‘All Of Us Strangers’: Read The Screenplay For Andrew Haigh’s Romantic Fantasy Starring Andrew Scott & Paul Mescal

Calvin Klein just debuted their new Spring 2024 campaign featuring a shirtless Jeremy Allen White in his underwear.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with writer-director Cord Jefferson‘s feature film debut American Fiction.

To be or not to be a troublesome theatergoer? That is the question Andrew Scott tackled head-on during a 2017 production of William Shakespeare’s Hamlet.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Nimona, Netflix‘s animated feature based on ND Stevenson’s 2015 National Book Award-nominated graphic novel about finding friendship in the most surprising situations and accepting yourself and others for who they are.

Two Indian films Salaar Part 1 – Ceasefire and Dunki buoyed the North American box office on a relatively quiet holiday weekend as Searchlight Pictures’ All Of Us Strangers had a solid per-screen openings and Poor Things a nice expansion.

The Teenage Mutant Ninja Turtles have been around since the ‘80s. They’ve starred in several animated TV series, live-action movies from Jim Henson costumes to CGI turtles, and two animated films. The latest, Teenage Mutant Ninja Turtles: Mutant Mayhem, reinvents the comic book heroes in several ways.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Maestro, which is directed, co-written, produced by and stars Bradley Cooper.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Paul King-directed and co-written Wonka. From Warner Bros, Village Roadshow and Heyday Films, the Timothée Chalamet starrer is also co-written by Simon Farnaby based on characters created by Roald Dahl.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Dream Scenario, A24’s surreal dark comedy from Norwegian filmmaker Kristoffer Borgli that plays off Nicolas Cage’s decades-long permeation of the imagination. 

Andrew Haigh’s drama All of Us Strangers has landed nine London Critics’ Circle Awards nominations, ahead of Christopher Nolan’s Oppenheimer, which has scored seven.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the ambitious Ava DuVernay-directed drama Origin, with the script also written by DuVernay inspired by Pulitzer Prize winner Isabel Wilkerson’s groundbreaking book Caste: The Origin of Our Discontents.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Christopher Nolan’s epic biographical thriller Oppenheimer. Based on American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin, Nolan wrote the script about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed.

posted to TikTok and has been viewed nearly 1.5 million times. Taken aback by the “Women Talking” star’s response, the man can be heard asking Foy: “What?” “I don’t do blue,” the “Girl in the Spider’s Web” star repeated. “Oh, come on,” the man can be heard groaning as the Golden Globe winner walked into the building.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Sofia Coppola’s biopic Priscilla. Based on the 1985 memoir Elvis and Me co-authored by Priscilla Presley and Sandra Harmon, the script was adapted by Coppola who also directed.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Asteroid City, Wes Anderson‘s latest film that had its world premiere at this year’s Cannes Film Festival.

Paul Mescal has described sex scenes in his latest film All Of Us Strangers as “both really moving and also really sexy” as well as “healing”.Mescal was speaking to Natalie Portman as part of Variety’s Actors on Actors series and opened up about the scenes in the film alongside his co-star Andrew Scott.Both play lovers in Andrew Haigh’s film, which is based on the 1987 novel Strangers by Taichi Yamada.Mescal explained: “I think sex in film, or any form of media, when it can be healing and sexy at the same time, that’s when it’s at its best.”Portman asked Mescal why tender depictions of love are so rare in Hollywood sex scenes, to which he replied: “I think films like this are an indication of a distance that we’ve traveled, but ultimately there’s quite a ways to go.”He went on to say filmmakers “make something that felt really hot, and sexy, but I think also that doesn’t work in a narrative context if it’s not motivating character.“You have Andrew Scott’s character, Adam, who is in his mid-40s, who has a difficult relationship to sex. Then you have Harry come in, who is much more comfortable.

Natalie Portman and Paul Mescal are actors whose craft inspires as much admiration as the finished product on-screen. Portman, whose career now spans more than 30 years, including films like “Black Swan” and “Thor: Love and Thunder,” keeps us enthralled — this time, with her simmering performance in Todd Haynes’ psychodrama “May December.” The Oscar winner portrays an actress preparing to play a tabloid fascination (Julianne Moore), who became romantically involved with her husband (Charles Melton) when he was 13.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Michel Franco’s Memory, the thoughtful drama that won Peter Sarsgaard the Best Actor Volpi Cup in Venice earlier this year. Franco directs and wrote the movie that also stars Jessica Chastain.

Andrew Scott shares a laugh with Claire Foy and Jamie Bell while stepping out for a weekend screening of their upcoming movie All of Us Strangers held at Vidiots Foundation – Eagle Theatre on Saturday (December 9) in Los Angeles.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with action franchise smash John Wick: Chapter 4. The fourth installment in the Chad Stahelski-directed series was penned by Shay Hatten and Michael Finch (based on characters created by Derek Kolstad) in their first turn with Baba Yaga — even if the titular revenge artist, played by Keanu Reeves, speaks only 380 words of dialogue.