Jon Burlingame A music supervisor has a big job, as defined by the TV Academy: She or he “creatively contributes to the story, character development and overall narrative of the program by engaging in song selection, guiding original song creation and production, overseeing on-camera music performances… contributing to the creation of a unique music aesthetic.” This year’s five nominees reflect those ideals: Frankie Pine, music supervisor for “Daisy Jones & The Six,” was hired five years ago; she was even part of the casting process for the rise-and-fall story of a ’70s rock band. “It was all-encompassing,” she says, “being able to do every aspect of music to help create that authenticity.” Pine submitted episode 8, which depicts the band touring the U.S.