Catherine Hardwicke is nothing if not eclectic in choosing what she directs. On the heels of “Mafia Mamma,” which came and went from theaters quickly in April, here comes “Prisoner’s Daughter,” Hardwicke’s film from TIFF last September.
Catherine Hardwicke is nothing if not eclectic in choosing what she directs. On the heels of “Mafia Mamma,” which came and went from theaters quickly in April, here comes “Prisoner’s Daughter,” Hardwicke’s film from TIFF last September.
Leave it to Stephen Frears to make another project about recent British history. But in fairness, “The Lost King” looks like a lighter romp than the likes of “A Very English Scandal” and “The Queen.” It’s not like every film has Sally Potter hallucinating a long-deceased monarch, right? READ MORE: The 100 Most Anticipated Films Of 2023 Based on Phillippa Langley‘s 2013 book “The King’s Grave: The Search For Richard III,” “The Lost King” traces the discovery of Richard III’s grave under a car park in Leceister, and how the Langley’s amateur research led up to it.
As the climate crisis worsens, the need for urgent action grows exponentially. Ignoring a problem doesn’t make it go away, and this one threatens total global collapse.
What does the title of Graham Foy‘s “The Maiden” mean? The film’s early title card reveals that it’s a graffiti tag for Kyle (Justin Sluiter) and Colton (Marcel T. Jiminez), two friends in ’90s Calgary who litter their hometown with the marker.
“Concrete Valley” opens with a man wandering in the woods around Thorncliffe Park, one of Toronto’s first postwar high-rise neighborhoods and one of its most diverse areas. He’s Rashid (Hussam Douhna), a Syrian doctor who recently relocated to Canada with his family.
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