Catherine Deneuve Drama ‘Peaceful’ from Emmanuelle Bercot Heads Studiocanal Berlin Slate (EXCLUSIVE)

Ted K, the true crime drama that premiered at this year’s Berlin Film Festival, has been snapped up for North American distribution by Neon’s boutique label Super Ltd.

Counting her blessings! Mandy Moore reflected on her “relatively easy” breast-feeding journey with son August.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

Amazon Prime Video has swooped on the critically acclaimed Chilean LGBTQ+ drama My Tender Matador for Latin America. The film —which first bowed in the Venice Days sidebar of the 2020 Venice Film Festival —won the audience award in the Open Horizons section of the 2020 Thessaloniki Film Festival.

Veteran screen legends Christopher Lloyd (Back to the Future) and William Shatner (Star Trek) get stopped by the police in this exclusive first-look image from upcoming comedy Senior Moment, from which Film Mode Entertainment is screening footage at the virtual European Film Market.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

Ed Meza @edmezavarPalestinian filmmaker Annemarie Jacir’s Gaza-set drama “The Oblivion Theory” has won the top prize at the Berlinale Co-Production Market.Presented by Paris-based Incognito Films and Berlin’s One Two Films, the film is based on José Eduardo Agualusa’s novel “A General Theory of Oblivion,” although the book’s story has been moved from Angola to Palestine during the First Intifada, the sustained protests by Palestinians against Israel occupation that lasted from 1987 to 1993.The

Rebecca Rubin Film and Media ReporterNeon has acquired North American rights to Céline Sciamma’s latest feature, “Petite Maman,” following its premiere at the Berlin Film Festival.The sale reunites Sciamma with Neon, the New York-based independent studio that released her acclaimed drama “Portrait of a Lady on Fire.”Written and directed by Sciamma, “Petite Maman” follows 8-year-old Nelly, who loses her beloved grandmother and goes to help her parents clean out her mother’s childhood home.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

The Killing of Kenneth Chamberlain first premiered at the Austin Film Festival in October 2019; a year and a half later, it is heading to Berlin's European Film Market carrying the weight of 2020's racial reckoning. The 80-minute indie, written and directed by David Mindell, follows the final moments of Chamberlain's life.

U.K.-based sales outfit Alief has racked up a series of international territory deals for Isaac, a romantic drama from directors Ángeles Hernández and David Matamoros, about two childhood friends who reconnect as adults. Hernández and Matamoros were both producers on Netflix's Spanish-language horror hit The Platform.

True Blood's Stephen Moyer and Golden Globe nominee Colm Meaney (Con Air, Gangs of London) exchange bloody vows in this exclusive first-look image from upcoming thriller Confession, which Signature Entertainment are shopping worldwide at the European Film Market.

For the students at a remote boarding school for Kurdish boys, survival is a matter of course, particularly during the frigid depths of winter. The meals are meager, the heating doesn’t work, and even the principal’s car won’t start.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

Samuel Goldwyn Films has acquired North American rights to WWII drama Into the Darkness, from veteran Danish filmmaker Anders Refn and depicting the disintegration of a family unit amid Denmark's slow side into fascism under the shadow of the Third Reich.

EXCLUSIVE: New York-based distributor FilmRise has struck a deal with sales firm WaZabi Films for U.S. rights to TIFF 2020 and Berlin 2021 drama Beans.