The Sands International Film Festival, Scotland’s burgeoning film event, opened its second edition this weekend with the world premiere screening of Citadel, the much-talked-about Prime Video series from Marvel auteurs Anthony and Joe Russo.
27.03.2023 - 17:55 / variety.com
Elsa Keslassy International Correspondent Can the Cannes Film Festival top itself after a 2022 edition that premiered three picture nominees, “Top Gun: Maverick,” “Triangle of Sadness,” and “Elvis”? Cannes chief Thierry Frémaux certainly hopes so. In his first interview about the upcoming 76th edition, Fremaux tells Variety about his efforts to pull together another milestone edition, talks about his failed attempt to get a woman to preside over this year’s jury and his hopes to lure prestige U.S. indies, along with Hollywood studio movies, after proving once again last year that Cannes can be a strong launchpad for the awards season. But some things won’t change, as Netflix isn’t planning a return to the festival. Other streamers, like AppleTV+, however, are expected on the Croisette with Martin Scorsese’s movie “Flowers of the Killer Moon.” On the sponsor side, Cannes will be working with TikTok while keeping a close eye on the social media site’s political ties. The Official Selection will be unveiled in mid-April in Paris.
Last year around the same time, you were overwhelmed. How is it this year? I’m always overwhelmed around that time of the year! The selection process is in full gear and I’m lucky to have a wonderful team with Christian Jeune, head of the film department, and Stephanie Lamome who joined us as artistic advisor. For the last two years, we had to absorb a surplus of productions due to the lockdown, for movies that hadn’t been released in theaters. The festival wanted to open itself to more films to help them exist. That’s why in 2021 and 2022 the selection was larger. It was a choice. But in 2023, we would like to go back to a more traditional size in order to launch films in the best possible
The Sands International Film Festival, Scotland’s burgeoning film event, opened its second edition this weekend with the world premiere screening of Citadel, the much-talked-about Prime Video series from Marvel auteurs Anthony and Joe Russo.
Next month will see the Cannes Film Festival return and give us early glimpses of high-profile/awards-caliber films ahead of their official releases, and many will be premiered at the event. With that in mind, there are some interesting tidbits in a recent Screen Daily interview with Thierry Fremaux, the festival’s delegate general.
Cannes chief Thierry Frémaux unveiled the bulk of the Official Selection for the 76th edition of the festival at a packed press conference in Paris on Thursday morning.
Elsa Keslassy International Correspondent Cannes Film Festival’s longtime director Thierry Fremaux sat down with Variety following the announcement of this year’s lineup, which includes a bevy of star-studded period movies, including Martin Scorsese’s highly anticipated “Killers of the Flower Moon,” Karim Aïnouz’s “Firebrand” and Jonathan Glazer’s “Zone of Interest.” Along with a raft of politically-minded films, there’s also a record six movies directed by female helmers in competition, including newcomers like Senegalese direcotr Ramata-Toulaye Sy’s feature debut “Banel et Adama.” Fremaux said his only regret this year is to miss out on “Oppenheimer” and “Barbie,” but he’s keeping high hopes to convince Scorsese to vie for a second Palme d’Or 47 years after winning his first with “Taxi Driver.” He also revealed that as many as two or three movies are expected to be added to the competition next week, after Directors’ Fortnight and Critics’ Week announce their respective lineups.
Stars are getting ready to walk the Croisette.
After a stellar 2022 edition, the Cannes Film Festival is gearing up for its 76th edition next month. Today, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, revealed most of the In Competition, Un Certain Regard, and Out of Competition slates.
Refresh for latest…: While a handful of big-ticket Cannes Film Festival titles have already been revealed, the bulk of the Official Selection for the 76th edition will be unveiled today. General Delegate Thierry Frémaux is announcing the lineup for the May 16-27 event from Paris’ UGC Normandie cinema this morning and we are updating the list live below; you can also watch the livestream here.
Elsa Keslassy International Correspondent The anticipation is running high at the Cannes Film Festival’s packed annual press conference on the Champs-Élysées in Paris, where festival chief Thierry Fremaux is expected to unveil the bulk of the Official Selection for the 76th edition. The festival has been teasing cinephiles with splashy announcements about Martin Scorsese returning to the Croisette with “Killers of the Flower Moon,” 38 years after winning best director with “After Hour,” as well as Disney’s “Indiana Jones and the Dial of Destiny,” and Pedro Almodóvar’s short film, “Strange Way of Life.” But Fremaux, who is leading the presser with the festival’s new president Iris Knobloch, is expected to have saved a few high-profile surprises, including Wes Anderson’s “Asteroid City,” starring an ensemble cast that includes Tom Hanks, Margot Robbie, Scarlett Johansson and Tilda Swinton; Todd Haynes’ “May December” with Natalie Portman and Julianne Moore; Karim Aïnouz’s Henry VIII drama “Firebrand” with Alicia Vikander and Jude Law; and HBO’s “The Idol,” the Weeknd-led series.
