Box Office: Disney’s ‘Haunted Mansion’ Eyes $30 Million Debut, ‘Barbenheimer’ to Remain on Top

Brent Lang Executive Editor “Barbie” continues to shatter records nearly a month after the Malibu icon first graced the big screen. The Greta Gerwig comedy has earned $1.18 billion at the worldwide box office and now ranks as the second highest-grossing release in the history of Warner Bros. Internationally, the film earned $45.1 million from 75 markets to bring its foreign gross to a sizzling $657.6 million.

Brent Lang Executive Editor “The Last Voyage of the Demeter” sank without a trace over its opening weekend, going to a watery grave with just $6.5 million. The period horror film, which centers on one chapter of Bram Stoker’s “Dracula,” namely the bit where his coffin gets transported from Transylvania to England, was distributed by Universal. It’s the studio’s second stab at reviving the world’s most famous vampire, with last spring’s “Renfield,” a campy take on the bloodsucker, also collapsing at the box office.

according to IMDB’s Box Office Mojo.This week, it surpassed the $500 million mark, making its director Greta Gerwig the highest earning female director ever at the domestic box office, beating the record held by “Frozen II‘s” Jennifer Lee.The movie is so popular that searches for the baby name “Barbie” have increased by a staggering 603% since April, when its trailer was released.“Oppenheimer,” which was in fourth place last week, moved back up to the No. 2 spot with $5.1 million in sales.This week, the Christopher Nolan filmbecame the highest grossing ever at Hollywood’s TCL Chinese Theatre in the location’s 97-year history, according to Deadline.

Rebecca Rubin Film and Media Reporter “Barbie” towered over the box office for the third consecutive weekend, taking down newcomers “Teenage Mutant Ninja Turtles: Mutant Mayhem” and “Meg 2: The Trench.” Grega Gerwig’s fantasy comedy added a remarkable $52 million in its third weekend of release, a decline of just 43% from its prior frame. “Barbie” has generated $459 million in North America and will imminently cross the $1 billion mark globally. Christopher Nolan’s “Oppenheimer,” too, stayed strong in its third outing with $28.7 million, dropping only 39% from last weekend and bringing domestic ticket sales to $228 million.

Naman Ramachandran The U.K. and Ireland box office soared to £160.7 million ($205.1 million) in July thanks to “Barbie” and “Oppenheimer,” according to numbers released by Comscore. The July box office was 78% higher than June and 27% higher than July 2022.

Brent Lang Executive Editor “Meg 2: The Trench” sunk its pearly whites into $3.2 million in Thursday previews, as the followup to the 2018 Jason Statham hit is hoping to premiere to $30 million. Critics have feasted on the film, giving it a dreadful 28% “rotten” rating on Rotten Tomatoes, but the pulverizing reviews may not have much impact on audiences who don’t turn up to these type of movies out of a desire to see a pioneering work of cinema. Instead, they’ll get a chance to witness a 75-foot-long megalodon, and other sea creatures who prefer human flesh to plankton, make short work of a group of scientists.

Despite a strong opening for “Teenage Mutant Ninja Turtles: Mutant Mayhem”, the plastic-and-pink “Barbie” remains the crowned winner of Wednesday night’s box office.

Rebecca Rubin Film and Media Reporter “Teenage Mutant Ninja Turtles: Mutant Mayhem” collected $10.2 million on opening day, including $3.85 million from Tuesday’s preview screenings. Paramount and Nickelodeon’s animated adventure is getting a jump on the weekend by debuting on Wednesday. This weekend’s other new release, the Warner Bros.

Rebecca Rubin Film and Media Reporter Leonardo, Donatello, Raphael and Michelangelo are facing off against Barbie and Ken at the box office. Paramount’s animated adventure “Teenage Mutant Ninja Turtles: Mutant Mayhem” is projected to pick up $35 million to $45 million in its first five days of release. But those ticket sales won’t be enough to dethrone “Barbie,” which is expected to top the box office for a third weekend in a row.

