The gods are looking furious indeed.
28.02.2023 - 20:01 / variety.com
Naman Ramachandran Disney’s “Ant-Man And The Wasp: Quantumania” continued atop the U.K. and Ireland box office for the second weekend in a row with £3.04 million ($3.6 million), according to numbers from Comscore. In its fourth weekend, Universal’s “Puss In Boots: The Last Wish” collected £1.7 million in second place for a total of £20.4 million. Another Universal title, Elizabeth Banks’ “Cocaine Bear,” debuted in third position with £1.5 million. Studiocanal’s “What’s Love Got to Do with It?” debuted in fourth place with £1.08 million. Rounding off the top five was Warner Bros.’ “Magic Mike’s Last Dance” that earned £470,020 in its third weekend for a total of £4.9 million.
The only other debut in the top 10 charts was Kore-Eda Hirokazu’s Cannes winner “Broker,” from Picturehouse Entertainment, which debuted in eighth place with £150,178.
Of the upcoming releases, Sony’s anime “Demon Slayer: Kimetsu No Yaiba – To The Swordsmith Village” is arriving midweek on March 1. March 2 sees the CinemaLive release of concert film “Brian & Roger Eno: Live At The Acropolis.” There are several releases on March 3 led by Warner Bros.’ sequel “Creed III.” MUBI is releasing Lukas Dhont’s Cannes-winning and Oscar-nominated “Close” across 100 locations. Dartmouth Films is opening Central Asia road trip-themed documentary “Women Behind the Wheel,” while Dogwoof is bowing “Subject,” which focuses on the ethics and responsibility inherent in documentary filmmaking. Bulldog Film Distribution is releasing SXSW winner “I’m Fine (Thanks for Asking)” and Conic is opening BAFTA nominated documentary “Electric Malady.” In what is a fine week for documentaries, Met Film Distribution’s “Fashion Reimagined” is also bowing. Magnetes Pictures is
The gods are looking furious indeed.
Rebecca Rubin Film and Media Reporter Shazam wasn’t the magic word at the weekend box office. “Shazam: Fury of the Gods” opened to No. 1 in North America, but the Warner Bros. and DC Comics sequel fell short of expectations with its disappointing $30.5 million debut from 4,071 theaters. Heading into the weekend, the film was expected to collect $35 million to $40 million, which already wasn’t all that spectacular since it cost north of $110 million to make and another $100 millions more to market. It’s a substantial drop from 2019’s “Shazam,” the first comic book installment starring Zachary Levi’s quirky hero, which opened to $53.5 million and ended its box office run with $140 million domestically and $366 million globally. It’s also one of the worst starts in the DC Cinematic Universe, other than pandemic-era releases like “Wonder Woman 1984” ($16.7 million) and “The Suicide Squad” ($26 million), which both opened simultaneously on HBO Max.
When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up with the pack? Not shocking in that — well, it’s a goofy, old Shazam!
“Scream 6” star Melissa Barrera shot to fame by starring in the musical “In The Heights,” but she’s actually thankful it didn’t do so hot at the box office.“I am a firm believer in manifesting things into existence, and ‘In the Heights’ was one of those things,” the 32-year-old Mexican actress told People. “That’s the show where I belong — the first time that I ever saw people that looked like me on a Broadway stage.”The movie was directed by John M.
New Line’s DC sequel Shazam! Fury of the Gods got off the ground at 3 p.m. Thursday and posted $3.4M in previews at 3,400 theaters.
Jordan Moreau The “Fury of the Gods” may not be all that furious. Warner Bros. and DC’s “Shazam” sequel is taking flight with $3.4 million at the domestic box office in Thursday previews, behind the original movie’s preview haul in 2019. The sequel to Zachary Levi’s superhero movie will land with a smaller opening than its predecessor. The first “Shazam” movie had $5.9 million in Thursday previews before opening with $53.5 million in April 2019. It went on to gross $140 million domestically and $366 million globally. However, “Shazam: Fury of the Gods” is only expected to bring in $35 million to $40 million. Each of the “Shazam” movies cost $100 million to produce, but that’s a significant drop from the original.
EXCLUSIVE: Illumination/Universal/Nintendo’s Super Mario Bros Movie just landed on tracking this morning ahead of its Easter weekend release, and the animated film is shaping up to make at least $85M-$90M+ over its Wednesday through Sunday launch and that’s on the conservative side.
Puss In Boots: The Last Wish makes a magical Number 1 debut on the Official Film Chart.
“Shazam: Fury of Gods” is anticipated to overtake “Scream VI” and rule the box office this week, but the total gross won’t shatter any records.
New Line’s Covid-delayed DC sequel Shazam! Fury of the Gods finally will hit theaters this weekend in 77 offshore territories and the U.S. with a global outlook between $80M-$85M — $35M of that coming from domestic.
