Cannes Critics Week Sets Rodrigo Sorogoyen, Spanish Director, as Jury President

John Hopewell Chief International Correspondent “Barren Land,” from Spain’s Albert Pintó, director of Netflix global blockbusters “Money Heist,” “Berlin” and “Nowhere,” have been snapped up by Spain’s Film Factory Entertainment. From an original idea by producer Alvaro Ariza, “Barren Land” (“Tierra de Nadie”) is penned by Fernando Navarro, one of Spain’s go-to screenwriters whose credits include Netflix hits “Below Zero” and “Veronica.” Film Factory will launch world sales on “Barren Land,” as it builds a powerful slate of upscale commercial packages.

Let’s catch up on all things Cannes Film Festival. For one, if you haven’t seen it, Cannes recently revealed its 2024 poster, featuring a scene from “Rhapsody in August,” directed by the great Japanese master Akira Kurosawa, 81 at the time (see it below in full).

Coachella 2024. Here’s everything you need to know to enjoy the California festival from the desert, or from the comfort of your own home.Weekend one was pretty eventful – with Lana Del Rey dazzling during her show (with a little help from surprise guest Billie Eilish), Damon Albarn struggled to connect with the lacklustre audience gathered for Blur, before Tyler, The Creator smashed his Saturday headline show – despite a similarly meek crowd – and a stellar closing set from Doja Cat.Headlines were also made by the long-awaited return of No Doubt (featuring Olivia Rodrigo), a reunion set from Sublime, and other guest turns coming from Paris Hilton hooking up with Vampire Weekend and Will Smith taking to the stage with J Balvin to roll out ‘Men In Black‘ for some reason.Now the set times for the second weekend of the festival have been announced, along with a new multi-view feature on the festival’s official livestream – so you can watch all the action from each stage.

Netflix has boarded a big screen adaptation of Spanish director Cesc Gay’s award-winning theatre play 53 Domingos, which he will direct.

William Earl administrator The Austrian writers and directors behind pitch-black horror hits “Goodnight Mommy” and “The Lodge” are bringing their newest vision to America. “The Devil’s Bath,” the latest film from Veronika Franz and Severin Fiala, is set to have its North American premiere at this year’s Tribeca Film Festival, and then head to Shudder for a June 28 streaming debut. The film had its world premiere at this year’s Berlinale, and was recently nominated for 11 Austrian Film Awards, including Best Film.

The 55th edition of the Cannes’ Directors’ Fortnight, the parallel section of the main Cannes Film Festival, has announced its 2024 line-up. Running from May 15 to 23, the Fortnight, or the Quinzaine Des Cinéastes, in French, will debut 21 feature films and ten short films.

The Cannes Film Festival is around the corner next month, so all the satellite sidebar festivals that orbit it are preparing their line-ups. The latest is Cannes Critic Week, organized by France’s Film Critics Union, which will run May 15-23.

Elsa Keslassy International Correspondent Cannes Critics’ Week, the sidebar dedicated to first and second films, will open with Jonathan Millet’s psychological thriller “Ghost Trail” and wrap with Emma Benestan’s genre film “Animale.” “Ghost Trail” and “Animale” are two of the 11 features slated for Critics’ Week, which runs alongside the Cannes Film Festival. The sole U.S.

Cannes Critics’ Week championing work by emerging filmmakers has unveiled the line-up for its 63rd edition running from May 15 to 23. 

Old school met grade school on Saturday at the Coachella Music & Arts Festival in Indio, California.

electrifying set on Saturday night proved, No Doubt were Coachella 2024’s secret weapon. Sure, people were excited when the band presence at the festival — their first concert in nine years — was first announced, but the run-up to it was pretty low-key.

No Doubt have brought out Olivia Rodrigo for a rendition of ‘Bathwater’ during the band’s 2024 Coachella reunion set.Taking over the main stage in full effect, Gwen Stefani and co. marked their first live performance in over nine years with their reunion at the annual music and arts festival in California.They kicked things off with their classic hits ‘Hella Good’, ‘Sunday Morning’ ‘Ex-Girlfriend’ and their famous Talk Talk cover of ‘It’s My Life’.

Patrick Frater Asia Bureau Chief Rights to “I, The Executioner,” which will premiere as a Midnight Screening at the Cannes Film Festival this year, have been picked up by South Korea’s CJ ENM. The crime-action film directed by Ryu Seung-wan (also written Ryoo Seung-wan) is a sequel to Ryu’s 2015 hit “Veteran” and in Korea goes by the title “Veteran 2.” Few details of the story have yet been disclosed, but CJ describes the film as “combining Ryu’s trademark action with observations and messages about social change.” Ryu last year enjoyed major box office success with crime comedy “Smugglers.” Hwang Jung-min, who recently enjoyed box office success in “12.12: The Day,” reprises his role from “Veteran.” He is joined in the sequel by Jung Hae-in (“Tune in for Love”) as a new member of the film’s Violent Crime Investigation Squad. “I, The Executioner” was produced by Filmmaker R & K, the production shingle owned by Ryu and his wife Kang Hae-jung, with CJ ENM as financier and local and international distributor. CJ ENM expects to give the film a theatrical release in South Korea at an unspecified date in the second half of the year. The original “Veteran” had its international premiere in a sidebar of the 2015 Toronto festival, was named best film at the Sitges genre festival in Spain.

Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.

The 2024 Cannes Film Festival was unveiled this morning, meaning there will be many first looks at some of the year’s most anticipated films. The most notable of the day is a first-look image of Sebastian Stan as Donald Trump and Jeremy Strong as his legal enforcer Roy Cohn in Ali Abbasi’s “The Apprentice.” Screening in competition at Cannes, “The Apprentice,” is a dive into the underbelly of the American empire.

Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.

Cannes Critics’ Week has unveiled the jury members for its upcoming 63rd edition, who join previously announced jury president Rodrigo Sorogoyen.

Alex Ritman Rwandan actress Eliane Umuhire (“Augure by Baloji,” “My New Friends”), French producer Sylvie Pialat (“Timbuktu,” “Staying Vertical”), Belgian cinematographer Virginie Surdej (“The Blue Caftan,” “Our Mothers,” “Casablanca Beats”) and Canadian film critic, journalist and frequent Variety contributor Ben Croll have been named on the jury for the Critics’ Week section of the Cannes Film Festival. The four will now join Spanish filmmaker Rodrigo Sorogoyen, who last week was named Critics’ Week jury president, with the group set to choose the sidebar competition’s award winners, including the Grand Prize for best feature film, the French Touch Prize of the Jury, the Louis Roederer Foundation Rising Star award for best actor or actress and the Leitz Ciné Discovery Prize for best short film.

Rumored to be in the mix for several festivals, Francis Ford Coppola’s expensive, long-gestating “Megalopolis” is expected to premier at the Cannes Film Festival this May. According to Deadline’s The Dish, Coppola’s film, which he funded himself to the tune of over 100 million, will play in competition on the Croisette on May 17.

Patrick Frater Asia Bureau Chief Filming has begun on “Return to Paradise,” an Australian spin-off series of the global hit murder mystery franchise “Death in Paradise.” With filming in locations across Sydney and the Illawarra coastal region, the six-part whodunit is produced by BBC Studios Productions Australia with Red Planet Pictures for the ABC in association with the BBC. The BBC will screen the series on BBC One and iPlayer in the U.K.