‘Across the Spider-Verse’ Costume Designer Shows Off Work With Donald Glover’s Surprise Cameo (Photo)

Donald Glover must’ve known what to expect when he agreed to appear on the Eric Andre Show. Andre’s antics are well documented, but last night found him in rare form.

Naman Ramachandran Sony’s “Spider-Man: Across The Spider-Verse” led the U.K. and Ireland box office for the second consecutive weekend with £4 million ($5.1 million), according to numbers from Comscore. The web-slinging animation now has a total of £16.2 million. Paramount’s “Transformers: Rise Of The Beasts” debuted in second place with a healthy £2.9 million. In its third weekend, in second position, Disney’s “The Little Mermaid” collected £2.1 million for a total of £19.9 million. In fourth place, another Disney title, “Guardians Of The Galaxy Vol 3” earned £511,837 in its sixth weekend for a total of £35.5 million. Rounding off the top five in its fourth weekend was Universal’s “Fast X” with £475,640 and a total of £14.2 million.

Spider-Man: Across The Spider-Verse has been sent to cinemas to fix an issue.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.The film hit cinemas on June 1 and has been heavily praised by fans and critics alike, with many describing it as the best superhero film ever made.However, some viewers reported issues with the sound mixing in the film, and as Variety report, producers Sony have sent an updated version of the film to theatres in order to fix the issue.A synopsis of Spider-Man: Across The Spider-Verse reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.

Jazz Tangcay Artisans Editor Production designer Patrick O’Keefe drew inspiration from brutalist architecture, graphic artist Syd Mead and British punk band The Sex Pistols when animating the world of “Spider-Man: Across the Spider-Verse.” As Miles Morales crosses path with different Spider-People from other dimensions, it was up to O’Keefe and his team of animators to create visual worlds that reflect those counterparts. With Variety, he breaks down the looks of each world and shares his favorite easter eggs that pay homage to the Canadian animators who worked on the film. “Whenever it comes to developing anything for the film, I’m always asking myself, whose point of view are we seeing this from? And what does it need to do?

Spider-Man: Across the Spider-Verse got a little enhancement for its’ run in theaters.

Ethan Shanfeld After fans reported sound mixing issues in “Spider-Man: Across the Spider-Verse,” Sony Pictures has sent an updated version of the film to movie theaters. The complaints were mainly targeted at low audio levels during the introductory scene in the animated Spidey sequel, which centers on Hailee Steinfeld’s Spider-Woman character, Gwen Stacy. While the sound issue was isolated to only a “handful of theaters,” a source close to the movie tells Variety that “all the prints” of the film have been updated, adding that it’s not entirely uncommon for distributors to send re-edited prints to exhibitors, “if the opportunity presents itself.”

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”

Spider-Man: Across the Spider-Verse” using Legos. The trailer became such a viral sensation that he got a call from the film’s writer-producers Phil Lord and Chris Miller, who wanted him to make a scene for the film.

Zack Sharf Digital News Director The name Preston Mutanga might not ring a bell, but anyone who has contributed to the $235 million and counting box office haul for “Spider-Man: Across the Spider-Verse” has seen his work on the big screen. Mutanga is a 14-year-old from Toronto, Canada, who landed a role as an animator on “Across the Spider-Verse” after he recreated the film’s trailer shot-for-shot in the style of LEGO blocks and left producers Chris Lord and Phil Miller dazzled (via The New York Times). Not too bad for your industry debut. Mutanga uploaded his LEGO remake of the “Across the Spider-Verse” trailer to Twitter on Jan. 2 (see the post below). Lord and Miller, both active Twitter users, caught wind of the clip and were impressed — the directors know a thing or two about crafting LEGO-inspired sequences as the directors of 2014’s “The LEGO Movie.” When the team decided they wanted a scene in “Across the Spider-Verse” set in a LEGO universe, they decided to reach out to Mutanga.

according to IMDB’s Box Office Mojo.The computer-animated flick enjoyed the biggest opening day of any movie so far this year, according to Deadline. It is also the third highest earner of any animated film, after “Incredibles 2” and “Finding Dory.”The Post called the follow-up to 2018’s “Spider-Man: Into the Spider-Verse” “a dazzling, brilliant sequel.”“The Little Mermaid,” which opened last week and made a big splash in theaters, fell to second place, with $11.8 million in sales.Disney’s live-action adaption of the 1989 classic made headlines this week after IMDB announced it was changing its rating system due to “unusual voting activity” involving the film.

