72% Rotten Tomato score with 54 reviews. Deadline’s Pete Hammond, who called the film “wildly fun,” added that “The hype is real.
19.05.2023 - 12:49 / theplaylist.net
In Jean-Stéphane Sauvaire’s “Black Flies,” silence is as scarce a commodity as hope. Young first responder Ollie Cross (Tye Sheridan) learns very early on that the job comes with two partners: the one sitting next to you and the relentless cacophony of sounds that cut through the vastness of night as shears.
72% Rotten Tomato score with 54 reviews. Deadline’s Pete Hammond, who called the film “wildly fun,” added that “The hype is real.
Criminal profiling introduced new monsters into the cultural lexicon in the 1970s when the “serial killer” concept entered the conversation. Television has long been fascinated by these types of criminals, from the long-running “Criminal Minds” to David Fincher’s brilliant “Mindhunter.” Now, Apple TV+’s latest limited series, “The Crowded Room” is taking a stab (excuse the pun) at psychological thriller territory.
Sean Penn is seemingly ready to put himself out there again.
Director Ric Roman Waugh’s drab film fumbles and grumbles through Iran, the United Arab Emirates and eventually Afghanistan as the hunt for CIA Agent Tom Harris (Butler) intensifies. “Kandahar,” to its credit, aspires to be deep. Geopolitics come up, as does the Taliban’s mangled interpretation of the Quran, along with ISIS and other aftershocks of American wars in the Middle East.Really, though, it is just another tiresome and impenetrably brooding Gerard Butler movie in which no event seems to matter any more than the next one — and grimaces are mistaken for drama. Before ho-hum Harris goes on the run, he is posing as a utility worker in Iran while attempting to destroy a nuclear plant.
Wes Anderson is a genre; one of decorative embellishment, ornamental whimsy, baroque fantasy, and symmetrical precision. It wasn’t always this way, and it’s also not just superficial embroidery.
Callum McLennan There’s nothing quite like having an Oscar-winning actor in your corner, or perhaps a star of one of the biggest TV Series of all time. In the case of Kick Gurry, creator, producer and actor in the forthcoming Stan Original Series “Caught,” the backing of Sean Penn and Matthew Fox has undoubtedly been a boon. After Gurry shared an early teaser of the show crafted with friends in Australia, Penn’s reaction was music to his ears. As Gurry shared with Variety, “He said everyone’s afraid of stories right now and we have to be pushing forward with courage in storytelling.” Indeed, the courage to tell bold, new stories has resulted in an audacious six-episode satirical comedy series slated to premiere later in 2023. The series boasts a formidable cast that Gurry describes as a “murderer’s row of talent.” Among them, Sean Penn, who also serves as an executive producer, Matthew Fox, Ben O’Toole, Lincoln Younes, Alexander England, Mel Jarnson, Fayssal Bazzi, Dorian Nkono, Rebecca Breeds, Bella Heathcote, Bryan Brown, and Erik Thomson. Gurry himself also stars, and further casting announcements are expected.
An English lieutenant, an American cowboy, and a mixed-race Chilean sheepherder venture into the inhospitable limits of the Tierra de Fuego region at the southernmost tip of the South American continent—the ends of the Earth, some might call it. Under the orders of their employer, landowner José Menéndez (the always masterful Alfredo Castro), the trio’s mission is to savagely murder as many Indigenous people as they encounter in their path. READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch Set in 1901, “The Settlers” (Los Colonos), a scorching Western on Chile’s blood-soaked national myth, takes aspects from the official text-book history and probes at their conveniently sanitized interpretations of how they shaped the country’s future.
Sean Penn will star in the Ukranian war movie “War Through the Eyes of Animals,” TheWrap has confirmed. The picture, due for release in late 2023 or early 2024, is part of a nine-part anthology that will be helmed by nine Ukrainian filmmakers concerning the ongoing conflict against Russia.
Christopher Vourlias U.S. writer and political advocate Dane Waters and “Superpower” co-director Aaron Kaufman announced the launch of a new global nonprofit group, Humanity for Freedom, Monday in Cannes. The organization is dedicated to the fight against authoritarian governments through educational and advocacy work. The group’s global kick-off event, 72 Hours for Freedom, will feature screenings around the world of “Superpower,” the documentary about Ukrainian president Volodymyr Zelenskyy, co-directed by Kaufman and Sean Penn. The event will take place in over a dozen countries on six continents, starting in London on June 6 and wrapping in Washington, D.C., June 8, including stops in Rome; Tbilisi, Georgia; Sofia, Bulgaria; Abuja, Nigeria; Tokyo; Sydney; and Buenos Aires.
