Cannes chief Thierry Frémaux has confirmed Wes Anderson’s latest film The French Dispatch and Paul Verhoeven’s drama Benedetta will be selected for this year’s festival.
31.03.2021 - 19:18 / variety.com
Thierry Frémaux I met Bertrand Tavernier in Lyon in 1982 at the Chateau Lumiere when he came to announce that he was going to become the first president of the Institut Lumière.He had just come off “Coup de Torchon” and his prestige was at its peak. As I was working for Positif magazine, I took the opportunity to question Bertrand about his love for films and his long relationship with the magazine.
Cannes chief Thierry Frémaux has confirmed Wes Anderson’s latest film The French Dispatch and Paul Verhoeven’s drama Benedetta will be selected for this year’s festival.
Rege-Jean Page became an overnight sensation after the success of Netflix's Bridgerton. The actor received immense praises for his portrayal of Simon Basset, Duke of Hastings.
After the COVID pandemic forced the Cannes Film Festival to be canceled last year, it seemed silly to think that we could possibly go two full years without the French event. Well, as we approach the July date for this year’s already-delayed Cannes, the director of the event, Thierry Fremaux is confident the in-person festival will happen this summer, according to a new interview with Rappler.
Fans were shocked and disappointed to learn that Regé-Jean Page would not be returning to “Bridgeton” for season two, but according to co-star Adjoa Andoh, the exit makes sense.
Sergio De La Pava's PEN prize-winning debut novel, A Naked Singularity, is a messy, maximalist slab of stream-of-consciousness prose in which the main storyline is a perfect crime, wrapped in digressions on countless subjects, among them astrophysics, philosophy, boxing and the deeply flawed American justice system.
While COVID cases are taking a dip in parts of America (like California, where the vaccine rollout has been relatively smooth and movie theaters and restaurants are finally starting to reopen their doors), things are not quite so rosy across the pond in Europe.
Cannes Film Festival from moving forward with its plans to host an in-person event in early July.Cannes’ artistic director Thierry Fremaux is in active discussions with U.S.
New Jersey may be the first state to pitch itself as an alternative to Georgia production but won’t be the last amid national furor at the Peach State’s restrictive new voting law. Atlanta’s booming entertainment infrastructure has so many advantages from rebates to infrastructure, yet the state is making itself a liability again less than a year after passing a highly controversial state abortion law (struck down by a federal judge as unconstitutional).
Georgia's potential loss could be New Jersey's gain. At least that's what the Garden State hopes.
Brian Rohan, who was known as San Francisco's “dope lawyer” for 1960s counterculture clients like the Grateful Dead and Ken Kesey, has died, according to a newspaper report Sunday. He was 84.
marijuana possession — a team headed up by another famous San Francisco lawyer, Patrick Hallinan — Rohan became San Francisco’s go-to man for “dope” charges.Rohan co-founded the Haight Ashbury Legal Organization and the group recruited clients in part by setting up a table outside the Grateful Dead house at 710 Ashbury Street.Thanks to his association with the Grateful Dead, Rohan also became a music lawyer. In 1966, he helped the band negotiate its first contract with Warner Bros.
marijuana possession in 1965, Rohan became the go-to attorney for illegal drug charges, the Chronicle said.Rohan co-founded the Haight Ashbury Legal Organization and the group recruited clients in part by setting up a table outside the Grateful Dead house at 710 Ashbury Street.Thanks to his association with the Grateful Dead, Rohan also became a music lawyer. In 1966, he helped the band negotiate its first contract with Warner Bros.
Peter Debruge Chief Film CriticAs a critic committed to maintaining a certain professional distance with those whose work I might review, I don’t often play the fan in the presence of filmmakers.
The prolific French filmmaker Bertrand Tavernier passed away earlier this week. The director was heralded as the leader of the generation after the French New Wave, with a prolific career that spanned nearly 50 years.
The San Francisco Chronicle.San Francisco Mayor London Breed announced the pilot program on Thursday (March 25), saying it’s to help artists survive the coronavirus crisis and embolden their work moving forward.“This new program is an innovative effort to help our creative sector get through this challenging time, and come back even stronger and more resilient than before,” Breed said on the Yerba Buena Center for the Arts (YBCA) website.
San Francisco is investing in its arts community. Starting in May, 130 local artists in the city will receive $1,000 per month in cash, with no strings attached.
Dude, what did the Bay Area and people driving Hyundai cars ever do to you?!
The last time I saw Bertrand Tavernier, who died yesterday in Paris at 79, was at the Cannes Film Festival nearly two years ago after the world premiere of Once Upon a Time in Hollywood. It was after 1 a.m.
Elsa Keslassy International CorrespondentThe news of beloved and revered French filmmaker Bertrand Tavernier’s death has struck a chord in France and around the world with a flurry of cinephiles, filmmakers, critics, industry figures and talents remembering him on social media on Thursday.Aside from his prolific career as filmmaker, Tavernier (“Round Midnight,” “Coup de Torchon,” “A Sunday in the Country”), was also a driving force behind the Institut Lumiere and its annual heritage film
Bertrand Tavernier, the filmmaker, cineaste and critic who emerged in the wake of the French New Wave with such classics asThe Clockmaker of St. Paul,A Sunday in the Countryand'Round Midnight, died Thursday.