‘Against All Enemies’ Review: A Potent View of American Extremism On the Rise

off-its-rocker “Kingdom of the Crystal Skull”, which had Indy survive a nuclear explosion by hiding inside a refrigerator — and ended with a Spielbergian alien encounter.Running time: 154 minutes. Rated PG-13 (sequences of violence and action, language and smoking.) In theaters June 30.Of course, we always feel happy seeing Harrison Ford — the greatest American action star ever — back in the iconic fedora, even at 80 years old.And Phoebe Waller-Bridge of “Fleabag” adds a welcome dose of spit and vinegar as Helena Shaw, Jones’ goddaughter and latest co-adventurer. But I still left asking “Why?” Everybody knows the Indy series should’ve called it quits with 1989’s “The Last Crusade,” after Indiana Jones and his dad, Dr.

Harry and Meghan have finally handed back the keys of their former residence Frogmore Cottage to the King yesterday almost six months after being handed their eviction notice.

Netta is back, and it’s “Everything”!

Kendall and Kylie Jenner will soon have another sister-in-law. The daughters of Caitlyn Jenner have four half-siblings: Brody, Brandon, Burt, and Cassandra. Over the weekend, Brody, who appeared on 11 episodes of Keeping Up with the Kardashians, got down on one knee to propose to his pregnant girlfriend, Tiarah “Tia” Blanco.A post shared by Brody Jenner (@brodyjenner)From the photos, it does not appear any of the Kardashians were in attendance. Caitlyn and Brody’s brother Brandon Jenner were spotted in the photos, but Kendall and Kylie were noticeably missing.

A new drama about a beauty brand and its workers has dropped on Netflix. Glamorous stars YouTuber Miss Benny and Sex and the City's Kim Cattrall, putting queer people and their stories front and centre.

EXCLUSIVE: Swept Away, the Broadway-aimed musical with music and lyrics by roots rock band The Avett Brothers, has announced principal cast for its fall-winter 2023 production at Arena Stage in Washington, D.C., with John Gallagher, Jr. (Spring Awakening), Stark Sands (& Juliet), Adrian Blake Enscoe (TV’s Dickinson), and Wayne Duvall (the film O Brother, Where Art Thou?) will play the four survivors of a whaling ship disaster.

Jem Aswad Executive Editor, Music Unless you’ve got a “Succession”-sized story of ludicrous wealth combined with horrible behavior, it can be very challenging for a documentarian to make the life of an executive seem exciting — even one as colorful as that of Ron Delsener, one of the greatest concert promoters of all time… which is what makes “Ron Delsener Presents,” a documentary on that colorful life, all the more impressive. While the 90-odd-minute doc is a bit overlong and based largely on wealthy old music-biz veterans telling war stories from their rough-and-tumble years, director Jake Sumner uses deep research, fascinating concert and other archival footage, animation and snappy editing to create a very entertaining, if slightly smoothed-over, film that doubles as a sort of mini-history of the American concert business.

First as the frontwoman of No Doubt and then as a solo artist, Gwen Stefani delivered some of the biggest hits of her era. Who can forget the band’s pleading break-up ballad Don't Speak – a Number 1 hit in 1997 – or 2001's dancehall bop Hey Baby, which peaked at Number 2?

committed to invest US$2.5billion on new South Korean TV shows and films.“[Korean content] is very often unpredictable and catches the American audience by surprise,” Sarandos said at the event, per Variety. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”He added that “great stories can come from anywhere and be loved anywhere [and] nowhere has this proven more true than here in Korea”, per Yonhap News Agency.Over the past two years, Netflix has released a number of hit Korean series and films, from the global phenomenon Squid Game, to the thrilling revenge series The Glory, to the reality TV series Single’s Inferno.Sarandos added that 60 per cent of all Netflix subscribers have watched at least one Korean title, while viewership of Korean content is up sixfold over the past half decade.During the event, the Netflix co-CEO also spoke about how the company is looking to use its US$2.5billion investment plan to “grow the industry” in Korea.

Beyoncé's Renaissance world tour is currently making its way across Europe, with a date in Amsterdam taking place on Monday night (June 19). The Dutch leg of the live extravaganza coincided with Juneteenth, the United States' holiday commemorating the emancipation of enslaved people in the United States.

