The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.
28.05.2022 - 02:21 / nypost.com
s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.
“’Elvis’ Stuns Cannes With 12-Minute Standing Ovation,” wrote Variety of this week’s Baz Luhrmann premiere. “David Cronenberg’s ‘Crimes of the Future’ Nabs Six-Minute Standing Ovation,” blared Deadline of the new film.C’est amusant! After all, we are told that the French are the paragon of superior taste.
Their Michelin Guide tells us where to spend $400 on sous vide celery. Parisian fashion houses like Yves Saint Laurent and Dior are world leaders in their field.
There’s a $30 upcharge on bottles of sparkling wine with the word Champagne stamped on them. So pour quoi in 2012 did “The Paperboy” starring Nicole Kidman, which The Post called “an embarrassing waste of celluloid,” get a 16-minute standing ovation from France’s cinema elite? “The Beaver,” with Mel Gibson and a 62% score on Rotten Tomatoes, a 10-minute love-fest a year earlier? Gaspar Noe’s “Love,” in which the grand finale of a sex act is filmed in 3D, also got 10 minutes of boisterous approval in 2015. Poor eventual Best Picture winner “Parasite” received a mere eight minutes.These lemming-like displays have nothing to do with quality and everything to do with the French’s love for meaningless expirations of energy.
The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.
Directed by Louis Garrel, son of revered arthouse director Philippe, “The Innocent” is a quintessentially French comedy whose principle aim is to be a fun time. Though this may seem a relatively modest ambition, we all know it isn’t easy to do well, and Garrel certainly does not make things any simpler for himself as the film repeatedly leaves the realm of the bon mot to veer on the farcical.
“The Stars at Noon” finds the French filmmaker Claire Denis shooting in Panama doubling for Nicaragua; directing a cast of Yanks, Brits, and assorted Central Americans; and working from a script switching between Spanish and English. Internationally coproduced Towers of Babel such as this aren’t at all uncommon at the Cannes Film Festival, but the errors in translation all over this disappointing foreign-relations drama run deeper than simple differences of ethnicity or language.
Sharon Stone is looking so cool on the red carpet!
Anne Hathaway is being crowned the haute couture queen of the Cannes Film Festival. And fans of the brunette bombshell are digitally reveling over the early-2000s diva’s fashionable resurgence. “Can we all take a moment to appreciate Anne Hathaway looking like a goddess in Cannes,” tweeted an admirer of the Oscar winner, alongside a snapshot of her in a sequin, floral-print two-piece ensemble by Schiaparelli. “I love this Anne Hathaway renaissance we’re going through,” chimed another. Making her debut at the annual silver screen soirée over the weekend, Hathaway, 39, repeatedly turned heads in high-fashion finery for the premiere of her feature flick “Armageddon Time,” starring Anthony Hopkins, 84, and Jeremy Strong, 43. And immediately after touching down in France on Wednesday, the blockbuster beauty transformed the Nice Côte d’Azur Airport into a virtual runway, sashaying through in a chic, loose-fitting pantsuit. From there, Hathaway ditched her trendy traveling togs to don a white strapless Armani Privé gown, reminiscent of her “Princess Diaries” glamor, on the film festival’s star-studded red carpet Thursday. The flawless fashion plate continued to outdo herself throughout the duration of the weekend, rocking a blue mini dress by Gucci Friday, stunning in a coffee-colored Louis Vuitton number Saturday and beaming in a hot pink piece by Valentino Sunday. And the luxe looks sent Hathaway enthusiasts into a full-on Twitter tizzy. “Anne Hathaway at the cannes film festival.
In the late 19th century, two French psychiatrists coined the term “folie à deux,” literally translated as madness for two, to describe what is now widely referred to as shared psychotic disorder, or when two — or more — people transmit delusional beliefs and occasional hallucinations to one another. The condition is most common in people closely related, who live in intimate proximity, and has been lengthily dissected by academics.
The cast of Elvis has arrived for the premiere at the 2022 Cannes Film Festival!
Based on her own time spent in the acting school Les Amandiers, Valeria Bruni Tedeschi’s “Forever Young” aims to recreate a very specific time and place both in her life and in France, more than it cares to inform her audience about what, exactly, was so special about this school. Funded in the 1980s by Patrice Chéreau, a successful and daring director of theatre, opera and film, Les Amandiers did not last very long but for a few years it was considered to be one of the most exciting places in France and even Europe for young actors to develop their crafts, and for directors to find new talent.
Observed in isolation, detached from the body or in extreme close-ups, organs and other vital viscera resemble moist masses of soft tissue plucked from alien landscapes in the unflinchingly immersive medical documentary “De Humani Corporis Fabrica.” Alternating between footage from cameras inserted into patients for the purpose of treating ailments and grisly shots from the operating room, directors Verena Paravel and Lucien Castaing-Taylor, the team behind the striking non-fiction film on fishing “Leviathan,” apply their fascination for uncanny imagery with relativist intent to the inner workings of French hospitals and, in turn, the human body.
So many stars stepped out for 75th Anniversary celebration screening of The Innocent during the 2022 Cannes Film Festival!
Kristen Stewart starts her day with the 2022 Cannes Film Festival photo call for her film Crimes of the Future on Tuesday (May 24) in Cannes, France.
Kristen Stewart just gave us another great red carpet moment!
“The Five Devils,” from French director Léa Mysius, captivates from its very first seconds. We see Adèle Exarchopoulos in a sparkling gymnast outfit with other similarly dressed girls, all watching an enormous fire in the background; when she turns around, she is crying — fire, beauty, passion and death all conveyed in one image.
Kristen Stewart keeps it casual while leaving her hotel for an interview appearance in Cannes, France on Monday (May 23).
The films of French filmmaker Quentin Dupieux are at their best when they combine his penchant for ludicrous but simple what-if scenarios, with his perceptive eye for humor in everyday life and banal interactions. He would probably hate his cinema to be pinned down in this way: though he has proven that he can subscribe to straightforward storytelling with “Deerskin” (which premieres at Cannes in 2019) and “Incredible But True” (Berlinale 2022), the French director and absurdist also enjoys leaving the demands of logical plot developments behind in favor of a freer style.
Kristen Stewart nailed casual chic as she departed the Hôtel Martinez during the 75th annual Cannes Film Festival on Monday. The actress, 32, flashed the band of her underwear beneath a white Chanel crop top while exhibiting her legs in a pair of distressed denim shorts. Hitting the streets of the French city, she is currently staying at the five-star hotel, where prices per night reach a staggering €1,251 (£1,060).