A Lana Del Rey course has been launched at New York University

In the beginning, the earth was without form and void, and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, “Let there be SpongeBob SquarePants Presents The Tidal Zone, the first SpongeBob Universe crossover special.

Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.

Lana Del Rey‘s extensive back catalog is full of collaborations.

Taylor Swift has revealed that Lana Del Rey features on her upcoming new song ‘Snow On The Beach’.Swift confirmed the collaboration during the final instalment of ‘Midnights Mayhem With Me’, the video series through which she’s been drip-feeding the track titles from her forthcoming album ‘Midnights’ (out October 21).“Our LAST EPISODE! The season finale of ‘Midnights Mayhem With Me’, with QUITE the twist of an ending…,” Swift captioned the clip.In the video, she told viewers: “Track four is called ‘Snow On The Beach’. Featuring… Lana Del Rey.”The star has now revealed all 13 song names from ‘Midnights’, including ‘Vigilante Shit’, ‘Midnight Rain’, ‘Anti-Hero’, ‘Bejeweled’ and ‘Mastermind’.

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift kept the “Midnights” oil burning later than usual late Thursday night and early Friday morning, revealing not just the name of one song at midnight, as has been her custom in the buildup to the Oct. 21 album release, but all five of the remaining mystery track titles, one per hour, until she finally reached a grand finale at 4 a.m. ET. And that final track reveal had — as she promised — “QUITE the twist of an ending,” with Lana Del Rey being revealed as making the only featured appearance by a guest on the album. Del Rey will make her cameo on a song titled “Snow on the Beach,” which will be track 4 on “Midnights.” The other four tracks whose titles were revealed over the course of the wee hours were “Lavender Haze,” set to be the first track on the album; “You’re on Your Own,” track 5; “Labyrinth,” track 10; and “Sweet Nothing,” track 12.

Taylor Swift took to social media on Friday with a major revelation about her boyfriend of six years, Joe Alwyn.MORE: Inside Taylor Swift's incredible $81m property portfolio: from New York to NashvilleIn a candid video, posted to her Instagram feed, the singer, 32, discussed the song Lavender Haze which will feature on her upcoming album Midnights, set to be released later this month.WATCH: Taylor Swift opens up about relationship with boyfriend Joe AlwynChatting about the track, the star revealed her relationship with Joe served as major inspiration as she has had to "dodge weird rumors" and "protect the real stuff," when it comes to her long-term beau.READ: Conversations With Friends star reveals Taylor Swift's reaction to intimate scenes with boyfriend Joe AlwynSEE: Taylor Swift talks incredible 'gift' during career high momentAddressing the camera, Taylor said: "I guess theoretically when you're in the lavender haze, you'll do anything to stay there and not let people bring you down off of that cloud and I think a lot of people have to deal with this now, not just "public figures" but because we live in the era of social media and if the world finds out you're in love with somebody they're going to weigh in on it. The pair have been together for six years"Like my relationship for six years we've had to dodge weird rumors, tabloid stuff, and we just ignore it and so this song is about the act of ignoring that stuff, to protect the real stuff.

The ex-con accused of fatally gunning down the father of a Marist College student inside a Courtyard Marriott in upstate New York – showed a murderous streak in the past.  Roy Johnson, 35, was arrested Sunday for the slaying of acountant and father of three Paul Kutz in Poughkeepsie in the lobby of the hotel where both men were staying, according to police. Back in December 2005 during a violent robbery, Johnson, then 19, and an accomplice kicked in acquittance Amin Hinson's front door in broad daylight, then aimed a silver revolver at Michael Jones' head, court records show. "Shut the f---- up or I will kill you!" Johnson threatened.

A Pennsylvania man who was visiting his Marist College freshman daughter over the weekend and staying in the Marriott Courtyard hotel where a homeless felon allegedly gunned down another dad Sunday said it could've happened to anyone and that he has new concerns about his daughter's safety. "You feel so bad for that family," John Bucsek told Fox News Digital Wednesday.

Joe Alwyn‘s star continues to be on the rise and now he has the public endorsement of Ryan Reynolds!

Joel Edgerton and Sigourney Weaver are stepping out to promote their new movie.

Ella Kemp Guest Contributor Baz Luhrmann has lifted the curtain on his musical process, recalling one key artist who could have changed his 2013 adaptation of “The Great Gatsby” entirely. The filmmaker, who recently wrote, produced and directed the glittering musical biopic “Elvis,” starring Austin Butler, opened up about his long-standing love affair with pop music at BAFTA’s Life In Pictures event in London on Friday. The evening welcomed Luhrmann back to London following his worldwide box office success with “Elvis”, which both honors the rock’n’roll musician’s back catalogue and offers contemporary reworking of songs of the era, such as Doja Cat’s new track “Vegas,” which samples and reworks the 1953 blues song “Hound Dog” by Big Mama Thornton.