Elsa Keslassy International Correspondent Elsa Zylberstein (“Simone: Woman of the Century”) will star as the French feminist writer Simone de Beauvoir in a feature film that will be penned by Oscar-winning writer Christopher Hampton and directed by Anne Fontaine. Zylberstein’s Sonia Films will produce the film with Philippe Carcassone’s banner Cine@ and Master Movie, the production vehicle of Marco and Lola Pacchioni. Rather than a biopic, the movie will revolve around the passionate transatlantic romance between de Beauvoir and Pulitzer Prize-winning writer Nelson Algren. Zylberstein has scooped the adaptation rights of de Beauvoir’s “Lettres à Nelson Algren” from Gallimard. Through those letters, the film will chart the pair’s affair, which spanned nearly two decades from 1947, in the aftermath of World War II, to 1964. Two-thirds of the movie will take place in Chicago, and the reminder will unfold in Paris.
Fatboy Slim has announced the line-up for 2023’s edition of All Back to Minehead festival.Following last year’s inaugural event, the festival returns to Butlin’s Minehead resort from November 10-13. Tickets are available now and can be found here.The 2023 line-up includes Jodie Harsh, Marshall Jefferson, Mella Dee, Sally C, Saoirse and Shanti Celeste.
Elsa Keslassy International Correspondent Don’t expect Warner Bros. Discovery’s French original programming team to follow Netflix and Amazon Prime Video’s trail and chase teen audiences. Vera Peltekian, VP and head of streaming original production for the banner, says the standalone service’s bow in France “is on the roadmap” with a raft of “bold and director-driven Max originals targeting adult audiences in line with what the HBO brand is known for.” Peltekian, who previously worked 15 years at Canal + and played a major role in the pay TV group’s critically acclaimed series such as “The Returned,” “Spiral” and “Savages,” revealed that Warner Bros. Discovery’s first French original will be “The Mythomaniac of the Bataclan,” a four-part series inspired by the true story of a woman who conned her way into a victims’ association and quickly became one of its pillars.
The Cannes Film Festival has confirmed that it will announce the Official Selection for its 76th edition on April 13 in Paris.
Wild Bunch International, which bid farewell to its legendary company name at a bash in Paris in January, has announced its new name.
Paramount will give Martin Scorsese’s Killers Of The Flower Moon a theatrical release in France from October 18, Deadline has confirmed, in a move that will make the film subject to the country’s strict windowing rules.
The Cannes Film Festival has renewed its short film competition partnership with TikTok for a second year in a move that is likely to come under scrutiny amid the global debate over the platform’s privacy and data security record.
Apple Original Films today laid out its release plans for Killers of the Flower Moon, the Martin Scorsese-directed adaptation of the David Grann book that pairs the helmer’s two favorite leading men, Leonardo DiCaprio and Robert De Niro.
Elsa Keslassy International Correspondent The crack of a bullwhip may soon echo around the Palais. Fifteen years after opening the Cannes Film Festival, the world’s most famous archeologist is expected to return to the Croisette, and follow in the footsteps of 2022’s “Top Gun: Maverick” as this edition’s splashy Hollywood blockbuster premiere. The festival has invited Disney’s “Indiana Jones and the Dial of Destiny” and it certainly boasts all the right ingredients to make for a glamorous and memorable moment. Executive produced by Steven Spielberg and George Lucas, this installment will reportedly be Harrison Ford’s last time playing the titular character. Ford stars opposite an attractive international cast, including Phoebe Waller-Bridge and Mads Mikkelsen, among others. James Mangold, the director of “Logan” and “Ford vs. Ferrari,” slides behind the camera on this one. Details of the film’s plot are being kept under wraps that are tighter than those of a mummy, but based on the trailer this one does find Dr. Jones facing off against former Nazis in a flashback sequence that uses de-aging technology to zap Ford back in time.
As concerns for AI’s rapid growth circulate among almost every industry, Tristan Harris and Aza Raskin, contributors on the 2020 Netflix documentary-drama film “The Social Dilemma,” warn there is no “pull[ing] the plug” on the technology in an upcoming interview with NBC News’ Lester Holt. In an exclusive clip of the interview shared with TheWrap, which airs Wednesday on “NBC Nightly News with Lester Holt” as part of NBC News’ ongoing “A.I.
now streaming on Prime Video, audiences are finally catching up on the TV version of author Taylor Jenkins Reid's riveting story about a 1970s band modeled after Fleetwood Mac that struggles to come together before making magic in the recording studio and enthralling fans with their presence on tour. But just as the group becomes one of the biggest acts in the world, it all falls apart. As captivating as the emotional journey is, it's the ensemble cast, who spent months together rehearsing and essentially becoming a real-life band, that makes the series shine. And while Camila Morrone is not one of the performers, she's easily one the show's biggest breakout stars.Prior to, the Hollywood-born 25-year-old actress made a name for herself with a few indie films, after first appearing in James Franco's.