Steve Buscemi hasn’t directed a film in a while: since 2007, with “Interview,” which he co-starred in with Sienna Miller. But now the “actor’s actor” is again behind the camera for his latest film.
Steve Buscemi hasn’t directed a film in a while: since 2007, with “Interview,” which he co-starred in with Sienna Miller. But now the “actor’s actor” is again behind the camera for his latest film.
How can happiness flourish amid domestic chaos and cultural intolerance? Emanuele Crialese’s film “L’immensità” explores a transgender youth’s journey toward acceptance. And now the movie hits US theaters after its world premiere at the Venice Film Festival last year.
Was it a shock when Laura Poitras‘ new documentary “All The Beauty And The Bloodshed,” about Nan Goldin and the fall of the Sackler family, won the Golden Lion at Venice in September? Only in that it’s the second documentary ever to win Venice’s top prize. After all, Poitras’s credentials speak for themselves.
Moses Bwayo and Christopher Sharp’s documentary “Bobi Wine: Ghetto President” is a feat of cinematic journalism that captures a tumultuous timeline of events while keeping the focus on its titular subject. Going by the stage name Bobi Wine, Robert Kyagulanyi Ssentamu is a wildly popular singer in Uganda who is voted into office and becomes a major figure in the political party that opposes its president, General Yoweri Museveni.
Over the weekend, we saw a number of high-profile films get major premieres at the Venice Film Festival. One of the most anticipated features to debut is Alejandro G.
What a knotty task, to detach instinctive overtures of motherly love from the traditional structures that perpetuate the restraining of gender roles, offering love freely without conforming.
As a fresh batch of boot camp recruits moves through processing, a name keeps resurfacing like some kind of curse — as if its mere mention is enough to call down the power of its wrath. “Classic case for Eismayer,” one experienced soldier remarks about a smart-mouthed inductee, while another explains his fake-illness strategy thusly: “Just trying to avoid drillmaster Eismayer.” A legend in the Austrian armed forces, Sergeant Major Charles Eismayer (Gerhard Liebmann) is equal parts bad-ass and martinet, yet what he is, more than anything else, is afraid, and it’s the exploration of this fear that serves as the backbone of “Eismayer.” A title card at the beginning of the film sets up the story as based on actual events — something that the brutalist architecture, bland color palette, and utilitarian nature of the military base setting reinforces right from the jump.
Abel Ferrara has had several premieres of his films at the Venice Film Festival over the years. Now, Variety reports that Ferrara is back again this year with “Padre Pio,” one of the highlights of the Venice Days lineup announced today.
Abel Ferrera has had several premieres of his films at the Venice Film Festival over the years. Now, Variety reports that Ferrera is back again this year with “Padre Pio,” one of the highlights of the Venice Days lineup announced today.
The Venice Film Festival announced its lineup for its 79th edition yesterday, and it’s a stacked group of films. Among other films in competition for the coveted Golden Lion there’s Alejandro G.
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