BFI London Film Festival: Official Competition Lineup Includes ‘Enys Men’ & ‘Saint Omer’

Naman Ramachandran “Gangs of London” producer Pulse Films has unveiled the first clip from “Name Me Lawand,” which will have its world premiere at the BFI London Film Festival. Directed by Edward Lovelace (“The Possibilities Are Endless”), the film is in competition at the festival’s The Grierson Award for documentaries. The documentary, filmed over four years, follows Lawand Hamad Amin, who spent his early years in Iraq unable to hear or communicate. His profound deafness meant he could not learn language, and with no access to a deaf education, Lawand grew isolated and trapped inside himself.

Brent Lang Executive Editor It was supposed to be all about the movies. But even here at the Toronto International Film Festival, an ocean away from the United Kingdom, the death of 96-year-old Queen Elizabeth II has loomed large. It has provided an opportunity for festival organizers, filmmakers and talent to reflect on the life and legacy of a monarch whose 70-year reign ranks as the longest in her country’s history. That’s partly due to Canada’s status as a member of the British Commonwealth, but it’s also because the festival is such an international A-list affair, one that attracts movie stars and directors who have often had personal encounters with the queen.

Ben Croll Acclaimed documentarian Alice Diop marks her narrative debut with “Saint Omer,” a pulled-from-the-headlines legal drama that won the Grand Jury Prize and the award for best debut feature at the Venice Film Festival. High profile slots in Toronto, New York, and London are to come — making the French title one of the real breakouts of this fall season. The wrenching film follows Rama (Kayije Kagame), a young novelist covering the trial of an immigrant mother accused of infanticide. With major elements never in doubt – the accused, Laurence (Guslagie Malanda), admits to the act, though she still pleads not guilty – the Venice winner turns around more intimate, philosophical, and unsettling questions.

UPDATED w/TIFF Statement: Sparta, the German-Romanian drama from Austrian director Ulrich Seidl that is in the Contemporary World Cinema section of the Toronto Film Festival, has been pulled from the festival lineup.

On the inhospitable shores of Berck-sur-Mer, France, where the sounds of the tide mingle with a woman’s breathless running, is where Alice Diop’s narrative-feature debut “Saint Omer” begins.

Tilda Swinton is gracing the red carpet at the 2022 Venice Film Festival!

Jessica Kiang In 2016, in the courtroom of Saint-Omer, a small, untouristed town off a D-road between Calais and Lille, the trial took place of a young Senegalese Frenchwoman accused of murdering her baby: an act so utterly antithetical to accepted ideas of motherhood and womanhood that it is inescapably considered the “worst of all possible crimes.” The woman, a PhD student with a reported genius IQ and a flair for flamboyantly intellectual French, confessed but claimed sorcery as the real culprit. It’s the kind of true story that presents an obvious opportunity for a sensitive social drama given to sober, sorrowfully objective observations about the perilous, tumbling vortex of class, gender, ethnic and cultural issues in which it plays out. “Saint Omer,” the deceptively austere, extraordinarily multifaceted fiction debut from documentarian Alice Diop, is not that film. 

Loneliness, postpartum-depression, motherhood, and isolation are at the core of Alice Diop’s feature film premiering at Venice, Saint Omer. Written by Diop and Marie N’Diaye, the movie stars Kayije Kagame and Guslagie Malanga. The film sends a message about the pressures of being a single parent and how women connect through trauma.

The BFI London Film Festival unveiled its 2022 lineup today, featuring 164 features and 23 premieres across film and TV, with highlights including the world premiere of Guillermo Del Toro’s Pinocchio and the international premiere of She Said, starring Carey Mulligan and Zoe Kazan. As always, the LFF program is an enticing mix of buzzy titles from around the fall festivals like Alejandro González Iñárritu’s Bardo, False Chronicle of a Handful of Truths out of Venice, and daring works by first-time filmmakers.

Following the unveiling of its world premieres, including Guillermo del Toro’s highly-anticipated animated feature, “Pinocchio,” the 66th BFI London Film Festival (LFF) has announced its full program line-up, which will be presented in cinemas and online across the U.K. Over twelve days from October 5-16, the LFF will return to its flagship venues in the heart of London – BFI Southbank and the Southbank Centre’s Royal Festival Hall, which between them host Galas, Special Presentations, and Official Competition.