Tim Chan If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Disney’s “Haunted Mansion” had a strong weekend at the box office, debuting with just under $25 million in ticket sales. Now, fans of the movie — and the Disneyland theme park ride of the same name — can pick up the official “Haunted Mansion” board game, on sale for $26 on Amazon.com.

The Barbenheimer hype continues.

Rebecca Rubin Film and Media Reporter It’s a “Barbenheimer” world, and we’re just living in it. The collective force of “Barbie” and “Oppenheimer” continued to rule the box office in their second weekends of release, providing another needed jolt as two Hollywood strikes threaten the fragile exhibition industry. Greta Gerwig’s cotton candy-colored fantasy comedy again led the way, adding a massive $93 million between Friday and Sunday.

according to IMDB’s Box Office Mojo.The Greta Gerwig-directed flick, which opened on July 21, made more than $200 million at the domestic box office in its first five days in theaters, according to Forbes. The film The Post called “lousy” beat out “Oppenheimer,” which debuted on the same day, for the second week in a row.

The ‘Barbenheimer’ reign has no end in sight!

Rebecca Rubin Film and Media Reporter “Barbenheimer” fever continues to sweep the box office. After five days of release, the inextricably linked “Barbie” and “Oppenheimer” have reached notable theatrical milestones, with ticket sales for Greta Gerwig’s fantasia romp crossing $200 million and Christopher Nolan’s somber, three-hour biopic “Oppenheimer” surpassing $100 million. “Barbie” added another $26 million on Tuesday, bringing its North American tally to $214.1 million.

Naman Ramachandran Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” were the dominant forces at the U.K. and Ireland box office this weekend, with a combined debut take of £29.4 million ($37.6 million), per numbers from Comscore. Warner Bros.’ “Barbie” led the way with a mighty £18.5 million, while Universal’s “Oppenheimer” collected £10.8 million.

Moviegoers were thinking pink this weekend!

, Greta Gerwig's movie exceeded box-office expectations and outsold Christopher Nolan's . The trade publication projects that Barbie opened with $155 million — and is one of the biggest opening weekends of the year. With the global numbers, — starring Margot Robbie and Ryan Gosling — capped out at $337 million. It wasn't a bad weekend for Nolan's historic drama, starring Emily Blunt, Matt Damon and Cillian Murphy.

Rebecca Rubin Film and Media Reporter The battle of the bomb versus the bombshell has gone global. Over the weekend, Greta Gerwig’s very pink fantasy-comedy “Barbie” collected a stunning $182 million at the international box office, bringing its worldwide total to $337 million. Meanwhile, Christopher Nolan’s R-rated historical drama “Oppenheimer” held its own, igniting to $93.7 million from 78 markets for a huge global tally of $174 million. The two seemingly different blockbusters, which were jokingly pitted against each other, crushed already-stratospheric expectations thanks to the cultural phenomenon known as “Barbenheimer.” Hundreds of thousands of moviegoers booked a double feature for the ages, attending same-day viewings of “Barbie” and “Oppenheimer.”

Rebecca Rubin Film and Media Reporter “Barbenheimer” is more than just a meme. It’s a full-fledged box office phenomenon. Over the weekend, moviegoers turned out in force for Greta Gerwig’s neon-coated fantasy comedy “Barbie,” which smashed expectations with $155 million to land the biggest debut of the year. But they also showed up to see Christopher Nolan’s R-rated historical drama “Oppenheimer,” which collected a remarkable $80.5 million in its opening weekend. Hundreds of thousands of ticket buyers refused to choose between the seemingly different blockbusters with twin release dates. So they opted to attend same-day viewings of “Barbie” and “Oppenheimer,” turning the box office battle into a double feature for the ages. The craze known as “Barbenheimer” worked together to fuel the biggest collective box office weekend of the pandemic era, as well as the fourth-biggest overall weekend in history. It’s worth noting the top three weekends were led by the debuts of sequels in massive franchises, “Avengers: Endgame,” “Avengers: Infinity War” and “Star Wars: The Force Awakens.”