‘Air’: Read The Screenplay That Tells The Story Of How Nike Swooshed In To Land Michael Jordan

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Christopher Nolan’s epic biographical thriller Oppenheimer. Based on American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin, Nolan wrote the script about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Sofia Coppola’s biopic Priscilla. Based on the 1985 memoir Elvis and Me co-authored by Priscilla Presley and Sandra Harmon, the script was adapted by Coppola who also directed.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Asteroid City, Wes Anderson‘s latest film that had its world premiere at this year’s Cannes Film Festival.

EXCLUSIVE: Leonardo DiCaprio was in a playful mood when he and Lily Gladstone, his co-star in Martin Scorsese’s disturbingly thrilling American history lesson Killers of the Flower Moon, were at the center of a small gathering at the Odeon Luxe in London’s Leicester Square.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Michel Franco’s Memory, the thoughtful drama that won Peter Sarsgaard the Best Actor Volpi Cup in Venice earlier this year. Franco directs and wrote the movie that also stars Jessica Chastain.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with action franchise smash John Wick: Chapter 4. The fourth installment in the Chad Stahelski-directed series was penned by Shay Hatten and Michael Finch (based on characters created by Derek Kolstad) in their first turn with Baba Yaga — even if the titular revenge artist, played by Keanu Reeves, speaks only 380 words of dialogue.

My Life With the Walter Boys is poised to be a new YA hit on Netflix!

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Freud’s Last Session, which Sony Pictures Classics pre-bought after teaming with star Anthony Hopkins to release his Oscar-winning turn in The Father.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with the Todd Haynes-directed May December starring Julianne Moore, Natalie Portman and Charles Melton. It made a splash at Cannes this year when the darkly comedic and complex feature, loosely based on the story of Mary Kay Letourneau, was picked up by Netflix in a splashy $11 million rights deal.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Flamin’ Hot, the script from Lewis Colick and Gentefied creator Linda Yvette Chávez that became Eva Longoria‘s feature directorial debut.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Neon’s murder mystery Anatomy of a Fall. The Cannes Palme d’Or winner from French filmmaker Justine Triet (only the third woman ever to take that top prize) is co-written by Triet and Arthur Harari. Last week, it scooped Best International Feature and Best Screenplay at the Gotham Awards. 

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Kelly Fremon Craig‘s adaptation of Are You There God? It’s Me, Margaret, which marks the first time a book penned by YA icon Judy Blume has made it to the big screen.

If there was ever a Hollywood BFF duo that people could confuse for brothers, it’s Ben Affleck and Matt Damon.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Rustin, Netflix‘s biopic of civil rights icon Bayard Rustin. Colman Domingo stars in the film, which is directed by Tony winner George C. Wolfe and hit theaters and the streamer in November after its world premiere at the Telluride Film Festival.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Killers of the Flower Moon, the Apple Original Films epic that sports the season’s biggest list of bona fides. Oscar winner Martin Scorsese directed the film, which he co-wrote with Oscar-winning screenwriter Eric Roth based on David Grann’s bestselling book. Leonardo DiCaprio, Robert De Niro, Lily Gladstone and Jesse Plemons star.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Fingernails, the Apple Original Films sci-fi love story of sorts that marks the English-language debut of Greek writer-director Christos Nikou. It came off the success of his debut pic Apples, which was Greece’s submission to last year’s Oscar race.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Spider-Man: Across the Spider-Verse, the follow-up to Sony, Sony Pictures Imageworks and Marvel’s groundbreaking Spider-Man: Into the Spider-Verse which won the Animated Feature Oscar in 2019.

Deadline’s Read the Screenplay series, spotlighting the year’s most talked-about scripts, continues with Saltburn, the brutally dark satirical thriller written and directed by Emerald Fennell. The pic marks her sophomore feature, on the heels of the Best Original Screenplay Oscar winner Promising Young Woman. 

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with BlackBerry, a biopic of sorts charting the rise and fall of the OG smartphone.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Dumb Money, directed by Craig Gillespie and penned by financial journalists-turned-screenwriters Lauren Schuker Blum and Rebecca Angelo based on Ben Mezrich’s bestseller The Antisocial Network.