Oliver Stone
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Oliver Stone
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Quentin Tarantino hasn’t seen all of Oliver Stone’s take on his ‘Natural Born Killers’ script - www.nme.com
nme.com
02.08.2021 / 15:25

Quentin Tarantino hasn’t seen all of Oliver Stone’s take on his ‘Natural Born Killers’ script

Quentin Tarantino has revealed that he has not watched Natural Born Killers in its entirety.Speaking on Brian Koppelman’s podcast The Moment, the filmmaker addressed his much-publicised disdain of the film, which is based upon his script.“One of the things about that script in particular is that I was trying to make it on the page, so when you read it, you saw the movie,” Tarantino explained.

Quentin Tarantino On Oliver Stone’s ‘Natural Born Killers’: Why Didn’t He Do Half Of What Was On Page? - theplaylist.net
theplaylist.net
30.07.2021 / 20:07

Quentin Tarantino On Oliver Stone’s ‘Natural Born Killers’: Why Didn’t He Do Half Of What Was On Page?

You know the story; before he made a name for himself as a director, Quentin Tarantino was a screenwriter trying to get his foot in the door. Before he directed “Reservoir Dogs,” he sold his “True Romance” script to Ridley Scott and sold his “Natural Born Killers” script to Regency/Warner Bros.

‘JFK Revisited: Through the Looking Glass’: Oliver Stone Attempts A Weak Victory Lap In The Receptive-To-Conspiracy Age [Cannes Review] - theplaylist.net
theplaylist.net
18.07.2021 / 23:23

‘JFK Revisited: Through the Looking Glass’: Oliver Stone Attempts A Weak Victory Lap In The Receptive-To-Conspiracy Age [Cannes Review]

Conspiracy theorists have spent more time researching their subjects than you have and have facts ready at their disposable with which to bury you in. Take filmmaker Oliver Stone, for example.

‘Magnetic Beats’ Keeps Good Time, Thumping Out A Cinematic Soundtrack To A Perfect Moment [Cannes Review] - theplaylist.net
theplaylist.net
17.07.2021 / 17:31

‘Magnetic Beats’ Keeps Good Time, Thumping Out A Cinematic Soundtrack To A Perfect Moment [Cannes Review]

Director Vincent Maël Cardona uses western Europe in the early-1980s as the canvas upon which he paints his layered and achingly genuine portrait of young love, familial bondage, artistic aspiration, and universal chaos. Unburdened by a firm connection to any one genre or narrative archetype, “Magnetic Beats” tells a simple story with a full arsenal of source music, thoughtful set design, and crisp acting at all levels to pull off this love letter to a particular moment in time.

‘Petrov’s Flu’: Kirill Serebrennikov’s Contagious, Crazed Drama Is Unhingedly Creative [Cannes Review] - theplaylist.net
theplaylist.net
16.07.2021 / 17:15

‘Petrov’s Flu’: Kirill Serebrennikov’s Contagious, Crazed Drama Is Unhingedly Creative [Cannes Review]

It’s a good thing you can’t catch a virus from an image because if you could, just a few frames of Kirill Serebrennikov‘s fabulously yeasty, bilious, dank Competition title, “Petrov’s Flu” would bring all of Cannes‘ anti-Covid measures to naught.

Tatiana Huezo’s ‘Prayers for The Stolen’ Is A Magnificently Lucid Portrait of Girlhood Under Siege [Cannes Review] - theplaylist.net - USA
theplaylist.net
16.07.2021 / 15:53

Tatiana Huezo’s ‘Prayers for The Stolen’ Is A Magnificently Lucid Portrait of Girlhood Under Siege [Cannes Review]

Tatiana Huezo’s eye for lyrical truth has materialized in documentaries like “Tempestad” or “The Tinniest Place,” works that penetrate some of the most tenebrous corners in recent Latin American history with shimmering compassion. Her stance as an acute observer of the people that survive and persevere through tumultuous sociopolitical and economically disadvantaged contexts produces thought-provoking filmic meditations.

‘A Hero’: Asghar Farhadi’s Moral Quandary Film Questions The Weight of a Good Deed [Cannes Review] - theplaylist.net
theplaylist.net
15.07.2021 / 15:37

‘A Hero’: Asghar Farhadi’s Moral Quandary Film Questions The Weight of a Good Deed [Cannes Review]

In “A Hero” (“Ghahreman”), Asghar Farhadi blurs the line of innocence and guilt in a fraught drama about the true weight of a good deed. During a two-day reprieve from prison, Rahim Soltani (Amir Jadidi) and his girlfriend Farkhondeh (Sahar Goldust) discover a handbag full of golden coins.

