Sundance 2022 Showbiz and Celebrity Breaking News

With the war still raging in Ukraine, the membership of the Academy of Motion Picture Arts and Sciences made their feelings on the matter one for the history books. In a year of incredible documentaries, the Oscars handed their Best Documentary prize to “Navalny,” a portrait of Russian opposition leader Alexi Navalny.

Without Richard Wayne Penniman, aka Little Richard, rock ‘n roll as we know it wouldn’t exist today. Don’t believe that claim? Well, Lisa Cortés‘ documentary “Little Richard: I Am Everything” is ready to shed some light on the subject and unveil the black queer roots of the musical genre.

Margaret Brown entranced audiences at the Sundance Film Festival with “Descendant,” her documentary about the historic discovery of a lost slave ship in 2019. The movie made such a splash at Sundance that it won a Special Jury Prize.

Sinéad O’Connor remains one of the most influential music acts to emerge into the pop mainstream in the late ’80s and early ’90s. Now, take a look at her life and career through the lens of Kathryn Ferguson, making her documentary feature debut with “Nothing Compares,” an in-depth look at O’Connor’s creative legacy.

If two people who lack a common language want to communicate, they’ll find a way to communicate. The characters in “blood,” the first new film from Bradley Rust Gray in a decade, don’t exactly lack a common language, but coltish English and crummy Japanese necessitate auxiliary tools for communication, such as food, dance, music, flowers, and art.

Equipped with a hazy aesthetic and archival footage galore, “Nothing Compares,” Kathryn Ferguson’s documentary about the early stardom of controversial singer-songwriter Sinéad O’Connor, celebrates the Irish artist’s commitment to shattering industry trends but ultimately fails to break away from traditionalism itself. “Nothing Compares” presents O’Connor as a pioneer, an artist whose foremost rationale for pursuing a career in music resided in her desire to craft art for the sake of social reform by way of personal catharsis.

Dressed all in black, Lilas Mayassi and Shery Bechara stand outside a restaurant while staring down at Mayassi’s phone, smiles painting their faces. The bandmates giggle to each other as Mayassi shows Bechara pictures of a woman she met at a nightclub the previous evening.