Altitude Boards International Sales, UK & Ireland Rights For Laura Poitras’ Nan Goldin Doc ‘All The Beauty And The Bloodshed’

Neon snapped up theatrical rights on Aug. 18 prior to the documentary’s world premiere at Venice Film Festival.

HBO Documentary Films has acquired U.S. television and streaming rights to Oscar winner Laura Poitras’s film All the Beauty and the Bloodshed, fresh from its world premiere at the Venice Film Festival and sneak preview at Telluride.

On an abnormally hot summer day in Oslo, a strange electric field surrounds the city as a collective migraine spreads across town. TVs, lightbulbs, and electronics go haywire, the chaos reaching a debilitating crescendo when suddenly, it’s over.

Neon has acquired North American and UK rights to the horror-drama Handling the Undead, marking the narrative feature debut of Thea Hvistendahl, who previously directed the documentary Adjø Montebello and several short films, including the SXSW Grand Jury Award-nominated Virgins4lyfe. The project reteams the distributor with Renate Reinsve and Anders Danielsen Lie, who starred in its Oscar-nominated romantic drama The Worst Person in the World, directed by Joachim Trier.

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K.J. Yossman Nicely Entertainment has tapped ex-TF1 exec Rachel Siegenthaler for vice president of international sales. Siegenthaler will remain in Paris for the newly-created role, which will be focused on expanding L.A.-based Nicely’s European presence. The role will include responsibility for EMEA and Asia sales and co-productions, which include ten movies set to debut at Mipcom next month. The Mipcom slate includes “Cloudy with a Chance of Christmas” (pictured above), “A Christmas to Treasure,” “A Royal in Paradise” and “Baked with a Kiss” as well as family documentary “Beyond the Reef,” which introduces audiences to the Great Barrier Reef. The feature, which is set to be released in IMAX, is narrated by Shuang Hu.

“Photography was always a way to walk through fear,” says Nan Goldin in her raspy voice as photos fill the screen. Nuzzled within the textures of the snapshots live friends, lovers, and drifters, all eternally preserved through the eyes of the consecrated artist who rose to prominence in the 80s thanks to her visual chronicling of queer life and culture in New York at the height of the AIDS epidemic.

The scourge of the opioid crisis has been documented in the press and in government reports; the culpability of the Sacklers, the multi-billionaire pharmaceutical family whose former company Purdue made the painkiller Oxycontin, has been successfully dramatized. The Sacklers are everywhere in Laura Poitras’ gripping documentary All the Beauty and the Bloodshed, but they are supporting players.

Owen Gleiberman Chief Film Critic In “All the Beauty and the Bloodshed,” the photographer Nan Goldin tells a woeful, revealing, and in its way rather funny anecdote about how in the 1980s, when she first gathered up her photographs — casually transgressive images of her and her friends, who were often drag queens and addicts, along with shots of the assorted other people and situations she experienced as part of the hummingly squalid East Village New York subculture — and tried to shop them around to galleries and museums, they were roundly rejected, because the arbiters of taste, who were inevitably men, favored photographs that were black-and-white and composed in elegant meticulous ways. Goldin’s photographs were in garish verité color, set in environments that were so scruffy (messy bohemian apartments, ordinary people just lolling around) that it looked, to the gallery mavens, like there was no visual organization to them, no art.

Manori Ravindran International Editor Utopia has acquired Participant Media’s feature documentary “Unseen Skies,” which the U.S. distributor will release on Sept. 13. Directed by award-winning filmmaker Yaara Bou Melhem, “Unseen Skies” explores the evolution of state and corporate surveillance. The film follows American artist and geographer Trevor Paglen as he launches an artwork called “Orbital Reflector” into space, visible with the naked eye from Earth, to highlight the global impact of technology in the modern world. Having achieved international notoriety for his conceptual art, which fuses photography and large-scale multidisciplinary events, Paglen’s work reveals the largely unseen power structures of technology and surveillance that shape, impact and increasingly define the framework of our lives.

