‘Bob Fosse’s Dancin’ ” Review: A Rapturous Broadway Homage to a Great Choreographer

Timothée Chalamet is ready to play Bob Dylan on the big screen and he will be doing his own singing.

described the film to Collider at the Star Wars Celebration in London Friday. “First being embraced into the family of folk music in New York and then, of course, kind of outrunning them at a certain point as his star rises so beyond belief.” Mangold referenced other characters in the film like Woody Guthrie, Pete Seeger and Joan Baez, saying “they all have a role to play in this movie.”And when asked if Chalamet would be singing, Mangold immediately responded “Of course.”The French actor sang “Everything Happens” by Chet Baker in the 2019 Woody Allen film “A Rainy Day in New York,” and he told British Vogue that he would perform seven musical numbers in the upcoming “Wonka,” in which he will star as the iconic candyman character based on Roald Dahl’s book. Chalamet’s role in “Call Me by Your Name” confirmed that he can also play piano and guitar.The untitled film will watch the Nobel Prize-winning singer-songwriter’s first ascend to the top of the folk music scene before he pivots to rock and roll.Chalamet will also be seen in the upcoming “Dune Part 2” alongside Austin Butler (“Elvis”), Florence Pugh, Zendaya and Dave Bautista.

Timotheé Chalamet will soon be able to add ‘singer’ to his Hollywood resume.

Donald Trump again using the music of his late father to soundtrack his politics.Trump, who on Tuesday (April 4) became the first former or current US president to be charged with a crime, chose David Bowie‘s 1974 hit ‘Rebel Rebel’ for his warm-up music ahead of his post-arrest speech.Jones, the filmmaker son of Bowie and Mary Angela Barnett, criticised the former US president for using his father’s music.“Pretty sure this fucker keeps on using my dad’s music just to annoy me personally,” he tweeted, adding: “(Joke. I’m way below his radar.)”Pretty sure this fucker keeps on using my dad’s music just to annoy me personally.

BreAnna Bell Showtime has announced its forthcoming spy drama, “Ghosts of Beirut,” will make its debut on Friday, May 19, on Showtime’s streaming site and will air on linear on May 21 at 10 p.m. ET/PT. The four-part limited series tells the origin story of 21-year old Mughniyeh (who is also referred to as “The Ghost”), an elusive Lebanese terrorist who evaded capture from the CIA and Mossad for two decades. He was responsible for more American deaths than any other individual prior to 9/11. “Told from the American, Israeli and Lebanese perspectives, the series traces Mughniyeh’s origins from the Shiite slums of South Beirut to his masterminding of the concept of suicide bombers, a deadly tactic that led to his swift rise as the world’s most dangerous terrorist. Based on extensive research of still-classified events, the drama spans decades and weaves in first-hand, real-life interviews with prominent officials from the CIA and Mossad, connecting the turmoil of 1980s Beirut with the spy games of the modern Middle East,” reads Showtime’s official description.

EXCLUSIVE: Showtime has set Ghosts Of Beirut, a four-part spy drama based on the real-life espionage story of the manhunt for Imad Mughniyeh, the elusive Lebanese terrorist who outwitted his adversaries in the CIA and Mossad for over two decades. The limited series, from Fauda creators Avi Issacharoff and Lior Raz, features an international cast led by Dina Shihabi (Jack Ryan), Dermot Mulroney (My Best Friend’s Wedding), Garret Dillahunt (12 Years a Slave), Iddo Goldberg (Snowpiercer), Hisham Suleiman (Fauda), Amir Khoury (Image of Victory) and Rafi Gavron (A Star is Born).

Andrés García, a famed Latin actor known for his Mexican telenovela roles, has died. He was 81.

Shakira and her kids, Sasha and Milan, have left Barcelona. The trio are relocating to Florida, where the kids will go to school and Shakira will be closer to Latin America and important people involved in the music industry. Before settling in, the family has decided to stop by a different place and enjoy a small vacation.

What could the future possibly hold for an artist if they have grown too comfortable with success? If they have stayed put in that snug place of glory, but the times have moved on fast without them? These are the hefty considerations at the heart of “Paint,” a slight comedy that sadly embraces neither the worthwhile questions that surround its central premise nor the story’s dark humor potential.That’s too bad, because writer-director Brit McAdams’ narrative feature debut is rooted in a genuinely fascinating subject that apparently served as an inspiration for “Paint.” McAdam’s muse is Bob Ross, a real-life American public television mainstay of the ‘80s and ‘90s. Being the host of a successful PBS show called “The Joy of Painting” during that time, Ross built a loyal audience who loved and were mesmerized by his soothing voice, and even haunted by his creative process and ease with a brush, as Ross slowly created his art in front of curious eyes, narrating it softly and philosophically.

