Amazon, NBCUniversal Back Seattle-Based South Asian Film Market Tasveer Ahead of Cannes Launch (EXCLUSIVE)

Pearl Jam’s covered Nine Inch Nails’ ‘Hurt’ in Seattle last night (May 30) – watch the performance below.During the band’s hometown gig at Seattle’s Climate Pledge Arena, Eddie Vedder played the song in front of 18,000 fans to mark the end of the North American leg of their ‘Dark Matter’ tour.Elsewhere in the set, Pearl Jam also debuted two tracks live on the tour for the first time, ‘Pilate’ and ‘Love Boat Captain’. The group delivered a cover of Neil Young’s ‘Rockin’ In The Free World’ too.You can check out fan-shot footage of the cover below, together with the full setlist.Didn’t see this one coming.

Elsa Keslassy International Correspondent Rolling off the Cannes Film Festival where it won several awards, Mohammad Rasoulof‘s “The Seed of The Sacred Fig” has been acquired by a flurry of high profile distributors in major international territories. Films Boutique, which represents the critically acclaimed political drama globally, has sold it to Lionsgate for the U.K.

Naman Ramachandran Cannes 2024 was a life-changing journey for Indian production designer-turned actor Anasuya Sengupta who won best actress at the festival’s Un Certain Regard strand for “The Shameless.” Sengupta made her acting debut alongside several of her friends in Anjan Dutt’s music-themed “Madly Bangali” (2009) and served as director’s assistant to Claire McCarthy in Australian production “The Waiting City” the same year. Kolkata native, Sengupta then moved to Mumbai, home to the vast Bollywood industry. She wasn’t impressed by Bollywood and became a noted production designer and artist instead.

EXCLUSIVE: Io Capitano, the latest feature from Italian filmmaker Matteo Garrone, and Agnieszka Holland’s Green Border have joined the lineup of this year’s Refugee Week arts and culture festival, running June 17 to 23. 

CANNES – If you were to have asked us just 48 hours ago whether we believed Cannes would be sending another Best Picture nominee to the Academy Awards we would have been hesitant to answer yes. Now, following Sean Baker’s “Anorma” winning the Palme d’Or, it looks like Cannes’ Oscar streak will continue.

Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, has won the Cannes Film Festival’s top award, the Palme d’Or.Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony Saturday. The win for “Anora” marks a new high point for Baker, the director of “The Florida Project.” It’s also, remarkably, the fifth straight Palme d’Or won by indie distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.”“I don’t really know what’s happening right now,” said Baker.While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise.

Selena Kuznikov Sideshow and Janus Films have acquired the North American rights to Alain Guiraudie’s queer crime thriller “Misericordia,” starring Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay and David Ayala. The film was a selection of the Cannes Premiere section at this year’s festival. The film follows Jérémie (Kysyl), a man returning to his hometown for the funeral of his former employer.

For the second year in a row, the L’Oeil d’or prize – the top award for documentary at the Cannes Film Festival – is being shared by two films.

Jack Dunn Sideshow and Janus Films have acquired North American rights for Gints Zilbalodis’ animated adventure film “Flow,” which premiered in Un Certain Regard at the 2024 Cannes Film Festival. “We were so excited to see what Gints Zilbalodis would do after his surprising debut feature ‘Away’ in which he did almost all of the work single-handedly,” said Sideshow and Janus Films in a joint statement.

Sideshow and Janus Films have acquired the North American rights for Gints Zilbalodis’s animated feature Flow, following an enthusiastic standing ovation at its world premiere in the Cannes Film Festival’s Un Certain Regard on Wednesday.

“Yellowstone” star, 69, insisted that he “didn’t f–king cry” as it seemed he did when his new movie, “Horizon: An American Saga,” received an 11-minute standing ovation at the Cannes Film Festival. Costner appeared on “Jimmy Kimmel Live!” Tuesday after his trip to France and revealed what was going through his mind when he experienced the positive response to his Western feature. “I actually started walking my life backwards for a second,” he said.

Five years ago, Iranian-Danish filmmaker Ali Abbasi broke out internationally with the Oscar-nominated “Border,” a thorny little beast of a fable about love, complicity, and guilt. His latest prods at some of the same themes, although the thorny little beast at the center of “The Apprentice” is far from a fictional creature of fables.

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

seven children at the premiere of his new Western movie, “Horizon: An American Saga” at the Cannes Film Festival. Costner, 69, was joined at the event Sunday by his daughters Annie, 40, Lily, 37, and Grace, 13, and his sons Cayden, 17, and Hayes, 15.His sons Joe, 36, and Liam, 26, were missing from the family reunion.Costner shares his three oldest kids with his first wife, Cindy Silva, whom he was married to from 1978 to 1994.

Lexi Carson The 50th Annual Seattle International Film Festival (SIFF) wrapped up on Sunday and announced the winners of the 2024 Golden Space Needle Audience and Juried Competition Awards. The festival began on May 9 and screened 261 films representing 84 countries with “62% of the feature films were created by first or second-time filmmakers; 43% were created by women or nonbinary filmmakers; 35% of filmmakers identify as a BIPOC director; and nearly 60% are currently without U.S. distribution and may not screen commercially in the United States,” according to SIFF.

CANNES – There is nothing wrong with a three-hour movie. There have been absolute masterworks longer than 180 minutes.

The 20024 Cannes Film Festival is in full swing now, and it’s arguably been dominated by expensive passion projects that could be seen as vanity projects by their makers. The first one, Francis Ford Coppola’s long-awaited “Megalopolis,” landed yesterday to much consternation and mixed reviews; ours was positive, but still slightly baffled, and the film currently sits at 50% on Rotten Tomatoes.

Naman Ramachandran Red Water Entertainment has snapped up North American distribution rights to the single take thriller “Failure!” led by Ted Raimi (“The Quarry”). This Mexico-U.S. co-production, shot in an unbroken 87-minute take, follows business tycoon James (Raimi) as he faces a crushing bank debt deadline.

Omnes Films has a goal. “Our mission is to fill a void in modern cinema,” says its website. “Our films are passionate, ambitious works made by friends that favor atmosphere over plot and study the many forms of cultural decay in the 21st Century. Whatever the subject or genre, we seek projects that are original in conception and feel like they’ve never been made before.” It sounds wildly ambitious, and maybe it is, but Cannes audiences will be the judge of that when two of its films — Christmas Eve in Miller’s Point by Tyler Taormino and Eephus by Carson Lund — premiere in Directors’ Fortnight.

Naman Ramachandran Woman-focused streamer Herflix, the Female Film Club, female empowerment community Yes She Cannes and French management and production company Sisterland have teamed to launch female collective Her Club Cannes. Attended by some 250 invited film professionals, the event aims to highlight the power and importance of women in film.