News kept on churning this week — from Sunday morning until end of Friday — on the Warner Bros. Discovery front.
06.06.2023 - 20:22 / deadline.com
Former Warner Bros. President of Sales and Distribution, D. Barry Reardon, passed at the age of 92 on May 27 in Vero Beach, Florida.
Known as “The Dean of Distribution” among industry peers and filmmakers, Reardon was the head of theatrical distribution at Warner Bros from 1978 to 1999, and was known for breaking the mold on the motion picture business, i.e. getting a jumpstart on summer before Memorial Day (read, Twister in 1996 opening in mid-May in advance of Paramount’s Tom Cruise juggernaut, Mission: Impossible) and dating blockbusters during the early days of August, previously considered a dead zone (i.e. Clint Eastwood’s ultimate Oscar Best Picture winner, Unforgiven, in 1992, and the Harrison Ford hit, The Fugitive, in 1993 — the latter dating maneuver that pic’s late producer Arnold Kopelson told the L.A. Times was “pure genius”).
Also before his departure from Warner Bros. in March 1999, he had developed an internal marketing data system with fellow executives that was ahead of its time, tracking rivals’ trailers from the last ten years, their grosses, and actors’ track records with box office and critics. This allows executives to steer a film with a particular actor away from a critic who has had problems with that actor. The data system also broke down production and marketing costs, as well as audience demos for all major motion picture studios.
During Reardon’s run as Warner Bros. Distribution Boss, 16 out of his 20 years, the studio ranked among the top three studios in North American box-office market share. Eight years it placed first and five years it was second. The Tim Burton and Joel Schumacher Batman movies were released during Reardon’s reign grossing $1.25 billion worldwide through four
News kept on churning this week — from Sunday morning until end of Friday — on the Warner Bros. Discovery front.
Jem Aswad Executive Editor, Music Warner Bros. Discovery is negotiating to sell around half of the storied Warner studio’s film and TV music-publishing assets for approximately $500 million, three sources confirm to Variety. The news was first reported by Hits. While it is unclear exactly which assets are on the table, one source says that the rights to “slightly less than half” of the catalog, with a price of around $500 million, are likely to go to a major label, with Sony said to be in the lead. The catalog is believed to include music from such films as “Purple Rain,” “Evita,” “Sweeney Todd,” “Rent” several “Batman” films and many more titles, as well as songs included in iconic films such as “As Time Goes By” from “Casablanca” — iconic titles to be sure, but again, it is unclear exactly which rights are in play. Top attorney Allen Grubman is said to be overseeing the deal for Warner Discovery CEO David Zaslav.
Summer is here and we’re officially all about embracing glowy, dewy skin thanks to the perfect combination of good skincare and the right makeup products. Whilst getting your skincare right is key to creating a youthful, radiant base, some carefully placed makeup can accentuate your summer-ready skin and give you an extra glow.
Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in the Barbie car, and with Margot Robbie putting in an appearance. Helen Mirren, who narrates Barbie, also narrated the presentation in a voice over.
You’d be hard-pressed to find a CEO in the film and TV industry to have such an immediate impact as David Zaslav over at Warner Bros. Discovery.
Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story mentions a few significant plot developments in “The Flash,” currently playing in theaters. In the climax of “The Flash,” Barry Allen (Ezra Miller) watches helplessly as his timeline-hopping escapades cause several other superhero universes to careen into each other and become obliterated in the process. Ironically, Warner Bros. is facing almost an identical dilemma — and the stakes could be nearly as existential. “The Flash” is the second of four mega-budgeted DC adaptations the studio is set to release this year, starting with “Shazam! Fury of the Gods” in March, and followed by “Blue Beetle” and “Aquaman and the Lost Kingdom” in August and December. Yet these movies were conceived and greenlit by an executive team that all have departed the studio; in their place, new DC Studios chiefs James Gunn and Peter Safran have announced they will reboot the DC franchise in 2025, starting with Gunn’s “Superman: Legacy.”
Warner Bros Discovery has announced three Thai HBO Asia Originals, including a third and final season of action fantasy Khun Pan and unscripted shows MarkKim + Chef and Deane’s Dynasty.
EXCLUSIVE: The Gotham Film & Media Institute has today named the student filmmakers selected to participate this summer in the fifth cycle of its Gotham EDU Film and Media Career Development Program, a six-week initiative helping to launch students into the media workforce.
When Christopher Nolan‘s “Oppenheimer” hits theaters next month, it marks the first film by the director not produced by Warner Bros. in nearly 20 years.
Warner Bros Film Group Co-Chairpersons and CEOs Michael De Luca and Pamela Abdy gave an interview where they were asked about their new positions in the major studio.
Michael De Luca and Pam Abdy take in the view of the rolling hills of Antibes. The sun beats down so fiercely on a lily-white tablecloth that the co-CEOs and co-chairpeople of the Warner Bros. Film Group shield themselves with Gucci and Ray-Ban shades. They resemble the all-powerful studio chiefs of yore — or at least their surroundings do. A lot has changed since the Golden Age of Hollywood: Jack Warner didn’t have two smartphones constantly buzzing, misconduct allegations involving “The Flash” star Ezra Miller and cratering share prices to worry about. “It’s so competitive now,” De Luca says, looking out at the shimmering water. “We all have to sing for our supper.”
The Flash hasn’t even opened to $100M this weekend –and may potentially not– but Warner Bros. is already popping champagne with the pic’s filmmaker Andy Muschietti.
EXCLUSIVE: Warner Bros. Motion Picture Group has signed a first-look deal with London and LA-based Locksmith Animation to develop and produce animated features for worldwide distribution.
A casual queen!
wearing flip-flops on the red carpet at the Cannes Film Festival last month, Jennifer Lawrence is setting the record straight about the fashion statement that had the internet abuzz.«Ok, thank you for bringing this up. I would really like to straighten this out,» Lawrence told ET's Nischelle Turner while promoting her new film, alongside co-star, Andrew Barth Feldman.
EXCLUSIVE: Following months of going through dozens of audition tapes, Warner Bros and DC Films look to be getting closer to finding the stars of their Superman: Legacy movie as a second round of testing looks to be imminent.
The day that SAG-AFTRA began its talks with Hollywood studios over its own film and TV contract with a strike authorization in hand, picketing Writers Guild members on Wednesday hit up Disney and Warner Bros in Burbank.
EXCLUSIVE: Former Warner Bros. UK and Spain boss Josh Berger has launched Battersea Entertainment and landed its debut project, a feature doc about NFT art and Damien Hirst.
Warner Bros. Discovery’s (WBD) Jamie Cooke is supercharging “original documentaries that push the boundaries” from his Central & Eastern Europe, the Middle East and Turkey region by greenlighting around 10 docs per year.
Barry Newman, who was behind the wheel of a “super-charged” Dodge Challenger in Vanishing Point, a 1971 film featuring several breakneck police chases, and later starred as a defense attorney on the NBC series Petrocelli, has died.