‘Athena’ Review: Romain Gavras’ Tense, Incendiary Thriller Declares War on Injustice

The Rome Film Festival has unveiled its first line-up under the new management team of former Rai executive Paola Malanga as artistic director and Cineteca di Bologna director Gian Luca Farinelli as president, who were both appointed to their roles last March.

Nick Vivarelli International Correspondent The 17th annual Rome Film Festival will fete James Ivory with a career honor, a mini retrospective and the Italian launch of the Oscar-winning filmmaker’s personal new documentary “A Cooler Climate.” Ivory is expected in Rome to receive the award and present the doc about his life as a traveler that takes its cue from boxes of film the director shot during a life-changing trip to Afghanistan in 1960. The film premieres beforehand at the New York Film Festival. Rome’s Ivory mini-retrospective will comprise his films “Maurice”; “Mr. and Mrs. Bridge,” starring Paul Newman and Joanne Woodward; “The Remains of the Day”; and “A Room With a View.”

Nick Vivarelli International Correspondent Russell Crowe will be a guest of honor of the Rome Film Festival’s independently run Alice in the City section where his second directorial effort, the thriller “Poker Face” – in which he stars opposite Liam Hemsworth – is set to have its world premiere. Set in the world of high-stakes betting, “Poker Face” stars Crowe as tech billionaire and gambler Jake Foley, who offers his best friends a chance to win more money than they’ve ever dreamed of. But to play, they’ll have to give up the one thing they spend their lives trying to keep – their secrets. As the game unfolds, the long-time pals will discover what is really at stake.

EXCLUSIVE: HBO’s hit comedy-drama series The White Lotus recently finished filming its second season at Italy’s Lumina Studios to the north of Rome.

Jamie Roberts’ terse, painfully precise documentary “Escape from Kabul” zooms right in on one episode—the massive last-minute airlift of Afghans and remaining American personnel from Kabul in August 2021—and never looks away, even when you might wish that it did. It’s a close-quarters kind of war film that moves in tight and leaves little room to breathe.

Action hero Sylvester Stallone dined out in Rome on a warm fall night accompanied by friends and a mystery woman in a black dress this past Tuesday. As the group left their SUV, surrounded by bodyguards and began walking to their restaurant, the woman grew closer to the Rocky star, 76, and affectionately placed an arm on his back. It's not clear who the mystery woman is or if Stallone has begun dating again since splitting from his wife of 25 years, Jennifer Flavin, 56.

Nick Vivarelli International Correspondent The ongoing overhaul of Rome’s Cinecittà Studios is getting traction thanks to booming demand from international productions just as the number of sound stages increase, prompting realistic prospects of turning a profit by end of 2022, which is a year earlier than planned. Cinecittà has been undergoing a radical revamp devised by managing director Nicola Maccanico since June 2021, when European Commission president Ursula von der Leyen and Italian premier Mario Draghi (pictured above at Cinecittà) jointly visited the iconic studio lot and held a press conference in its vast Studio 5 — known as the late, great filmmaker Federico Fellini’s second home — to announce a €300 million ($300 million) investment to meet the growing international demand for studio space,

Nick Vivarelli International Correspondent Italian director Paolo Virzì (“Human Capital,” “Like Crazy”) is in Venice where his dystopic drama “Siccità,” which means drought in Italian, is premiering out-of-competition. The innovative pic, which features an A-list ensemble cast comprising Monica Bellucci, Sara Serraiocco (“Counterpart”) and Silvio Orlando (“The Young Pope”), is set amid a protracted drought caused by climate change in the Italian capital where the Tiber has dried up. Virzì spoke to Variety about how “Siccità” germinated during COVID-19 and was shot amid tight pandemic protocols. Excerpts. You worked with novelist and screenwriter Paolo Giordano on the concept and the script for this film. How did the collaboration start?

Peter Debruge Chief Film Critic “If we got rid of every gay man in the military, there would be no military,” a sympathetic officer tells Marine recruit Ellis French in “The Inspection.” That’s an exceptionally open-minded take on the United States’ “don’t ask, don’t tell” policy, seeing as how pretty much everyone else French encounters at boot camp is openly hostile to there being a gay man among them. But writer-director Elegance Bratton made it through the system — like the character, he’d been lost and homeless for a decade before enlisting — and this deeply personal narrative debut is one gay Black man’s way of showing how he not only survived the experience, but was strengthened by it. “The few, the proud,” as they say.