Owen Gleiberman Chief Film Critic Carl Nargle (Owen Wilson), the amusingly ironic hero of “Paint” (ironic because, as we discover, he’s about as far from heroic as you can get), hosts a one-man instructional painting show that gets broadcast live out of the PBS station in Burlington, Vermont. Each afternoon, Carl appears on camera for one hour, puffing on his pipe, holding his brushes and palette as he dashes off an oil painting of a local wilderness setting (snowy mountains, twilight vistas, trees), explaining all the while, in the unruffled monotone of a stoned hypnotist, how you too can get to a “special place” just by painting what’s in your heart. Carl himself seems nearly as much of an art object as his canvases of Mt. Mansfield, the Vermont peak he has begun to paint with OCD frequency. He wears the same denim Western shirts, fuzzy beard and ash-blond Afro that he’s been sporting since 1979. He’s a relic: the landscape painter as Fred Rogers for adults, a kind of soft-rock guru from the age when men were Mellow. The biggest TV celebrity in Burlington, he thinks he’s on top of the world, but he’s about to come tumbling down.

What if genial TV painter Bob Ross was actually a serial philanderer with an obsessive need to be accepted by the art community? This seems, on paper, like an interesting concept for a film. Considering that Ross has enjoyed a revitalization during the pandemic, perhaps now is the time to interrogate his life and legacy.

EXCLUSIVE: Broadway casting director Benton Whitley announced today the creation of Whitley Theatrical, a New York City-based casting and producing office for theater, film, and television.

For the first time, Bob Iger is speaking out and addressing the ongoing battle between the company and Florida Governor Ron DeSantis. He also answered a frankly bizarre question about the company’s so-called “woke agenda,” both with the kind of poise and composure that made him such a favorite of his employees as well as the shareholders, during the Disney Shareholders meeting.“Let me if you don’t mind let me address this issue which I haven’t really done much publicly. But I’d love the opportunity just to put it all in perspective.

Bob Iger is back, debonaire, relaxed, articulate and talking up Disney IP via video in front of Walt Disney Word, where the company appears to have outmaneuvered Ron DeSantis for control. He also fianlly spoke his mind on the simmering feud, telling the company’s virtual annual shareholder meeting today that the governor’s apparent “retaliation” against Disney for exercising a right to free speech “is not only anti-business, but anti-Florida,” given the jobs, taxes, resources and revenue Disney provides the state.

Lamar Odom has made it out of one of the darkest periods of his life — and now he’s helping others do the same.

EXCLUSIVE: Broadway casting director Duncan Stewart, whose big-name clients include the Tony-winning Hadestown, the new Life of Pi and the acclaimed The Great Comet of 1812, is dissolving his Stewart/Whitley agency after 14 years to head up the new casting arm of global live event company RWS Entertainment Group.

CMT Music Awards!This year, Lainey Wilson leads the charge with four noms, including Performance of the Year and Female Video of the Year, with three nominees tied for second place -- Jelly Roll, Cody Johnson, and CMT Music Awards co-host Kane Brown.Across all categories, CMT is recognizing 21 first-time nominees, with Carrie Underwood, the most awarded artist in CMT history, also earning another nod this year. Hosted by Brown and Kelsea Ballerini -- also a nominee this year — the CMT Music Awards air at 8:00 p.m. ET on CBS Sunday from the Moody Center in Austin, Texas.

Disney CEO Bob Iger has confirmed the first of three rounds of layoffs is starting this week as the company looks to reduce its workforce by about 7,000 employees.

Lisa Kennedy In “Frybread Face and Me,” Benny Lovell might be a few years away from the edge of 17, but the 12-year-old Indian kid has a passion for Fleetwood Mac. It’s his fondness for the band, its witchy vocalist Stevie Nicks as well as for dolls (“action figures,” he corrects) that has his parents sending him from San Diego to his maternal grandmother on the Navajo reservation in northern Arizona. But before he gets on the bus headed east, adult Benny in voice-over offers a caveat: “If you think no one does dysfunction like Fleetwood Mac, then you haven’t met my family.” It’s 1990 and a summer that initially smacks of exile and punishment becomes one of discovery — self-discovery to be sure, but also cultural and familial.

meeting up with a 16-year-old on the Growlr dating app.According to a memo from the Broward County State Attorney’s Office explaining its decision, the teen’s parents wanted to pursue charges against Parson but did not want to subject their son to be questioned on the stand and were reticent to allow prosecutors to speak with him to help determine the facts of the case.Assistant State Attorney Danielle Lennox, of the office’s sexual battery and child abuse unit, wrote in the memo that a victim advocate from the office had begun reaching out to the family after the charges against Parson were filed.In a May 2022 phone conference with the victim’s parents, Lennox explained what the process of pursuing prosecution would entail, but they were reticent to have their son speak with her.Lennox agreed to give them time to think and scheduled a follow-up meeting with the parents to arrange an in-person interview with the teen, but was unable to reach the family.