‘The Crusade’: Louis Garrel’s Latest With Laetitia Casta Is A Superficially Charming, Yet Obtusely Colonialist Environmental Manifesto [Cannes Review] - theplaylist.net
theplaylist.net
14.07.2021 / 21:13

‘The Crusade’: Louis Garrel’s Latest With Laetitia Casta Is A Superficially Charming, Yet Obtusely Colonialist Environmental Manifesto [Cannes Review]

When teenaged environmental activist Greta Thunberg made her now-famous speech at the UN Headquarters in 2019, she was met with equal parts admiration and derision, likely an unfavorable imbalance toward the latter. For every A-list celebrity who reposted a clip on their Instagram story, adorned with enthusiastic heart emojis, surely another handful of Internet trolls lurked in the comments and left discouraging messages.

‘Bruno Reidal, Confession Of A Murderer’ Is An Empty, Misguided True Crime Provocation [Cannes Review] - theplaylist.net
theplaylist.net
14.07.2021 / 21:13

‘Bruno Reidal, Confession Of A Murderer’ Is An Empty, Misguided True Crime Provocation [Cannes Review]

The rise in popularity of true crime stories has seen the line between genuine investigation and lurid exploitation become increasingly blurred. With every new Netflix docu-series, podcast episode, and beach-read paperback, content creators are having to go further afield to dig up some crime forgotten to history to recast in a light that often appears oriented for entertainment first, with any richer insights an inadvertent byproduct.

‘Hit The Road’: Panah Panahi’s Directorial Debut Is Thrilling Cinema & A Breath Of Fresh Air [Cannes Review] - theplaylist.net - Iran
theplaylist.net
14.07.2021 / 18:57

‘Hit The Road’: Panah Panahi’s Directorial Debut Is Thrilling Cinema & A Breath Of Fresh Air [Cannes Review]

It would be disingenuous not to begin this review by mentioning that, yes, Panah Panahi is indeed related to the titan of Iranian cinema, Jafar Panahi.

‘Mi Iubita, Mon Amour’: Noémie Merlant Performs Double Duty With Mixed Results In This Romantic Drama [Cannes Review] - theplaylist.net - Italy - county Oliver
theplaylist.net
14.07.2021 / 17:43

‘Mi Iubita, Mon Amour’: Noémie Merlant Performs Double Duty With Mixed Results In This Romantic Drama [Cannes Review]

A coming-of-age summer romance yarn, “Mi Iubita, Mon Amour” succeeds in shifting the power dynamic within the classic genre archetype, albeit in a way that increases the creep factor.

‘The Innocents’: Eskil Vogt’s Latest Is A Violent & Disturbing Nightmare Of Childhood [Cannes Review] - theplaylist.net - USA
theplaylist.net
14.07.2021 / 16:27

‘The Innocents’: Eskil Vogt’s Latest Is A Violent & Disturbing Nightmare Of Childhood [Cannes Review]

What do we really know about children? Until the Renaissance, artists were still painting them as freakish shriveled adults. Only in the last century-ish did American society decide they probably should go to school instead of laboring all day in sweatshops.

‘Titane’: The New flesh Is Thriving, Living Rent-Free in Julia Ducournau’s F*cked Up Metallica Brain [Cannes Review] - theplaylist.net
theplaylist.net
14.07.2021 / 06:51

‘Titane’: The New flesh Is Thriving, Living Rent-Free in Julia Ducournau’s F*cked Up Metallica Brain [Cannes Review]

We can all stop wishing it a long life: the new flesh is thriving, living rent-free in Julia Ducournau‘s fucked-up titanium brain, oozing from every frame of her bizarrely beautiful, emphatically queer sophomore film, and thence seeping in through your orifices, the better to colonize your most lurid, confusing nightmares, as well as that certain class of sex dream that you’d be best off never confessing to having.

‘Blue Bayou’: Justin Chon’s Wong Kar-Wai Influenced Story Of Identity With Alicia Vikander Says We All Belong [Cannes Review] - theplaylist.net
theplaylist.net
13.07.2021 / 23:11

‘Blue Bayou’: Justin Chon’s Wong Kar-Wai Influenced Story Of Identity With Alicia Vikander Says We All Belong [Cannes Review]

“Where are you really from?” It’s an invasive question that’s awfully familiar to people of color, one that intrudes its way into our everyday lives. Though it can have innocent intentions, it’s often hostile and only works to invalidate our livelihood.