Guy Lodge Film Critic Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.

Love Island lovebirds Ekin-Su Cülcüloğlu and Davide Sanclimenti are back in each other's arms after their busy new work schedules kept them apart. Since being crowned winners of the ITV2 dating show, the pair have been busy planning their next business moves, meaning they haven't had much time for one another.

Charlotte Dawson has shared an upbeat update following her horror accident during a trip to Rome. The reality star is feeling chipper about her holiday to see one of her best friends get married.

Elsa Keslassy International Correspondent Best Friend Forever has unveiled the trailer for “To The North,” Romanian Mihai Mincan’s feature debut which is world premiering in the Horizons section at Venice. Inspired by true events, the edgy thriller follows Joel, a religious Filipino sailor who finds a Romanian stowaway, Dumitru, hidden between some containers during his shift on a transatlantic ship. Joel decides to hide him and subsequently starts feeling tormented by his crew, friends and even God.

If you ever questioned it before, let “Bardo” — wordily subtitled ‘or False Chronicle of a Handful of Truths,’ as was the director’s wont with 2014’s “Birdman” — lay your queries to rest: Alejandro Iñárritu really, really loves Fellini. He’s not the only one, naturally: comparisons to “8 ½” are par for the course whenever a filmmaker comes out with a notionally autobiographical work, as with Pedro Almodóvar’s “Pain and Glory” in 2019.

Peter Debruge Chief Film Critic These days, with rappers singing about “wet-ass pussy” and Ana de Armas simulating a presidential blow job in “Blonde,” it’s hard to imagine a world in which a couple four-letter words are enough to get a book banned. In the case of D.H. Lawrence’s notorious 1928 novel “Lady Chatterley’s Lover,” it was more than just the sex talk that riled the censors (the 1955 French film version was banned because it “promoted adultery”), although the book certainly seems tame by the standards of “Fifty Shades of Grey” and whatever gynecological surprises an un-Safe Google search might turn up. How then to approach Lawrence’s controversial classic today, when audiences have seemingly seen it all, but still find themselves surfing for titillation on Netflix (judging by the streamer’s T&A-skewing Top 10 lists)? In an admirable bid to make “Lady Chatterley’s Lover” at once respectable and arousing, French director Laure de Clermont-Tonnerre (“Mustang”) embraces the erotic nature of its source, while making it something you can still recommend to your mom, assuming she’s got nothing against a nude romp in the rain.

Romain Gavras wastes no time in “Athena” informing the audience of the stakes. There have been three cases of police brutality within two months in the titular majority-minority community.

Designed as something akin to a Greek tragedy for today’s moment, Venice Film Festival Competition title Athena is a torrent, an inundation, a cascade of rage, fury and frustration over the realities of life for a particular group of French families. Such conditions exist in most societies, some more dire than others, but here the wages of pent-up anger are presented with a single-minded intensity and extended duration that would be hard to exceed.

Elsa Keslassy International Correspondent After the edgy crime comedy “The World Is Yours,” Romain Gavras is back with thriller “Athena.” Produced by Paris-based Iconoclast for Netflix, the ambitious, €15 million film ($15 million) unfolds in the aftermath of the tragic killing of a young boy. A leaked video showing the boy as a victim of police brutality goes viral and ignites an all-out war in an imaginary community called Athena. It’s the first French movie that Netflix is presenting in competition at the Venice Film Festival. “Athena” tells the story of the boy’s three siblings, who are responding to the tragedy in different ways. French star Dali Benssalah (“Les Sauvages,” “No Time to Die”) plays the older brother, Abdel, a French soldier. Faced with an impossible moral dilemma, Abdel is called back from the frontline to help diffuse the all-out war that has been sparked by his younger brother Karim (Sami Slimane), who wants revenge. Athena becomes the backdrop of a tragedy for both the family and its entire community. The film’s stellar cast also includes Ouassini Embarek, Anthony Bajon and Alexis Manenti.