‘Blue Beetle’ Unseats ‘Barbie’ Atop Box Office, Ending Four-Week Reign

Barbie has been dethroned from the top of the UK and Ireland box office after six weeks.As reported by ScreenDaily, The Equalizer 3 starring Denzel Washington took the number one spot in its opening weekend (September 1-3), taking “just shy” of £2million.Barbie fell to second place with takings of £1.6million in its seventh weekend, a 16 per cent drop from the week prior. The film has grossed £92.6million in total in the UK, beating Avengers: Endgame (£88.7million) to become the seventh highest-grossing film of all time in the territory.Others in the top five for the weekend include Oppenheimer (£960,300), Teenage Mutant Ninja Turtles: Mutant Mayhem (£619,000) and Sound Of Freedom (£589,456).Barbie had a longer run at the UK box office compared to the US, where DC superhero film Blue Beetle managed to dethrone the film at the top after four weeks.Greta Gerwig’s fantasy comedy recently became the highest-grossing movie of the year, beating The Super Mario Bros. Movie, Oppenheimer and Guardians Of The Galaxy Vol.3.

Oppenheimer has topped the worldwide box office in its sixth week of release, surpassing Barbie for the first time.Since both films were released on July 21, Greta Gerwig’s fantasy comedy has remained ahead of Oppenheimer at the global box office. On the weekend of August 25-27, however, Christopher Nolan’s historical drama topped the chart.As reported by ScreenDaily, Oppenheimer took $38.1million globally within the weekend timeframe, while Barbie trailed behind with $35.3million.The boost is a result of Oppenheimer’s belated release in two new countries: Italy, where it grossed $9.7million over its five-day debut, and Greece, where it racked up $882,000.The film looks set to receive a significant boost this week, with Oppenheimer opening in China on Wednesday (August 30).Despite trailing behind this week, Barbie is still on track to surpass The Super Mario Bros. Movie as the highest-grossing movie of 2023.

Barbie has become the highest-grossing movie in Warner Bros. history.Greta Gerwig’s fantasy comedy passed the $1.342billion mark at the global box office on Monday (August 28), beating Harry Potter And The Deathly Hallows – Part 2 to become the company’s highest-grossing film ever, not adjusted for inflation.According to The Hollywood Reporter, Barbie is set to become only the 13th movie in history to cross the $600million mark at the US box office later this week.

according to IMDB’s Box Office Mojo.The flick, which CNN said “moves, ironically, too slow to deliver as a big-screen attraction,” tells the true story of Jann Mardenborough, a teenage Gran Turismo player who became a professional race car driver. “Barbie,” which is now officially the highest-grossing movie of the year in North America, remained in second place, with $4 million in sales.She beat out “Blue Beetle,” which earned $2.6 million and landed in third place.The DC Comics film, which was in the No.

Not only can “Barbie” be anything, she can do anything too, so it seems.

Over the weekend, DC Studios released “Blue Beetle,” the latest attempt to kickstart a superhero franchise. And judging by the opening weekend box office, while it was the #1 film domestically, not nearly as many people watched Angel Manuel Soto’s superhero film as the studio might have hoped.

Blue Beetle has dethroned Barbie at the US box office, ending the film’s four-week reign at the number one spot.As reported by Variety, the DC superhero film took the top spot with a lower-than-expected debut of $25.4million (£19.9million) in the US. Globally, the film earned $43million (£33.7million) in its opening weekend, against a production budget of $104million (£81.7million).Barbie, meanwhile, fell to second place with $21.5million (£16.8million), an impressive amount considering it was released last month.In the US, Barbie is expected to overtake The Super Mario Bros.

Refresh for latest…: It’s been another very busy weekend at the international box office with milestones and great holds, as well as a new entry and local-language movies adding to the mix. 

Rebecca Rubin Film and Media Reporter “Blue Beetle” has dethroned “Barbie” at the domestic box office. The latest DC superhero adventure claimed the No. 1 spot despite a softer-than-expected debut of $25.4 million.