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments and surprises throughout “Spider-Man: Across the Spider-Verse,” now playing in theaters. For months, the directors of “Spider-Man: Across the Spider-Verse” had been working exhaustively on a critical sequence that launches the movie’s second act. For the first time in his life, the animated film’s hero — Miles Morales (Shameik Moore), a.k.a. the Spider-Man of Earth-1610 — enters a different dimension: Earth-50101, a.k.a. Mumbattan, a dazzling amalgamation of New York City and Mumbai. Within minutes, Miles and his BFF from 2018’s “Spider-Man: Into the Spider-Verse,” Gwen Stacy (Hailee Steinfeld), encounter that world’s Spider-Man, Pavitr Prabhakar (Karan Soni), an Indian teenager who received his powers not via spider bite, but through magic. The sequence launches them all through the vertiginously vertical metropolis, as they frantically try to stop the film’s villain, the Spot (Jason Schwartzman), from using Mumbattan’s supercollider to increase his dimension-hopping abilities.

After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, there are a lot of rival studios that are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and Disney+/Marvel Studio’s avant garde series What If?). Leave it to the guys who bedazzled many with the near half billion grossing The Lego Movie, Phil Lord and Christopher Miller, to revolutionize the family animated genre once again.

Spider-Man: Across the Spider-Verse” has finally arrived.After a nearly five-year wait, the highly anticipated sequel to 2018’s breakthrough (and Oscar-winning) “Spider-Man: Into the Spider-Verse” is here. And it’s magnificent. Shameik Moore returns as Miles Morales, who thanks to his friendship with Gwen Stacy (Hailee Steinfeld) and Peter B.

Oscar Isaac is just like us! By that, we mean that he also binges reality television in his downtime.

Jordan Moreau SPOILER ALERT: This article contains major spoilers for “Spider-Man: Across the Spider-Verse,” now playing in theaters. Just like the infinite Spider-Verse itself, there are so many different versions of Spider-Man and other spider-themed heroes that pop up in “Across the Spider-Verse” that it’s almost impossible to keep track of everything.

“Spider-Man: Across the Spider-Verse,” the sequel film to 2018’s “Into the Spider-Verse.” Miles Morales (voiced by Shameik Moore) returns to meet even more Spider-people as he and Gwen Stacy (Hailee Steinfeld) travel to more crazy dimensions, meeting Oscar Isaac’s Spider-Man 2099.Another loaded soundtrack accompanies the even more ambitiously animated sequel film. Executive Produced by Leland “Metro Boomin” Wayne (who features in many of the songs) and Ethan Stevens, the “Across the Spider-Verse” soundtrack also includes Swae Lee, Lil Wayne, A$AP Rocky, Offset, James Blake, Lil Uzi Vert, Don Toliver, Nas, 2 Chainz and 21 Savage.

Spider-Man: Across The Spider-Verse has received overwhelming praise from critics, who have described it as “in the running for the best superhero film ever”.Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, the animated superhero film is the sequel to 2018’s Oscar-winning Spider-Man: Into The Spider-Verse.In the follow-up, Miles Morales (Shameik Moore) is launched on another adventure into the multiverse alongside Gwen Stacy (Hailee Steinfeld).A synopsis reads: “Miles Morales catapults across the multiverse, where he encounters a team of Spider-People charged with protecting its very existence.

“Spider-Man: Across the Spider-Verse.” Somehow, the movie is even more ambitious and complex than the original film. Not only is it significantly more complicated on a visual level, but the emotions this time around are even deeper, as we traverse the larger Spider-Verse with Miles and Gwen (Hailee Steinfeld), meet the hard-assed Spider-Man 2099 (Oscar Isaac) and ponder the question: can you even be Spider-Man without being saddled with a tragic backstory?TheWrap sat down with “Spider-Man: Across the Spider-Verse” writers and producers Phil Lord and Chris Miller, along with the directors Kemp Powers, Justin K.

Clayton Davis Senior Awards Editor Don’t tell me “Spider-Man: Across the Spider-Verse” is merely a cartoon. It’s a visionary work that redefines what the animation medium can achieve, sitting alongside the handful of sequels such as “The Dark Knight” and “The Empire Strikes Back” that elevate their franchises by pushing them in surprising new directions. On a personal level, this animated second installment of the web-slinging superhero is the closest I’ve ever come to seeing an accurate depiction of my life and culture on a movie screen – well, with a few fantastic elements added into the mix. That’s invaluable. “Across the Spider-Verse” takes place a year after the events of the previous film with Miles Morales (a.k.a. Spider-Man) facing a new threat. Unfortunately, it’s one that causes him to interact with a new group of Spider-People from across the multiverse.

Hailee Steinfeld is extremely grateful to be a part of the Marvel Cinematic Universe (MCU).