By now, you may have seen the SNL clip floating around on TikTok of Weekend Update anchor Michael Che‘s April Fools Day prank on Colin Jost.
20.03.2023 - 18:41 / variety.com
Lise Pedersen Oscar-nominated and double Palme d’Or winning film company Plattform Production (“Triangle of Sadness,” “The Square”) has premiered its latest film, “A Tiger in Paradise,” by director and editor Mikel Cee Karlsson, as part of a live event that received a standing ovation at CPH:DOX, one of Europe’s leading documentary film festivals. Set in the picturesque Swedish countryside, the doc takes viewers on a surreal journey into the inner world of Swedish indie folk singer-songwriter José González. Peppered with songs from his latest album “Local Valley,” introspective musings, self-deprecation and playful special effects involving moving portraits, looping techniques and Conway’s famous Game of Life computation model, the film opens with a disarmingly candid disclosure by González about his past mental health issues.
Karlsson tells Variety: “We used José’s mental illness as a jumping off point, in a way, to discuss themes that both of us think are really interesting. We read a lot of the same books. We have lot of philosophical discussions when we meet. So we used it as a way to talk about those ideas and beliefs, why they matter and how they influence the way we interact with the world.” A former PhD student in biochemistry, González stopped working on his thesis in 2003 when his music career took off, but maintains a fervent interest in science and is an outspoken atheist – themes that are omnipresent in his lyrics and in the film, which he narrates. Karlsson and González have been collaborating for years – Karlsson directed many of González’s music videos and co-helmed “The Extraordinary Ordinary Life of José González” in 2010, a video-diary feature focusing on the singer-songwriter’s creative process in
By now, you may have seen the SNL clip floating around on TikTok of Weekend Update anchor Michael Che‘s April Fools Day prank on Colin Jost.
Michael Che got his «Weekend Update» co-anchor, Colin Jost, good on . The episode happened to take place on April Fools' Day, and Che decided to play a prank on his pal during the live broadcast.As the «Weekend Update» co-anchors started sharing their jokes about the recent headlines, there was a noticeable difference between the laughter and applause Jost and Che were each receiving.Finally, Che burst out laughing, sharing, «I told them not to laugh at you for April Fools',» as Jost put his head in his hands, cracking up.«I was like, 'Am I not mic'd?' And then I was like, 'Oh, I just suck,'» Jost said, laughing.
Michael Che got his Weekend Update co-anchor Colin Jost good during this week's .The episode happened to take place on April Fools' Day, and Che decided to play a prank on his pal during the live broadcast.As the Weekend Update co-anchors started sharing their jokes about the recent headlines, there was a noticeable difference between the laughter and applause Jost and Che were each receiving.Finally, Che burst out laughing, sharing, «I told them not to laugh at you for April Fools',» as Jost put his head in his hands, cracking up.«I was like, 'Am I not mic'd?' And then I was like, 'Oh, I just suck,'» Jost said, laughing. And when Che tried to continue with the headlines, Jost declared, «You're evil!»As the segment continued, Jost wiped away tears, laughing and unable to get over it, saying, «That's the meanest thing you've ever done.
“Succession” Season 4, the HBO series looked the other way in Episode 2, “Rehearsal.” Throughout the hour, the trio of Roy children gone rogue – Kendall (Jeremy Strong), Shiv (Sarah Snook) and Roman (Kieran Culkin) – debate whether they should join some other contentious Waystar board members in blocking dad Logan’s (Brian Cox) sale of his media empire to Swedish internet gazillionaire Lukas Matsson (Alexander Skarsgård).They state repeatedly that it’s just a play to get more money for the family business. True as far as that goes. Yet Shiv and Ken, especially, seem to relish every opportunity it gives them to stick it to the old man.
Thanks to the 2023 calendar year, April Fool's Day happened to fall on a Saturday, giving the cast of "Saturday Night Live" ample opportunity to be extra silly. During the "Weekend Update" segment with Colin Jost and Michael Che, things went awry when Jost's jokes were not well received by the audience.
During the April 1 edition of “Saturday Night Live”, Michael Che celebrated April Fool’s Day by pulling an epic prank on fellow Weekend Update anchor Colin Jost.
The Saturday, April 1, episode of Saturday Night Live started like any other — until Colin Jost did not receive any laughs during his “Weekend Update” segment.
“Saturday Night Live” was strangely quiet, leading co-anchor Colin Jost to look visibly bewildered by the lack of laughter at his jokes – only to learn he’d been pranked by co-anchor Michael Che.Jost’s first few jokes during Weekend Update, which took shots at Donald Trump’s indictment, received only a smattering of laughter from the in-studio audience, and Jost was starting to look uncomfortable.“At this point, it feels like even conservatives have moved on. I mean I went down to the courthouse today and I was the only protester there,” Jost said, revealing an image of himself in a MAGA hat with a sign that read “Let Our Boy Go.”After Jost told the joke, someone in the audience yelled, “You stink!” At this, Che finally cracked and said, “I told them not to laugh at you for April Fools.”An extremely relieved Jost started laughing and admitted the lack of laughter was rattling him.
Elsa Keslassy International Correspondent Netflix has ordered “A Part of You,” a Swedish coming-of-age drama penned by Michaela Hamilton (“Eagles,” “A Class Apart”). Produced by SF Studios, the film will mark the directorial feature debut of Sigge Eklund, an acclaimed author and podcast host in Sweden. “A Part of You” will start production in Sweden later this summer and release globally on Netflix in 2024. “A Part of You” portrays the experience of a 17 year old girl, Agnes, whose older sister Julia possesses everything that Agnes dreams of: She’s the most popular girl at school and has a boyfriend. When the worst possible thing occurs, Agnes’ world is turned upside down and she’s forced to reinvent herself.