Cannes Report Day 8: Oliver Stone Says Hollywood Won’t Back JFK Doc, ‘French Dispatch’ Wows - thewrap.com - France
thewrap.com
13.07.2021 / 18:57

Cannes Report Day 8: Oliver Stone Says Hollywood Won’t Back JFK Doc, ‘French Dispatch’ Wows

Check out TheWrap’s digital Cannes magazine issue here. You can find all of TheWrap’s Cannes coverage here.Oliver Stone headed to the Cannes Film Festival this week 30 years after the release of his dramatic saga “JFK,” this time with a documentary about the John F. Kennedy assassination murder that aims to get more answers about the 1963 event.

‘Three Floors’: Nanni Moretti’s Latest Melodrama Is Misjudged & Unconvincing [Cannes Review] - theplaylist.net - Rome - Israel
theplaylist.net
13.07.2021 / 16:45

‘Three Floors’: Nanni Moretti’s Latest Melodrama Is Misjudged & Unconvincing [Cannes Review]

Premiering in competition at this year’s Festival de Cannes, Nanni Moretti’s wild melodrama “Three Floors” is based on a 2017 Israeli novel called “Shalosh Qomot” from writer Eshkol Nevo and begins with an undeniably tragic event. One dark night on a quiet street of Rome, a drunk driver runs over a lady crossing the road, narrowly avoids hitting a pregnant woman, then finally crashes into a building, landing straight into a family’s living room.

‘Ali & Ava’: Clio Barnard’s Unlikely Romance Strikes a Sweet Chord [Cannes Review] - theplaylist.net
theplaylist.net
13.07.2021 / 16:45

‘Ali & Ava’: Clio Barnard’s Unlikely Romance Strikes a Sweet Chord [Cannes Review]

What do fans of Sylvan Esso dance house remixes and Bob Dylan have in common? Almost nothing, you’d imagine, and you’d probably be right. But in Clio Barnard’s sweet, unlikely romance “Ali & Ava,” which premiered as part of Cannes’ Directors’ Fortnight program, the two titular characters—both from opposite musical camps—learn to find common ground in each other’s preferences and more, to share in each other’s lives.

‘The French Dispatch’: Wes Anderson Dazzles With A Whimsical New Missive Of Wit & Short Story Delights [Cannes Review] - theplaylist.net - France - Texas - Indiana
theplaylist.net
12.07.2021 / 23:21

‘The French Dispatch’: Wes Anderson Dazzles With A Whimsical New Missive Of Wit & Short Story Delights [Cannes Review]

July 12th, 2021, Cannes – Reader, I ratatat out this missive in haste on my trusty Smith-Corona from the South of France, in the paltry hopes it may adequately convey my delight in viewing the latest cinematographic marvel from Mr. Wes Anderson, originally of Houston, Texas but more latterly resident of a nearby color-coded, symmetrical nebula almost entirely of his own design.

‘Bergman Island’: Mia Hansen-Løve’s Breezy Relationship Auto-Fiction Is A Wisp Of A Film [Cannes Review] - theplaylist.net
theplaylist.net
12.07.2021 / 20:17

‘Bergman Island’: Mia Hansen-Løve’s Breezy Relationship Auto-Fiction Is A Wisp Of A Film [Cannes Review]

There’s a lovely wind that blows across the island of Fårö, Ingmar Bergman‘s actual home for several years, and his spiritual home for several decades. Even in the summer, when Mia Hansen-Løve‘s “Bergman Island” is set, the breeze is constant, cool and a little salt-dampened, tousling Vicky Krieps’ hair, scudding through the tufts of scraggly dune-grass and sweeping majestically across the vast empty spaces where the point of this movie is supposed to be.

Oliver Stone revisits JFK assassination in new documentary - abcnews.go.com - France - USA
abcnews.go.com
12.07.2021 / 18:09

Oliver Stone revisits JFK assassination in new documentary

CANNES, France -- Thirty years after “JFK,” Oliver Stone has returned to the assassination of John F. Kennedy, this time in a documentary.“JFK Revisited: Through the Looking Glass" is a kind of non-fiction addendum to one of Stone's most sensational and controversial films.

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