‘Andor’: Tony Gilroy Talks The Importance Of Saw Gerrera, Luthen Rael & The “Original Gangsters & Maniacs” Of The Rebel Alliance

Tony Gilroy enjoys the Hollywood spotlight on him as the showrunner of “Andor,” its first season presently airing on Disney+. And that’s how some moviegoers may know him best, as the man behind the “Star Wars” series and the script/reshoots of 2016’s “Rogue One,” which first introduced Cassian Andor’s character.

‘The Rogue Ones: A Star Wars Andor Podcast’ returns with hosts Mike DeAngelo and The Playlist’s Editor-In-Chief, Rodrigo Perez. As with the previous episodes, each week, our hosts will recap and review the latest “Andor” episode and welcome cast members and creatives from the show to discuss all things “Andor” and all the intrigue and machination of the “Star Wars” galaxy.

Karen M. Peterson Production designer Luke Hull crafted a working city for “Andor,” the “Star Wars” series streaming Wednesdays on Disney+. The show, a prequel to the 2016 film “Rogue One: A Star Wars Story,” follows eventual rebel hero Cassian Andor (Diego Luna) and introduces audiences to new locations and planets. The most ambitious of these is Ferrix, a salvaging outpost on the edge of the galaxy that keeps itself free from the Empire’s interference. The planet Cassian calls home is an arid one, which presented Hull and showrunner Tony Gilroy with the challenge of designing an environment that felt different from Tatooine or Jakku, places “Star Wars” fans know well. Hull, who won an Emmy for his work on the limited series “Chernobyl,” says, “We didn’t want it to fall into the trap of being a town in a desert, or I was quite keen for it not to be a frontier town. Tony was keen that it had a very strong cultural heart. Like you really understood that the people came together, looked after each other there, they weren’t just part of the environment.”

The Batman.The actor appeared as the Clown Prince of Crime in an extended deleted scene, but that wasn’t the part he originally went for.“I wanted to be Riddler,” he told GQ UK in a recent interview.Keoghan auditioned for The Batman by sending an unsolicited tape over three years ago, after hearing that Reeves was looking to cast someone as The Riddler.Although Paul Dano had already landed the role, Keoghan met with producer Dylan Clark and asked him to watch his audition tape.The two-minute clip sees Keoghan, dressed in black with green braces and a bowler hat, casually make his way out of a lift and saunter down a corridor, before walking towards the camera with blood on his face. You can watch it below.Now watch @BarryKeoghan's audition for Matt Reeves' The Batman.

Academy Award-nominated writer/director Tony Gilroy (“Michael Clayton,” “The Bourne Legacy”) is having a moment thanks to the rapturous critical and commercial reception of his new “Star Wars” series, “Andor,” starring Diego Luna. The showrunner is riding high with the praise given to his Lucasfilm streaming series, which presents audiences a very different experience and perspective on the galaxy far far away.

Actor Ebon Moss-Bachrach is riding high at the moment. Known initially for his work in Lena Dunham’s “Girls,” his breakthrough appearance essentially, in the ensuing years, he’s put in the work and been in all kinds of indies, dramas, and varied film and TV works.

“Andor” Episode 4 just debuted on Disney+ in the “Star Wars” series’ second week of release (the first three episodes were dropped on premiere day), and more than anything, this installment of the series cements that the new show is a very different approach to a galaxy far, far away. And that, according to showrunner Tony Gilroy, was entirely by design.“Andor” follows the radicalization of Cassian Andor (Diego Luna), who we last saw giving his life for the nascent Rebellion in “Rogue One.” The show eschews the almost videogame-like plotting of Lucasfilm’s breakout series “The Mandalorian” for something grittier and earthier; textures feel tactile; characters feel troubled and broken, they look for their way and move in with their parents; dialogue is emphasized.

‘The Rogue Ones: A Star Wars Andor Podcast’ returns with hosts Mike DeAngelo and The Playlist’s Editor-In-Chief, Rodrigo Perez. As with the previous episodes, each week, our hosts will recap and review the latest “Andor” episode and welcome cast members and creatives from the show to discuss all things “Andor” and maybe a few other “Star Wars” properties.

It’s a more intricate and complex Star Wars than you’ve ever seen.

Jon Burlingame editor Writing new music for the “Star Wars” universe would be daunting for any composer, considering its iconic scores by the legendary John Williams. Luckily for “Andor” composer Nicholas Britell, writer-producer Tony Gilroy and Lucasfilm president Kathleen Kennedy gave him “total freedom” to imagine a new, totally unique soundscape for the backstory of Cassian Andor (Diego Luna), the rebel spy first encountered in the 2016 film “Rogue One.” So, unlike “Obi-Wan Kenobi,” the “Star Wars” series for which Williams wrote a new theme earlier this year, there isn’t a note of Williams music in “Andor,” which launched a 12-episode run last Wednesday on Disney+.