Scooter Braun learned a big lesson after he acquired Big Machine Records in 2019, resulting in a controversial dispute with Taylor Swift.

Daniel D'Addario Chief TV Critic “East New York” fits neatly into CBS’ battery of dramas about law enforcement, from “The Equalizer” to the “CSI” revival. But credit it with this much: In its roundabout way, it has more on its mind than one might expect at first blush. Set in a Brooklyn neighborhood where the beginnings of gentrification rub up uncomfortably against families who’ve lived there for generations, “East New York” is relatively careful in its presentation of cops and policing as flawed tools in need of rethinking, and boasts a charismatic lead who can make you believe, for an hour of primetime, that such change might be possible. We meet Regina Haywood (Amanda Warren of “The Leftovers” and “Dickinson”) as she’s getting a manicure; the robbery of a dollar van outside gets her attention, and draws her out to the street. She’s very early in her tenure as precinct chief, and this comes as a wake-up call of sorts; Regina is, soon enough, working to reduce quotas for arrests on petty crime and chicanery in the interrogation room, all with a single-minded focus on addressing major crime’s root causes. Her long-term goal is for the cops she oversees to live in the neighborhood they defend; she’s willing to start with placing an eager underling, Officer Brandy Quinlan (Olivia Luccardi), in an apartment procured by city housing.

problematic uncle in the industry family, certain to entertain and disturb in equal measure, depending on what one is willing to overlook when the sausage is being made (or even, considering some reports, when he’s away from the factory).That the Oscar-nominated writer-director is in the mix again with the period comedy-adventure “Amsterdam” after seven years away (since 2015’s lumpy “Joy”) indicates a willingness in Hollywood to endure the reminders of his behavioral issues and to bet on the recipe of star power, emotional smarts and provocative farce that forged “Flirting with Disaster,” “Silver Linings Playbook” and “American Hustle.”Only the first ingredient is in evidence with “Amsterdam,” however, and no amount of wattage from Christian Bale, Margot Robbie, John David Washington, Zoe Saldana, Anya Taylor-Joy, Rami Malek or Robert De Niro — or even an A-list B-team of Taylor Swift, Chris Rock, Andrea Riseborough, Matthias Schoenaerts, Alessandro Nivola, Mike Myers and Michael Shannon — can lift this flat, unfunny genre-fluid whatsit from its performative stumbling toward contemporary relevance.At first, when it’s 1933 New York, we sense an eccentric buddy-picture in the making, centered on themes of integration and the treatment of veterans. Bale’s character (and semi-narrator) is Burt Berendsen, a scraggly, half-Catholic/half-Jewish doctor focused on new medicines for wounded Great War soldiers like himself (he lost an eye) and estranged from his status-conscious Park Avenue wife (Riseborough).

Bad Bunny.New York University’s Clive David institute will launch a new class next month, focused on the study of Lana’s songwriting, in relation to social justice, musical influence and unique sound, that “has changed the parameters of baroque pop.”“Del Rey provided a new platform for artists of all genders to create ‘anti-pop’ works of substance that could live in a mainstream once categorized as bubblegum,” says author Kathy Iandoli. “The six-time Grammy nominated artist has reinvented the sound (and mood) of mainstream music beyond the 2010s.”San Diego State University will explore Bad Bunny’s impact on Latin culture, as he has been able to show a different side of reggaetón.

Lana Del Rey fans attending NYU next semester will be able to put their standom to the test with a course focused on the singer. Topics in Recorded Music: Lana Del Rey will be taught at New York University’s Clive Davis Institute of Recorded Music with journalist and author Kathy Iandoli helming the two-credit course.

Jem Aswad Senior Music Editor As it did with Taylor Swift earlier this year, New York University’s Clive Davis Institute has introduced a course on Lana Del Rey for this fall. Taught by journalist and author Kathy Iandoli, the two-credit course, “Topics in Recorded Music: Lana Del Rey” runs Oct. 20-Dec. 8. According to an NYU rep, the course will examine Del Rey’s contributions to 21st Century pop stardom, her relationship to feminism, her musical influences and artists she has influenced, and her connection to social justice movements such as  #BlackLlivesMatter, #MeToo and #TimesUp. Del Rey was honored with the Decade Award at Variety‘s Hitmakers event in December.