The most awaited film this year at the Cannes Film Festival, Francis Ford Coppola’s Megalopolis, had its world premiere Thursday night, with the dystopian epic decades in the making landing a seven-minute standing ovation.
05.05.2024 - 15:47 / variety.com
Rebecca Rubin Senior Film and Media Reporter “The Fall Guy,” an action-comedy starring Ryan Gosling and Emily Blunt, kicked off the summer movie season without much sizzle. The film, backed by Universal and directed by David Leitch, fell just short of expectations with $28.5 million from 4,002 North American venues in its debut. Heading into the weekend, “The Fall Guy” was projected to earn at least $30 million to $40 million.
The trouble is that the movie cost $140 million to produce, so it needs strong word of mouth and interest at the international box office to recoup its budget during its theatrical run. “The Fall Guy” opened to $25.4 million overseas, bringing its global total to $65.4 million. There’s hope that “The Fall Guy” can stick around over the coming weeks… and that’s because Leitch’s prior film, 2022’s Brad Pitt-led assassin thriller “Bullet Train,” overcame similar box office odds.
The $90 million-budgeted movie started slow with $30 million in August and legged out to $130 million domestically and $239 million globally. Also, audiences and critics are digging the film, which landed an “A-” CinemaScore and 83% on Rotten Tomatoes. “The Fall Guy” sees Gosling as a former stuntman who tries to track down a missing movie star (Aaron Taylor-Johnson) so he can salvage a big studio movie, which is being directed by his ex-girlfriend (Blunt).
“This is a fair opening for a big action comedy,” says David A. Gross of movie consulting firm Franchise Entertainment Research. “Action comedies are solid performers overseas, and with this cast, foreign business should be good.
The most awaited film this year at the Cannes Film Festival, Francis Ford Coppola’s Megalopolis, had its world premiere Thursday night, with the dystopian epic decades in the making landing a seven-minute standing ovation.
Paramount+ has released a teaser for its seventh South Park special, which takes aim at weight loss drugs. You can watch the teaser above.South Park: The End of Obesity will premiere in the US on May 24, before arriving in Europe and other international territories a day later.In the trailer for the special, Cartman is told by a doctor that “drastic” action is required in order to bring his weight down, before learning about the drug Ozempic.
Nick Vivarelli International Correspondent Untamed Talent, the recently launched Arab world management and production company led by former Mister Smith Entertainment executive Antone Saliba is rebranding as 75East and bringing on board Shams Mohajerani, a former acquisitions executive at Cairo-based MAD Solutions, as its chief manager and producer. The change in name to 75East of the company, which launched last December with backing from Front Row Productions – a joint venture between leading Middle East distribution companies Front Row Filmed Entertainment and Empire Entertainment – is a geographical reference to the wider Southwest Asian and North African (SWANA) region from Morocco to Pakistan, “reflecting the company’s commitment to representing talent beyond Arabic-speaking territories,” according to a statement.
Angelina Jolie and Brad Pitt’s daughter, Shiloh, has long been interested in dance. Over the past couple of years, she has been featured in various dance videos, whether she’s performing in the background or alongside other dancers. New videos were shared by choreographer Lil Keelan Carter, who praised Shiloh’s form.
Rebecca Rubin Senior Film and Media Reporter “IF,” a fantasy-comedy from director John Krasinski and star Ryan Reynolds, looks to collect a promising $40 million in its box office debut. Based on projections, “IF” — short for imaginary friends — is tracking to land at least $35 million and as much as $45 million from 4,000 North American theaters. At the higher end of estimates, those ticket sales would mark a solid start for a live-action PG family film that’s not based on an existing property.
Nick Vivarelli International Correspondent Italian-born and Texas-based director Roberto Minervini is known for making hard-hitting documentaries that dissect the backwaters of American society, such as his so-called Texas trilogy comprising “The Passage,” “Low Tide” and “Stop the Pounding Heart.” His most recent doc, “What You Gonna Do When the World’s on Fire?,” about a community of Black people in New Orleans during the summer of 2017 – when a string of brutal killings of Black men sent shockwaves throughout the country – launched from the Venice competition section in 2018. “The Damned,” which premieres on Thursday in Cannes’ Un Certain Regard and is Minervini’s first fiction feature, is set during the American Civil War in the winter of 1862.
Lexi Carson The American Pavilion has announced this year’s “Industry In Focus” series and “In Conversation” programming for the 2024 Cannes Film Festival. The programming will run from Wednesday, May 15, to Thursday, May 23, and will include a daily schedule of more than 25 panels, conversations and screenings.
EXCLUSIVE: Ryan Phillippe (Shooter) and Kate Beckinsale (Underworld) are leading thriller The Patient, which is launching in the Cannes market with International Film Trust.