Rebecca Rubin Film and Media Reporter “Shazam: Fury of the Gods” is expected to take the box office crown from “Scream VI” when the superhero sequel opens in theaters over the weekend. But don’t expect Billy Batson and company to break any DC franchise records. The “Shazam” sequel is aiming to collect a so-so $35 million to $40 million between Friday and Sunday, based on early estimates. Unless the Warner Bros. film seriously crushes expectations, inaugural ticket sales will fall significantly short of its pre-pandemic predecessor, 2019’s “Shazam.” The first film, which introduced the world to Zachary Levi’s comic book character who becomes a hero by saying the magic word “Shazam,” opened to $53.5 million and ended its box office run with $140 million domestically and $366 million globally.
Oscar weekend belonged to “Scream VI” in theaters, as the horror sequel notched a franchise-best $44.5 million in domestic ticket sales, according to studio estimates Sunday.
Scream VI is officially a hit!
Rebecca Rubin Film and Media Reporter “Scream VI” collected $44.5 million in its opening weekend, a scary-good start for Paramount and Spyglass Media’s long-running slasher series. Those ticket sales were enough to top domestic box office charts over two newcomers, Sony’s prehistoric sci-fi thriller “65” and the Focus Features heartwarming comedy “Champions,” as well as last weekend’s victor “Creed III.” The initial haul for “Scream VI” is frighteningly strong for the sixth installment in a franchise. Not only did it greatly improve upon the start of last year’s hit reboot “Scream,” which scored with $30 million, but it crushed the all-time opening weekend record previously set by 2000’s “Scream 3” with $34 million. And, “Scream VI” cost $35 million so it’ll easily turn a profit in its theatrical run.
J. Kim Murphy Do you like scary movies? The rest of the box office does. Paramount’s “Scream VI” looks to spook off “Creed III” for the top slot at the domestic box office. The self-branded slasher re-quel grossed $19.3 million from 3,675 locations on its opening day, a figure that includes $5.7 million in previews. That’s more than enough to fend off the weekend’s other new releases, Sony’s science-fiction dinosaur thriller “65” and Focus Features’ sports comedy “Champions.” “Scream VI” is already a few steps ahead of its 2022 predecessor, which landed a $13 million opening day. In fact, the “Scream” franchise is proving to be bigger than ever. Should projections hold, the sixth entry will score a franchise record opening weekend of $43.5 million, a good deal higher than the $32 million that “Scream 2” earned in its 1997 bow.
Jordan Moreau The sixth time may be the charm: “Scream VI” is heading toward what could be a franchise-high opening at the box office this weekend. The Paramount and Spyglass Media slasher movie made $5.7 million at the domestic box office in Thursday previews. It’s expanding from 3,125 domestic theaters to 3,675 on Friday. Nearly 27 years after the first “Scream” movie terrified moviegoers, the franchise is still going strong, thanks to last year’s reboot, or “requel,” also titled “Scream.” The 2022 “Scream” pulled in $3.5 million in Thursday previews in January 2022 before scaring up a solid $30 million opening weekend. “Scream 3,” released in 2000, years before some of the younger stars of the newest movie were born, holds the record for the franchise’s highest opening weekend with $34 million.
grossed $3.5 million at the Thursday box office in January 2022. It went on to make $81.6 million in the U.S. and $137.7 million worldwide against a $25 million budget.
Rebecca Rubin Film and Media Reporter Half a dozen movies in, and the bloodletting hasn’t eased up — or gotten less popular. “Scream VI,” the latest installment in the long-running horror series, looks to slash its way to new opening weekend heights at the box office. Paramount is releasing the film in 3,670 North American theaters on Friday. Based on early estimates, “Scream VI” is projected to debut to at least $35 million and as much as $40 million over the weekend. As of now, 2000’s “Scream 3” remains the franchise’s top opener with $34 million. Records aside, the newest entry is expected to improve upon the start of last year’s hit “Scream” (not to be confused with 1996’s “Scream”), which scored a solid $30 million debut in January. By bringing back franchise stars Neve Campbell, Courteney Cox and David Arquette — and adding in newcomers Melissa Barrera, Jenna Ortega and Dylan Minnette — to the quiet town of Woodsboro, 2022’s “Scream” earned positive reviews and ended its box office run with $81 million domestically and $137 million. Not too shabby, considering it cost $25 million and was released amid the omicron COVID surge.
projected to pull in $40 million its opening weekend. MGM is projecting $35 to $38 million, on par with “Creed II”s $35.5 million opening. The 2018 sequel brought $3.7 million from preview screenings that took place on a Tuesday night ahead of the extended Thanksgiving weekend in 2018.“Creed III” must take in more than $115 domestically and $214 million worldwide to beat its predecessor, while the first installment in the franchise made $109 million in the U.S.
Saudi Arabian family comedy Sattar, set against the world of freestyle wrestling, has continued its record-breaking run at home to become one of the country’s top five highest-grossing local movies ever.