Sean Penn strongly backed the current Hollywood screenwriters strike while speaking at the Cannes Film Festival on Friday, saying the dispute over artificial intelligence is “a human obscenity.”
Owen Gleiberman Chief Film Critic In “Black Flies,” a movie that keeps working to get high on its own intensity, Sean Penn and Tye Sheridan play paramedics who spend their nights driving through hell (I mean, Brooklyn). There are countless shots of the two in their EMS van, riding along under the tracks of an overhead subway train — the exact kind of grungy Brooklyn boulevard that Popeye Doyle went smashing through in the famous “French Connection” car/subway chase. As Rut (Penn) and Cross (Sheridan) patrol the borough neighborhood of Brownsville, one of the poorest and most crime-ridden sections of New York City, those overheard tracks become part of the film’s meticulously oppressive visual design. The two have so little breathing room they can barely see the sky. After a while, though, you start to think: Don’t these guys everdrive down a side street? Like everything else in “Black Flies,” those subway tracks are stylish signifiers of doom that are a little too in-your-face.
There will be no late night laughs in Moscow, comrade. Or anywhere else in Russia, for that matter.
Sean Penn and Tye Sheridan hit up the photo call for their new movie, Black Flies, during the 2023 Cannes Film Festival at Palais des Festivals on Friday (May 19) in Cannes, France.
Gravitas Ventures, an Anthem Sports & Entertainment Company, has picked up North American rights to the post-apocalyptic thriller Stronghold, directed by Julia Camara. In addition to US & Canada; Gravitas wants to add Latin American territories in addition to Mexico including the Caribbean and sub territories.”
Sean Penn has voiced his support for the Writer’s Guild of America strike.
TheWrap called it “visceral and vicious,” and overall it has received largely negative reviews after premiering in the Main Competition in Cannes on Thursday.While Sheridan initially said that he’d had a good time making the film, Penn took a different tack. “It’s a little more gray to me that we had a really good time,” he said. “I think we had a really valuable time.
Sean Penn is standing in solidarity with the writers guild, whose members are currently on strike to fight for better wages and work conditions in the streaming era. “My full support is with the writers guild,” Penn said during Friday’s press conference for his latest movie “Black Flies,” which debuted in competition at Cannes Film Festival. “There are a lot of new concepts that are being tossed around, including the use of AI. And it just strikes me as human obscenity that there’s been a pushback on that.” Penn also slammed the PGA as a “bankers guild,” saying “the first thing we should do in these conversations is change the Producers Guild and title them how they behave, which is the bankers guild. It’s difficult for so many writers and people in the industry who cannot work.”
Refresh for updates…Sean Penn, asked about the current state of big wig studio chiefs and the plight of writers and directors, said today at the Black Flies presser, “The industry has been uspending the writers and directors for a long time. I fully support the situation with writers guild, of course.”
It’s probably instructive to go into “Black Flies” knowing that the title comes from insects that can smell death before we can, and that show up on screen swarming a dead, rotting body in a bathtub.And it might help to know that the drone that gradually surfaces under the hysterical opening scene resolves itself into the overture to “Das Rheingold,” which returns at the end of the film. “Black Flies” is darkness and chaos on an operatic scale – maybe even a Wagnerian scale, though viewers may feel as if they’ve been assaulted by heavy metal (say, Judas Priest’s “Evil Never Dies,” which also appears in the film) rather than immersed in the warring gods of the Ring cycle.Screening in the Main Competition at the 2023 Cannes Film Festival, “Black Flies” is visceral and vicious.
Black Flies,” the Sean Penn and Tye Sheridan film about emergency medical first responders, smacked the Cannes Film Festival in the face with a brutal world premiere on Thursday. Splattered brains, dead dogs, an addict giving birth with a needle dangling from her arm — these and a litany of other horrors confronted Penn and Sheridan, who play veteran and rookie paramedics, respectively, at the New York Fire Department. Interestingly enough, the black-tie screening at the Grand Palais enjoyed the dose of reality, giving the film a five-minute standing ovation. “We carry the misery,” a weary Penn tells Sheridan in the film of their chosen profession. That’s an understatement, as chaos unfolds neighborhood by neighborhood in a portrait of an unforgiving city.