Beninese artist and songwriter Angélique Kidjo, Estonian composer Arvo Pärt and Island Records founder Chris Blackwell have been announced as the recipients of this year’s Polar Music Prize.They will be presented with their prizes and 600,000 Swedish Kroner at a ceremony in Stockholm on 23 May, which will be livestreamed on YouTube if you fancy watching it.Bigging up this year’s winners, the prize’s MD Marie Ledin says: “Angélique Kidjo is an inspirational artist, she constantly explores and challenges and is one of the greatest singer-songwriters in international music. We are THRILLED to be recognising her talent and shining a light on her important work with the Batonga Foundation”.“Arvo Pärt is one of the most incredible composers the world has ever seen, and his beautiful music has touched audiences around the globe”, she adds.
Naman Ramachandran Writer-director Jesper Ganslandt has signed with CAA for representation. Ganslandt made his debut with “Falkenberg Farewell” in 2006. The coming-of-age film followed a group of friends who grew up in the titular town of Falkenberg and spend a last summer there before moving to the big city. The film debuted at Venice and had a stellar festival run including Toronto, Reykjavik, Tallinn Black Nights and Goteborg. It was nominated for the Nordic Council’s Film Prize, chosen as Sweden’s submission for the Academy Awards, and was nominated in several categories at the Guldbagge Awards in 2007, including best film, best direction and best screenplay. It won the FIPRESCI Award at the IndieLisboa International Independent Film Festival.
Federation Studios has nabbed worldwide distribution rights to French political comedy and Series Mania winner Under Control.
Leo Barraclough International Features Editor Documentary specialist Autlook Filmsales closed a raft of sales at a vibrant market during the Copenhagen documentary festival CPH:DOX. “Subject,” directed by Camilla Hall and Jennifer Tiexiera, got picked up by Sweden’s SVT, Denmark’s DR, Norway’s NRK, Norway’s VGTV, The Netherlands’ VPRO, Israel’s Yes Doc, and Madman for Australia and New Zealand. Dogwoof released the film early this month in the U.K. “Subject” is an examination of the relationship between nonfiction filmmakers and their subjects. It raises important ethical questions during a golden of age for documentaries, when docs are screened by millions of viewers. The film re-visits protagonists of some of the most viewed documentaries of today – “The Staircase,” “The Square,” “Hoop Dreams,” “The Wolfpack” and “Capturing the Friedmans.”
With Series Mania 2023 coming to a close, the event’s founder and general director Laurence Herszberg announced the winners of the Series Mania Festival today.
Jenelle Riley Deputy Awards and Features Editor Pictured: Casting directors Katja Zarolinski and Geoff Josselson of JZ Casting. This article first appeared as part of Jenelle Riley’s Acting Up newsletter – to subscribe for early content and weekly updates on all things acting, visit the Acting Up signup page. Casting director Geoff Josselson just checked off a major bucket list item. When he was asked what show he dreamed of casting, he would say “Into the Woods.” And just last year, working with Telsey Casting, Josselson was part of the team that assembled the heralded Broadway revival starring Sara Bareilles, Brian D’Arcy James and Joshua Henry. Josselson is on a bit of a Stephen Sondheim spree — with Telsey he also helped cast the new production of “Sweeney Todd,” starring Josh Groban and Annaleigh Ashford. And he and his partner at JZ Casting, Katja Zarolinski, just collaborated for the first time with the Pasadena Playhouse to cast “A Little Night Music,” playing at the theater April 25-May 1.
Leo Barraclough International Features Editor GlobeScreen Auditoriums has taken French rights to “Blix Not Bombs,” a documentary about former UN weapons inspector Hans Blix, who was given the task of looking for weapons of mass destruction in Iraq, in the period running up to the U.S.-led invasion of the country 20 years ago. The deal was closed by Toronto-based sales agent Syndicado Film Sales, which is also an executive producer on the film. The film had its world premiere at Copenhagen documentary festival CPH:DOX on Monday, the anniversary of the invasion. In the film, Czech-Swedish filmmaker Greta Stocklassa interviews the Swedish diplomatic, now 94 years old, about what happened in the months leading up to war. He describes his meetings with George W. Bush and Tony Blair, his frustration when Colin Powell gave his pivotal speech in the UN Security Council, and his feeling of emptiness when the U.S. started the invasion, despite his reports that his team had found no weapons of mass destruction in Iraq.
Neon has unveiled a raft of cast additions for Joshua Oppenheimer’s musical The End as principal photography begins in Ireland.
John Hopewell Chief International Correspondent LILLE, France — The gauntlet thrown down by the opening stretches of Viaplay banner title “The Fortress,” one of nine series in main competition at Series Mania, is to believe that this is fiction. News footage plays of a pandemic, then a war; huge protests rage around the world as Norway’s prime minister addresses his nation to announce that Norway is building a wall to keep everybody else out. That’s been done before (Israel) and in metaphorical terms (Brexit). Cut to nine years later: Norway is a bucolic paradise, Sweden next door a refugee camp hell, until strange bacteria kills fish and then humans, and Norway will, foreseeably, need international help and “what starts as a wall, ends as a prison,” comments Filippa Wallestam, Viaplay Group chief content officer.
The director of the latest superhero flop is getting candid.
tweeted with a shrug emoji. “I wasn’t expecting a repeat of the first movie critically but I was still a little surprised because I think it’s a good film. Oh well.”As of Monday, “Shazam! Fury of the Gods” has a middling 52% rating among all critics on Rotten Tomatoes.