‘Belfast’ Wins Toronto Film Festival’s People’s Choice Award

K.J. Yossman Jeymes Samuel was inspired to make his Western-themed feature debut “The Harder They Fall” after growing up watching genre flicks on BBC One and feeling disappointed by the way they depicted women and people of color.Samuel, who grew up on Harrow Road in London, U.K., acknowledged his passion for the genre was unusual but explained that the BBC “were just hammering us with Westerns when I was growing up.”“I loved cinema.

K.J. Yossman BFI London Film Festival has revealed its line-up for its second Works-in-Progress showcase, including a documentary about Hong Kong’s draconian National Security law and a TV narrative feature starring Sir Lenny Henry and Malachi Kirby (pictured above).The showcase will take place on Oct.

announced in March that she would be stepping down from the Sundance Institute by the end of the year. Vicente’s last day with TIFF will be October 31, and her time with Sundance will begin at the start of November and will work between Park City, Los Angeles and New York City.

After three years as the Executive Director and Co-Head of the Toronto International Film Festival, Joana Vicente is heading to the Sundance Institute as their new CEO. She will start her new job at the beginning of November, splitting her time between Sundance’s office in New York, Los Angeles and Park City, UT.

Rebecca Rubin Film and Media ReporterAfter spending three years as Toronto International Film Festival’s executive director, Joana Vicente is leaving her post to join the Sundance Institute as its CEO.She is succeeding long-time executive Keri Putnam, who stepped down earlier this year.

Jessica Chastain has arrived in Spain!

Javier Bardem is all smiles at the premiere of his new movie, The Good Boss, during the 2021 San Sebastian International Film Festival at Kursaal Palace on Tuesday (September 21) in San Sebastian, Spain.

EXCLUSIVE: The documentary community, a loose assemblage of independent creatives under the best of circumstances, has labored under the absence of in-person gatherings during the pandemic. For well over a year, most all-documentary festivals have been forced to go virtual, hardly a respite for filmmakers inured to hermitry.

San Sebastian International Film Festival kicked off this Friday, September 18th, featuring some of the biggest stars of Spanish cinema.

Kenneth Branagh’s semi-autobiographical, black-and-white drama Belfast claimed the TIFF People’s Choice Award on Saturday night, affirming its status as a major player to contend with in the 2022 Oscars race.

Marion Cotillard shows off her award after being honored with the Donostia during the 2021 San Sebastian International Film Festival held at the Kursaal Palace on Friday (September 17) in San Sebastian, Spain.

‘Tis the season.  Well almost. And perhaps that is why AMC+ and RLJE recently swooped in and took the new holiday-themed dramedy Silent Night off the market (domestically at least) before its Toronto International Film Festival premiere tonight.  Who doesn’t love a good ‘ol Christmas movie, perhaps the most reliable genre for feel good feelings?

I am not of fan of movies that resort to breaking the fourth wall, as it were, and letting their key characters talk incessantly to the audience. It is a device that generally feels lazy, a writer’s crutch to explain story points away instead of letting us discover for ourselves.

Toronto Film Festival world premiere of “Dear Evan Hansen,” a lonely Ben Platt belts out: “When you’re falling in a forest and there’s nobody around, do you ever really crash or even make a sound?”That question could well apply to a laundry list of absent talent and filmmakers with projects at the Canadian festival, whose organizers pulled off a successful (and partially in-person) 2021 program.

The remarkable true story of Harry Haft, is made even more pertinent by the simple fact that his story has not been the subject of a large scale feature film until now.

Christopher Vourlias For the first time in its 46-year history, a Tanzanian film is part of the official selection of the Toronto Film Festival, as Amil Shivji’s “Vuta N’Kuvute” (Tug of War) prepares to bow at the Canadian fest on Sept.

The global pandemic has provided filmmakers opportunities to get creative in order to make films in unusual circumstances. Already at this year’s Toronto International Film Festival  we have seen The Guilty with Jake Gyllenhaal in what is essentially a one man show connected to outside world simply by a phone in an emergency operations 911 call center.

Watching the intriguing and unpredictable adult drama The Forgiven, which takes place right in the heart of the High Atlas mountains in Morocco, I couldn’t help but think that if the 2012 book on which it is based were around a few decades earlier this would be the kind of movie Richard Burton and Elizabeth Taylor would have made.

Watching the intriguing and unpredictable adult drama, The Forgiven, which takes place right in the heart of the High Atlas Mountains in Morocco I couldn’t help but think that if the 2012 book on which it is based were around a few decades earlier this would be the kind of movie Richard Burton and Elizabeth Taylor would have made.