Indiana Jones And The Dial Of Destiny director James Mangold has explained why Shia LaBeouf will not be returning to the franchise.LaBeouf played the titular archaeologist and adventurer’s son, Mutt Williams, in 2008’s Indiana Jones and the Kingdom of the Crystal Skull, directed by Steven Spielberg.Explaining LaBeuof’s absence at the Dial of Destiny Los Angeles premiere on Wednesday (June 14), Mangold told Variety: “I think the point I had was that when I came on, I wanted to capture that wonderful energy between Indy and an intrepid female character.”“So that was my first goal, and there’s only so many people you can edge into a picture,” he added.The fifth instalment in the Indiana Jones franchise stars Phoebe Waller-Bridge as Indy’s goddaughter, Helena.Back in 2017, screenwriter David Koepp revealed that LaBeouf would not be returning. “Harrison plays Indiana Jones, that I can certainly say,” he told Entertainment Weekly, “And the Shia LaBeouf character is not in the film.”The latest offering marks the final instalment of the Indiana Jones franchise, and sees Harrison Ford reprise his iconic role at the age of 80.So far, Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.It’s also predicted to earn a disappointing $60million at the US box office in its opening weekend.In a four-star review of The Dial Of Destiny, NME wrote: “The biggest question – could another director succeed Steven Spielberg after four Indy films in a row – is well-answered.

Murtada Elfadl Taking on an expansive topic, the contribution of Black astronauts to the American space program, Lisa Cortés and Diego Hurtado de Mendoza’s “The Space Race” derives its strength from the specific and detailed stories of its subjects. Spanning almost 60 years of historical narrative and concentrating on a handful of scientists who broke barriers, the National Geographic doc is the type that makes the audience question how they have never heard of these people before. Cortés and de Mendoza interweave archival footage with the testimony of the astronauts in a fast-paced and informative way. Rapidly unraveling the fascinating story, they demand the audience’s attention and reward it. Blink or look away for a second and an interesting factoid might be missed. But their greatest asset proves to be the astronauts themselves. Their recollections are emotional and humorous, going a long way to paint such a captivating narrative. The astronauts talk of the weight of being an example and the challenges of having to navigate both white and Black spaces in order to succeed. Yet most movingly, they talk of the camaraderie born of being together in these hallowed and mostly white spaces.

The adventures of “Queen of the Universe” season 2 are about to get bigger and better than ever before.

The Flash showrunner Eric Wallace will be telling fellow American writers “we are not in this alone” when he returns home from London later.

The positive response to the Dutch reality series De Verraders has brought different versions of The Traitors to many countries, but executive producer Toni Ireland says the biggest challenge for her was to ensure that the U.S. production stood out in the crowd. Peacock’s The Traitors brings together a group of everyday people and reality TV stars in an elaborate murder-mystery competition hosted by Alan Cumming. Perhaps the biggest change in the U.S. series was in how the game ended, which led to a shocking finale where the group needed to unanimously decide to either trust their fellow finalists and split the money or call for another elimination vote if they believe a traitor is still among them.

Jon Burlingame On the scoring stage at 20th Century-Fox studios in Burbank, composer Jongnic Bontemps is walking around in a “Transformers: The Movie” T-shirt – that’s the animated cartoon from 1986, not the $200-million summer blockbuster he’s just scored. “Violins, play a little softer,” he tells the musicians via intercom from the glass booth behind the stage. “It has to be emotional.” Later, after a rehearsal on a different cue, he tells the string players, “It needs to feel like a warm blanket.” Bontemps is making movie history. He has just spent two years writing the music for “Transformers: Rise of the Beasts,” the seventh in the big-screen franchise, and he’s supervising the recording of the final pieces of the score with a 74-piece orchestra. The film opens Friday.

The MAGA mob that stormed the U.S. Capitol on January 6, 2021 shared many surface similarities with the ideologically opposed mobs that fought against police in American cities over the past few years: improvised weaponry; social media fixation; an emphasis on combat tactics over strategic objectives.

Louisa Lytton is best known for her role in EastEnders, where she plays ruthless gangster Johnny Allen's daughter Ruby. But the 34 year old actress once had a very unexpected role in the the seventh instalment of the American Pie franchise. In 2009, she had several scenes in the role of Imogen, a promiscuous British student, in American Pie Presents: The Book Of Love.

K.J. Yossman Destry Allyn Spielberg’s directorial feature debut “Don’t Feed the Children,” which stars “Downton Abbey’s” Michelle Dockery, has added three new, young actors to its central cast. Joshuah Melnick, Emma Meisel and Dean Scott Vazquez are set to join Dockery in the upcoming film, which was written by Paul Bertino, about a viral outbreak that affects only adults. Following the pandemic, “a group of orphans head south in search of a new life, only to find themselves at the mercy of a deranged woman harboring a dangerous secret,” reads the logline. The film is set to start shooting next month in Santa Fe, New Mexico.

Selome Hailu The Native American and Indigenous Writers committee is “one of the smallest committees in the Writers Guild, but [with] one of the loudest voices ever” according to its vice chair Aiko Little — which was evidenced by the turnout of some 100 picketers who joined the NAIWC for a strike event in front of Walt Disney Studios on Wednesday. The NAIWC’s Disney picket was the most recent of a string of of WGA strike events over the past several weeks that have gathered writers from specific marginalized backgrounds — Trans Takeover Thursday, for example — to highlight how current working conditions are affecting them while celebrating storytellers from their communities.