Addie Morfoot Contributor Laura Poitras’ “All the Beauty and the Bloodshed,” Steve James’ “A Compassionate Spy” and Evgeny Afineevsky’s “Freedom on Fire: Ukraine’s Fight for Freedom” are among 11 documentaries making their world premieres at the Venice Film Festival this year, with Poitras’ competition title vying for a Golden Lion — a rare feat for a doc at a major international film festival. The growing number of high-profile non-fiction films in and out of competition at Venice suggests that major European film festivals have finally accepted documentaries as viable, cinematic art.While docs at the Toronto International Film Festival and major U.S. fests, including Sundance, Telluride and South by Southwest, have long been the belles of the ball, the most prominent international festivals, including Venice, Cannes and Berlin, have been slow to embrace non-fiction content, especially in competition.  

Michaela Zee editor DCTV’s new documentary-dedicated theater, “Firehouse: DCTV’s Cinema for Documentary Film,” will open its doors Sept. 23. Located in DCTV’s historic Chinatown firehouse building in New York, the nonprofit theater will begin its opening week with an exclusive screening of Abigail Disney and Kathleen Hughes’ “The American Dream and Other Fairy Tales.” “I’m so excited that my new documentary, ‘The American Dream and Other Fairy Tales,’ will kick off the opening of DCTV’s Firehouse Cinema,” Disney said in a statement. “I can’t wait to meet the first audiences who will be enjoying and shaping this vital new addition to New York City’s arthouse film scene.”

Naman Ramachandran Altitude is handling international sales and U.K. and Irish distribution for Laura Poitras’ documentary about artist and activist Nan Goldin, “All the Beauty and the Bloodshed.”The film is scheduled to make its world premiere at the Venice Film Festival, where it will compete for the Golden Lion, an opportunity rarely accorded to non-fiction titles.

Brent Lang Executive Editor of Film and Media“All the Beauty and the Bloodshed,” Laura Poitras’s new documentary about artist and activist Nan Goldin, has sold to Neon. The indie studio acquired the film before it was scheduled to make its world premiere at the Venice Film Festival. It has also landed prominent spots at the Toronto Film Festival and the New York Film Festival, where it will get the centerpiece slot.

NEON has acquired rights to the Participant Laura Poitras docu All the Beauty and the Bloodshed which will hit theaters this fall followed by an ancillary and digital release.

The documentary follows artist and activist Nan Goldin told through her slideshows, intimate interviews, photography and rare footage of her fight to hold the Sackler family accountable for the opioid overdose crisis. It will premiere in competition for the Golden Lion at Venice.

Naman Ramachandran Blue Finch Films has boarded international sales, excluding North America, on LGBTQ+ body horror “Swallowed.”The film is directed by Carter Smith, known for cult horror film “The Ruins.” It follows two childhood friends, Benjamin and Dom, who are on the verge of being separated as the former is leaving rural Maine for Los Angeles. Dom has a plan to send Benjamin off with a pocketful of cash — all they have to do is deliver a package across the border. But things spiral wildly out of control when the package turns out to be something far more dangerous than they could have ever imagined.

tiff.net.The full list of new additions:TIFF DOCS“752 Is Not a Number,” Babak Payami | Canada“All the Beauty and the Bloodshed,” Laura Poitras | USA“Buffy Sainte-Marie: Carry It On,” Madison Thomas | Canada“Casa Susanna,” Sébastien Lifshitz | France, USA“Ciné-Guerrillas: Scenes from the Labudovic Reels,” Mila Turajlic | Serbia, France, Croatia, Montenegro“The Colour of Ink,” Brian D.

We are less than a month away from the beginning of this year’s Toronto International Film Festival. So, as we get closer to the Opening Night festivities, TIFF is beginning to lock down its final list of films that will screen at the event.