Alicia Silverstone on ‘Clueless’ Sequel Fan Demand, Her ‘Wild’ Sundance Film and Playing ‘Batgirl’ Again: ‘If You Arrange That I Will Do It!’

Grease fangirl her whole life. And now, we have definitive proof. On Thursday, photos of a young Swift starring as Sandy Olsson—originally played by Olivia Newton-John—in a local production of the musical resurfaced on Instagram.

EXCLUSIVE: WTFilms has snapped up international sales rights for Dutch directorial duo Steffan Haars and Flip Van Der Kuil’s English-language debut Krazy House following its world premiere at Sundance.

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

Marta Balaga Finnish director Tiina Lymi decided to “go big” for “Stormskerry Maja,” set in the 19th century. Based on a series of books by Anni Blomqvist, it has been selected for International Film Festival Rotterdam and Goteborg. “It had to be done this way.

EXCLUSIVE: In an arguable first for a Disney+ movie, Disney is contemplating a theatrical release for the Daisy Ridley starring, Joachim Rønning directed feature take of Glenn Stout’s Young Woman and the Sea after the picture scored quite well.

Chrissy Teigen‘s mom has moved back to her hometown!

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

It starts innocuously enough. “Krazy House,” the English-language debut of Dutch filmmakers Steffen Haars and Flip van der Kuil, launches with a ‘90s family sitcom parody that ribs their cheese and cringe.

At the height of their failure, every day was Altamont for the Brian Jonestown Massacre, the San Francisco outfit founded in 1990 by Anton Newcombe, the Klaus Kinski of psychedelic rock. Just in time for this 20th anniversary overhaul of Ondi Timoner’s breakthrough documentary, the BJM were back in the news as recently as November 2023, when the first night of an Australian tour ended in a riot. That the riot was confined to the stage, and played out in front of a dumbfounded audience, is DIG! XX in a nutshell, a welcome return for a film that no less an authority than Dave Grohl calls, in a specially filmed new intro, “the greatest rock’n’roll documentary of all time”.

Pending Woody Allen’s final and absolute cancellation, few directors have emerged to take his place as an erudite and literary artist whose work combines snappy wordplay, base sex jokes and a philosophical willingness to stare into the abyss. Jesse Eisenberg staked a tentative claim to that throne with his 2022 debut When You Finish Saving the World, an amiable but scrappy political satire about a left-wing mother and son, but his follow-up makes a stronger case, being much more adult, less broadly scripted, and as depressing as Woody Allen circa Stardust Memories (which his sophomore film as director obliquely resembles, with its talk of chance, fate and irony).

Rafa Sales Ross Guest Contributor Norwegian director Thea Hvistendahl’s zombie movie “Handling the Undead,” premiering at Sundance and to be released in the U.S. by Neon, sees the reunion of Renate Reinsve and Anders Danielsen Lie, the stars of Oscar-nominated “The Worst Person in the World,” in a poetic, visually-charged chronicling of a hot summer’s day in Oslo when the dead mysteriously come back to life.

Alicia Silverstone opened up about two of her most iconic roles during a recent appearance.

Brent Lang Executive Editor Dolly de Leon realized she needed to say goodbye. The Filipino actress who landed on Hollywood’s radar last year with her turn in “Triangle of Sadness” as Abigail, a toilet cleaner who becomes the domineering leader of the pampered survivors of a cruise ship disaster, had become so deeply entwined with her character that it was starting to take a toll.

Saoirse Ronan is stepping out to promote her new movie.

Julia Fox is revealing future plans for her book “Down the Drain”!

“The View” co-hosts won’t be attending any Madonna shows any time soon — especially if they start two hours late. The women of the daytime talk show voiced their opinions Friday on the lawsuit filed by two New York men upset that Madonna, 65, took to the stage at her Dec.13 “Celebration Tour” concert at the Barclays Center in Brooklyn two hours after the time printed on their tickets. “I personally wouldn’t wait two hours to get a hot oil massage from George Clooney, much less a concert by anybody,” panelist Joy Behar spearheaded the conversation.

Christopher Nolan will be presented with an honorary award at the upcoming 49th French Cèsar ceremony in Paris on February 23.

Gregg Goldstein When you’ve spent the most memorable years of your career battling gods and single-handedly defeating an army, what’s left for a warrior to do? For “Xena: Warrior Princess” star Lucy Lawless, the answer was making her directorial debut with a doc about a fellow New Zealand icon, daredevil CNN war camerawoman Margaret Moth. Her spellbinding feature, “Never Look Away,” which premieres Jan. 18 at Sundance, was selected for the fest’s World Cinema Documentary Competition.

Patrick Frater Asia Bureau Chief Film and TV Producers’ Groups Call for Government Regulation of Streamers, Protection of Indie Sector Against ‘Market Failure’ and Loss of IP Streaming platforms could be subject to tighter regulation and forced to loosen their control of intellectual property if national governments heed a call for action launched Thursday by film and TV producers’ trade organizations around the world. The “global screen producers’ statement on streaming platform regulation and intellectual property protections,” was published by some 20 groups including Australia’s Screen Producers Association, Germany’s Produzentenverband, Screen Producers Ireland, multinational Spanish-language group Federación Iberoamericana de Productores Cinematográficos y Audiovisuales and Belgium’s Union des Producteur.ices Francophones de Films & Series. They say that they, “share a commitment to securing regulation from our respective governments that will ensure that our industry continues to both be sustainable and maintains our nation’s cultural sovereignty.” Among the nine principles, that the groups want governments to follow, two stand out and would likely require regulation.

Leo Barraclough International Features Editor September Film has acquired all rights for Belgium, the Netherlands and Luxembourg for “In the Land of Brothers,” which has its world premiere at the Sundance Film Festival in the World Cinema Dramatic Competition section. The film is written and directed by Iranian filmmakers Raha Amirfazli and Alireza Ghasemi. Alpha Violet is handling world sales.