Even though kids are heading back to school, the summer box office isn’t giving up yet, and there’s a chance we could near $4 billion thanks to the final act power of Barbie and Oppenheimer. Warner Bros is hoping the first Latino superhero movie, Blue Beetle, will stoke its core moviegoers; that DC title seeing $3.3M last night in previews that began at 2PM from 3,400 locations, while Universal is looking to give guys something to laugh at after Oppenheimer with the R-rated bawdy doggie comedy, Strays, grossing $1.1M from showtimes that began at 5PM at 2,700 theaters.

is the newest hero in the DC cinematic universe, and he's got his work cut out for him!Director Ángel Manuel Soto recently sat down with ET's Ash Crossan to talk about making the first major superhero movie with a Latino lead — and the uphill battle that has been releasing it amid the ongoing WGA and SAG-AFTRA strikes. «The strike was not in my bingo card,» Soto admitted.

director Ángel Manuel Soto knew that making the first major superhero movie with a Latino lead would require a pitch-perfect cast. That included the voice of the alien Scarab, which becomes the Blue Beetle's exoskeleton supersuit when it attaches to host Jaime Reyes (Xolo Maridueña).So, whom did he cast? None other than Mexican-American pop superstar Becky G!«I really wanted to work with Becky G,» Soto raved to ET's Ash Crossan in a recent interview.

Xolo Maridueña is experiencing a life changing moment. The actor and star of “Blue Beetle” plays a superhero, with the film placing an emphasis on Latin representation, one that remains all too rare in mainstream cinema. 21 Netflix original series and films featuring Latinx talent in front of or behind the camera‘Cobra Kai’ actress Vanessa Rubio is proud of the series Latinx representationIn an interview with PEOPLE conducted before the SAG-AFTRA strikes, Maridueña discussed the life changing opportunity that this film represents.

Xolo Maridueña wants Blue Beetle to perform well at the box office, and he’s explaining why that’s so important.

The latest D.C. superhero movie is not another grim Batman sequel, or yet another Superman reboot.

Barbie has become the highest-grossing film in Warner Bros. history in the US, overtaking Christopher Nolan’s 2008 film The Dark Knight.As reported by Variety, Barbie has crossed $537.5million at the domestic box office to take the record.

Give the waning days of the old era of DC movies at Warner Bros some credit for going out in style. I might have been something of a dissenting voice, but I thought June’s big-screen The Flash, despite disappointing some fanboys and at the box office, was a winning affair, a step above most superhero fare. And now I can say the same for the first cinematic attempt at bringing Blue Beetle to life, a much better movie than its August 18 release date might indicate.

Rebecca Rubin Film and Media Reporter Will “Blue Beetle,” the latest DC superhero adaptation, knock down “Barbie” at the domestic box office? It may be a closer-than-expected race between the two Warner Bros. releases for the top spot, despite “Barbie” entering its fifth weekend in theaters. “Blue Beetle,” starring Xolo Maridueña as the alien symbiote, is targeting $25 million to $32 million in its debut.

In what is poised to be a case of Warner Bros beating itself for the No. 1 spot at the box office this coming weekend, the studio’s new DC superhero title, Blue Beetle, is poised to halt Barbie‘s three-weekend streak with a $28M-$32M opening. Barbie, meanwhile per industry sources, is looking at a $22M-$24M fourth weekend, -30%. Through Monday, the Greta Gerwig directed Mattel doll feature counts $531.2M.

Angel Manuel Soto is a filmmaker who directs to capture specific, authentic experiences, especially if they relate to his heritage. Born in Puerto Rico, many of Soto’s earliest short films – including several non-narrative works such as “The Second Line: A Parade Against Violence” – as well as his feature directorial debut, “La Granja,” contrast a pride in his Latin roots against the inequalities that come with it.