Rebecca Rubin Senior Film and Media Reporter Primates ruled over the North American box office as “Kingdom of the Planet of the Apes” collected $56.5 million in its first weekend of release. Those ticket sales were a hair above early projections of $50 million to $55 million and were easily enough to tower over the nonexistent competition.
EXCLUSIVE: Ahead of the Cannes market, Lionsgate has taken North American rights off the table on one of the bigger-budget new packages that’ll be on sale next week: that’s action-thriller Mutiny, which will star action evergreen Jason Statham (Fast & Furious) and be directed by Jean-François Richet (Plane).
Nick Vivarelli International Correspondent Italian-born Texas-based director Roberto Minervini is known for a distinguished career making documentaries including his so-called Texas trilogy comprising “The Passage,” “Low Tide” and “Stop the Pounding Heart.” His most recent doc “What You Gonna Do When the World’s On Fire?” about a community of Black people in New Orleans during the summer of 2017, when a string of brutal killings of Black men sent shockwaves throughout the country, launched from the Venice competition in 2018. “The Damned,” which is Minervini’s first feature film, is set during the American Civil War in the winter of 1862.
Nick Vivarelli International Correspondent The Venice Film Festival will honor Australian director and screenwriter Peter Weir – whose body of work comprises “Dead Poets Society,” “The Truman Show,” and “Master and Commander: The Far Side of the World” – with its 2024 Golden Lion for Lifetime Achievement. “With a total of only thirteen movies directed over the course of forty years, Peter Weir has secured a place in the firmament of the great directors of modern cinema,” Venice artistic director Alberto Barbera said in a statement.
Alex Ritman Writer-director S. Craig Zahler (“Bone Tomahawk”) is set to reunite with his “Dragged Across Concrete” and “Brawl in Cell Block 99” star Vince Vaughn and Oscar winner Adrien Brody (“The Pianist”) for upcoming crime thriller “The Bookie & the Bruiser.” Anton will introduce the film to international distributors at the upcoming Marche du Film in Cannes. UTA Independent Film Group and Range Media Partners arranged the financing and will be representing the North American distribution rights.
MadRiver Pictures has closed a multi-year equity financing and distribution deal with several major international distribution partners which gives it the ability to fully finance films at a budget of $25M-$75M for the global theatrical marketplace.
EXCLUSIVE: Nicolas Cage, FKA Twigs, Noah Jupe and Souheila Yacoub are set to star in Egyptian-American director Lotfy Nathan’s The Carpenter’s Son exploring the rarely told story of the childhood of Jesus with a horror take.
Elsa Keslassy International Correspondent Music Box Films has acquired U.S. distribution rights to “Daaaaaalí!,” the latest film by Quentin Dupieux whose upcoming movie “The Second Act” will world premiere on opening night at this year’s Cannes Film Festival.
Addie Morfoot Contributor Producer Ina Fichman, Oscar nominated for “Fire of Love,” was at the 25th edition of Hot Docs Forum on Tuesday to pitch her latest project “Ba’s Book.” Directed by Canadian filmmaker Ashley Da-Le Duong, the hybrid docu focuses on Duong’s father and his experiences living through both the Vietnam War and the Iranian Revolution. “Let me take you somewhere for a moment,” Duong told the Forum audience and participating distributors including Arte, A24 and Al Jazeera. “It’s 1968 and a young man stands in the middle of a rice paddy field and looks up and sees a helicopter.
Brent Lang Executive Editor Ryan Gosling and Emily Blunt, two essential ingredients in the “Barbenheimer” phenomenon, will leave Barbieland and Los Alamos behind them as they team up for “The Fall Guy.” But will audiences turn up in force to see the “Barbie” and “Oppenheimer” stars when their new action comedy debuts this weekend? Well, “The Fall Guy” isn’t going to hit those films’ box office heights, but it should have no trouble topping charts as it kicks off the summer movie season. The film is expected to earn north of $30 million, with some rival studio executives pegging the opening at between $35 million to $40 million. The catch is that movie wasn’t cheap to produce, boasting a healthy budget of $130 million, so “The Fall Guy” will need strong word-of-mouth if it’s going to leg it out on the long path to profitability.
FBI: International is bigger than ever!
Thania Garcia Música Mexicana artist Carin León has announced his international “Boca Chueca Tour,” slated for this fall. León will kickoff the trek later this year after making debut appearances at both Coachella and Stagecoach. The “Boca Chueca Tour” will hit major cities across North America and Europe, including a night at Madison Square Garden in New York City, two nights at the United Center in Chicago, Bridgestone Arena in Nashville, Coca-Cola Coliseum in Toronto, and BMO Stadium in Los Angeles.