Production is currently underway in Poland and will continue in Thailand and Germany. “Apples” DoP Bartosz Świniarski is lensing the film. Set in the near future, “Object Permanence” is produced by Friends with Benefits Studio, with co-financing by the Polish Film Institute. Marta Lewandowska and Rymsza – the latter also behind “Mosquito State” – are producing, while CAA is handling North American sales.

Rebecca Rubin Film and Media Reporter “Ticket to Paradise,” a romantic comedy that reunites Julia Roberts and George Clooney, is (surprise, surprise) charming audiences at the international box office. The movie has generated $60 million overseas to date, a promising start given the current challenges facing theatrical rom-coms. Of course, it helps when the genre gets a boost from megawatt stars like Roberts and Clooney. According to Universal, which is backing the film, “Ticket to Paradise” is outpacing recent meet-cute stories like “The Lost City,” “Last Christmas” and “Crazy Rich Asians” at the same point in their respective big-screen rollouts. Over the weekend, “Ticket to Paradise” earned $10.5 million from 61 territories, including debuts in France ($1 million), Mexico ($1 million) and Italy ($800,000). In holdover markets, “Ticket to Paradise,” which features Clooney and Roberts as exes who try to stop their daughter from marrying a near stranger, has been popular in Australia ($8.5 million), the United Kingdom and Ireland ($7.4 million) and Germany ($7.4 million). It opens Oct. 21 in the U.S. and Canada.