The BFI London Film Festival has unveiled its full list of titles, with the program comprised of 164 features and 23 world premieres across film and TV.

K.J. Yossman The BFI London Film Festival has unveiled its full lineup for the festival’s 66th edition, set to take place this October. Among the films that will be screening are “Glass Onion: A Knives Out Mystery,” #MeToo thriller “She Said,” which tells the story of how two New York Times journalists broke the Harvey Weinstein story, and “The Son,” Florian Zeller’s long-awaited follow-up to “The Father.” Among the films already announced for the festival, which runs from Oct. 5-16, are the world premieres of “Pinocchio,” from Guillermo del Toro and “Roald Dahl’s Matilda The Musical.”

Pinocchio film directed by Guillermo del Toro is set to receive its world premiere at London Film Festival.The 66th BFI London Film Festival announced today (August 31) that Guillermo del Toro’s Pinocchio would be among the 22 features receiving a world premiere during the October event.Guillermo del Toro (The Shape Of Water) co-directed the film alongside Mark Gustafson.

Ben Croll As Unifrance’s Daniela Elstner sees it, the wealth of talent in this year’s Venice slate imparts a good bill of health for the French industry writ large. “Today, festival directors look to France in a slightly different way,” Elstner says. “We can find eminences like Frederick Wiseman alongside [emerging talents] like Alice Diop. That’s the strength of a good selection: You need names, you need surprises, you need to mix it up.” Alongside Diop and Wiseman (whose “A Couple” is in French, if not a majority French production), this year’s Venice roster also includes “Other People’s Children” from Rebecca Zlotowski and “Our Ties” from Roschdy Zem — together forming a delegation perhaps more notable for the fact that none had competed in Venice before than for the almost incidental gender parity of the mix.

Outside of Cannes, which still has big problems with showing Netflix content in-competition, most major film festivals are littered with premieres from the world’s biggest streamer. And this year, Netflix is spreading the wealth to even include the BFI London Film Festival, which is getting the honor of being the world premiere event for Guillermo del Toro’s highly-anticipated animated feature, “Pinocchio.” Today, the BFI London Film Festival announced a slate of world premieres coming to the event.

K.J. Yossman Among the world premieres set for the BFI London Film Festival are Guillermo Del Toro’s “Pinocchio” and Emily Blunt series “The English.” Others include “Roald Dahl’s Matilda The Musical,” Asif Kapadia’s ballet-infused “Creature,” family animation “My Father’s Dragon” from Irish animation studio Cartoon Saloon and Nora Twomey, Jez Butterworth’s “Mammals,” which stars James Corden and “A Spy Among Friends,” starring Guy Pearce and Damian Lewis. The number of feature-length world premieres at the festival has gone up from 11% to 15% since 2019. This year three of those are Netflix productions: “Pinocchio,” “Roald Dahl’s Matilda The Musical” and “My Father’s Dragon.”

The 66th BFI London Film Festival is set to host the world premiere of Guillermo del Toro’s Pinocchio, the Oscar-winning director’s dark take on the classic fairy tale about a wooden marionette brought to life to mend the heart of a grieving woodcarver named Geppetto.

EXCLUSIVE: Award-winning Senegalese filmmaker Alice Diop (Saint Omer) has signed with CAA for representation.

Naman Ramachandran The BFI London Film Festival has revealed eight titles that will be in official competition. The films include Santiago Mitre’s political drama “Argentina, 1985” (Argentina); Clement Virgo’s brotherly love tale “Brother” (Canada); Marie Kreutzer’s irreverent period drama “Corsage” (Austria-Luxembourg-Germany-France); Fyzal Boulifa’s atmospheric domestic drama “The Damned Don’t Cry” (France-Belgium-Morocco); Mark Jenkin’s folk horror tale “Enys Men” (U.K.); Hlynur Palmason’s historical epic “Godland” (Denmark-Iceland-France-Sweden); Soudade Kaadan’s poignant family film “Nezouh” (U.K.-Syria-France); and Alice Diop’s courtroom drama “Saint Omer.”