A new “Star Wars” show is upon us. That’s right, with the release of the first three episodes of Disney+’s “Andor,” Editor-In-Chief of The Playlist, Rodrigo Perez and Co-Host Mike DeAngelo dust off their blasters and launch into a galaxy far, far away with a brand-new podcast dedicated to what the hosts are calling “the evolution of Star Wars.” On what we’re officially called ‘The Rogue Ones: A Star Wars Andor Podcast,’ each week our hosts will recap and review the latest “Andor” episode and welcome cast members and creatives from the show to discuss all things “Andor” and maybe a few other “Star Wars” properties.

and, the universe continues to expand on TV with another new spinoff,. The latest Disney+ series created by Tony Gilroy and starring Diego Luna goes back in time before the film , to explore the political intrigue surrounding the dawn of the rebellion as everyday people push back on life under the Empire. For Gilroy, who co-wrote, the two-season series presented an opportunity to “go back and figure out how this person [Cassian Andor] ended up in, being the person that he is and doing what he does and giving his life for the galaxy,” he tells ET. Set five years before the events of the movie, which saw Luna’s titular character, Cassian Andor, sacrificing his life in order to execute the Rebel Alliance’s first effective blow against the Empire, an incident first referenced in the opening of, Andor’s ending may already be known but it’s the journey there that remains unknown.

The first three episodes of Tony Gilroy‘s “Star Wars” series “Andor” premiere on Disney+ today, to much anticipation. In the lead-up to the show, Gilroy “Andor” would be a creative pivot from earlier Disney+ “Star Wars” fare, and advance reviews of the series confirm that.

SYFY noted the historic mention of sex, which happens in the first 10 minutes of the show, “makes the show an absolute game-changer for the nearly 50-year-old franchise.”Creator Tony Gilroy told Rolling Stone magazine that the very first scene of the first episode opens with a trip to a brothel, which leaves viewers in no doubt about the show’s tone.“It sure is a good tell when you turn in that first episode for them to say, ‘Whoa! OK, this is what the show’s gonna be like,’”“It was a marker, but it’s also good for the story. It served double duty.”The series marks a transition for the sex-less franchise, which has always been geared to more family-friendly content.

Disney has a new television series for the "Star Wars" universe that is already getting thumbs up from fans and critics alike.  On Wednesday, the company released "Andor," a prequel show to the commercially successful 2016 film "Rogue One: A Star Wars Story," on the Disney+ streaming service.The story focus on the journey of Cassian Andor, portrayed by Diego Luna, who also executive produces the series.  Set five years before the events of "Rogue One," the show focuses on the transition of Cassian from petty thief to the rebel hero we see in the film.The actor believes the show will provide fans with an "intimate" perspective of what life was like under the rule of the Galactic Empire.  "There has to be action and adventure and that like big scope of science fiction that you expect from 'Star Wars,' but at the same time, we can allow ourselves to be different," Luna said in an interview with Reuters. Diego Luna reprised his role as Cassian Andor for the prequel series released Wednesday on Disney+.  (Getty Images for Disney)  "What was the life like for people to be willing to sacrifice everything for a cause, you know? I don't think we've seen that," He told the news service.  Luna noted, "I don't think we've been in the most intimate life of the people that were having to live under the control of the Empire.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Yet another “Star Wars” series arrives on Disney+ today, this time a “prequel of a prequel” that centers around Diego Luna’s Cassian Andor following his home planet’s destruction and the rise of the Rebel Alliance. “Andor,” whose first three episodes premiered on the streamer on Sept. 21, stars Luna as the eponymous Rebel leader. It’s mostly set five years before the events of “Rogue One” with the exception of some flashback scenes tracing Andor’s childhood. Written by “Rogue One” co-writer Tony Gilroy, the series serves as an enthralling set-up to the dramatic mission that takes place in the 2016 film, which sees Cassian’s “Star Wars” legacy solidified when he successfully steals the Death Star plans.

“You just walk in like you belong,” Diego Luna’s Cassian Andor impatiently explains in the impelling Rogue One: A Star Wars Story prequel series Andor that debuts Wednesday on Disney+ with three episodes and rolls out once a week thereafter.

“Andor” is the first Star Wars live-action show that does not star a Jedi or a bounty hunter. Instead, the series focuses on the beginning whispers of the Rebellion through the eyes of Cassian Andor, an assassin and a Rebel spy introduced during the last days of his life in “Rogue One: A Star Wars Story.” And it’s all the better for it, resulting in one of the best “Star Wars” stories yet told.The series chronicles the five years leading up to the events of “Rogue One” and takes place just four years after “Obi-Wan Kenobi,” the most recent Star Wars live-action series to debut on Disney+. In the four episodes released to the press, there are no Skywalkers or Sith yet, no light sabers or force users.

Caroline Framke Chief TV Critic “Andor” is, both by design and circumstance, immediately different from its “Star Wars” television predecessors. Where “The Mandalorian,” “Boba Fett,” and “Obi-Wan Kenobi” wove their biggest reveals into the larger fabric of the Lucasfilm universe, “Andor” doesn’t rush toward those moments that might make fans gasp out of pure recognition. Instead, it does something more surprising still: it tells the story of people who have nothing to do with Solos, Skywalkers or Palpatines, but whose lives matter nonetheless. Of course, at least part of the reason the series can take its time this way is because haunted hustler Cassian Andor (Diego Luna, also an executive producer) isn’t a brand-new character at all. As the reluctant hero of 2016’s “Rogue One,” which portrayed the rebel pilot mission to steal the Death Star plans which drive “A New Hope,” Cassian’s “Star Wars” legacy is already written. We already know Cassian’s life will eventually intersect with someone like rebel leader Mon Mothma (Genevieve O’Reilly, returning for more in-depth work in “Andor”). We already know his fate — dramatic and hopeful and unforgettable in those final minutes of “Rogue One” — and that it’s well and truly sealed.