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1 hour, 30 minutes, no intermission. The St.

Two hours and 30 minutes, with one intermission. At the Broadway Theatre, 53rd Street and Broadway.Forget East Egg and West Egg.

The other, “Back to the Future: The Musical,” did not.)Rolled out modestly, little “Heart” is also a lot more fun and proudly frivolous than any of its sober-minded neighbors. It’s perhaps the first time in my life that I’ve been happy to see a confetti cannon at curtain call.The show is hilarious, too.

except for me).And, thanks to the intoxicating atmosphere created by designer Tom Scutt and Redmayne’s meticulous and freakish performance, the show does not make for an unsatisfying night out in New York. There’s plenty to admire.Yet the pricey bells and whistles distract from what is a so-so, overly dreary staging that is often undermined by its own overwrought machinations.

finally on fire. Two hours and 40 minutes, with one intermission.

2 hours and 30 minutes, with one intermission. At the Music Box Theatre, 239 W. 45th Street.The suffragist characters of the musical “Suffs,” which opened Thursday night at the Music Box Theatre, rarely take a breath to celebrate their victories.

“The Who’s Tommy” on Broadway, Townshend’s musical in which the young phenom rocks out as the title “deaf, dumb and blind kid” who becomes a worldwide sensation.Bourzgui is on the verge of major things as well — thankfully less dramatically so than Tommy.His Broadway debut is a knockout — the most exciting of the last several years. The actor’s reviews last month were euphoric (including a four-star rave from The Post), and it’s impossible to find a theater agent in town who doesn’t desperately wish he was their client.Townshend, who first watched Bourzgui tackle the complex role of Tommy Walker at Chicago’s Goodman Theatre in the summer of 2023, said he was born for the part.“Ali hasn’t required the kind of rock ’n’ roll anointment that I have provided to some of the actors in Tommy in the past,” Townshend told The Post.

the musical “The Outsiders,” which opened Thursday night at the Bernard B. Jacobs Theatre, would include a song called “Stay Gold,” I laughed.Wouldn’t you? The words “Stay gold, Ponyboy,” from author S.E.

and an inner child is a deeply relatable idea, even in a cuckoosical such as this one.David Korins’ set of spaceship white-neon frames is more streamlined than past “Tommy’s,” but it’s used so deftly by McAnuff, lighting designer Amanda Zieve and choreographer Lorin Latarro to paint lush and kaleidoscopic stage pictures. Most wouldn’t call this musical a dance show, but Lotarro’s thrilling choreography makes a case for that category.

Company, and Rodin, who performs it in the production now at the Kennedy Center, refers to it as a “rollercoaster.”Company debuted on Broadway in 1970 with music and lyrics by Sondheim and a book by George Firth. Director Marianne Elliott conceived of this production before the pandemic as a way to mark the musical’s 50th anniversary.Collaborating on the work with Sondheim until his death at the end of 2021, Elliott’s idea was to adapt the work to focus on Bobbie — a single woman whose 35th birthday is more cause for angst than celebration — rather than the original’s Bobby, a 35-year-old single man confronting the same anxiety.All of the lead character’s friends and lovers also swapped genders in the adaptation except for Paul, who is now the financé of Jamie (replacing the original character of Amy), the role played by Rodin.Company is the 31-year-old actor’s biggest show yet.

shuttered “Harmony” was the first, followed by “The Notebook” — this latest lacking musical features a score by PigPen Theatre Co. and a hokey book by Rick Elice.

“Titanique” at the Daryl Roth Theatre on Union Square East.“I’ve been producing off-Broadway for over 15 years and I have been waiting for this heyday of off-Broadway to happen for a long time. Honestly, I think it’s the topics, the themes and the tone of the shows which are resonating with audiences.

“Cabaret” (starts April 1). I caught Redmayne when he played the role in London, and found his Evil Clown turn menacing.

a popular movie starring a young Ryan Gosling and Rachel McAdams. Like Pavlov’s pups, millennials habitually sob during that 2004 film, and the production has seized upon its teary reputation by selling branded tissue boxes. During the final 10 minutes, the noses are deafening.I suspect, however, that it is audience members’ fond memories of the movie and book, more so than the merely pleasant proceedings in the theater, that are prying open their tear ducts.Because as elegantly staged as “The Notebook” is by co-directors Michael Greif and Schele Williams, and despite boasting an appealing cast, the show amounts to a series of un-involving pencil sketches rather than a layered portrait of a decades-long love.Not a single change book writer Bekah Brunstetter has made improves the simple story’s effectiveness.

infamous 2023 ski trial is coming to America. “Gwyneth Goes Skiing” creators Linus Karp and Joseph Martin will reprise their roles as the Goop founder and retired optometrist Terry Sanderson at Utah’s Egyptian Theatre in Park City, Awkward Productions announced Monday. The company did not reveal what dates the show would start in Park City.

Warning: Spoilers ahead for the “Mean Girls” musical. Lindsay Lohan fetched a huge paycheck for her appearance in the new “Mean Girls” musical flick.The 37-year-old “Falling for Christmas” star makes a small but poignant cameo appearance in the film, but she was still paid a hefty sum after working just half a day.Sources told Variety Lohan raked in $500,000 for her quick appearance in the Tina Fey film.Lohan starred as Cady Heron in the original 2004 teen flick.

posted Monday, a TikToker named Alison compared Rice’s vocal portrayal of Cady Heron to Erika Henningsen, who portrayed the high schooler during the show’s two-year run on Broadway. Alison’s video, which has garnered nearly 754,000 views since being uploaded, features snippets from the song “Revenge Party” which showcase the difference between Rice, 23, and Henningsen, 31. “This is the reason all theatre kids are appalled,” Alison states in the in-video text while she lip-syncs to both actresses’ versions of the song.

“Mean Girls” musical movie has come under fire on TikTok for its high amount of product placement — especially featuring e.l.f. cosmetics.Viewers have taken to the social media platform to fume over the seemingly two-hour advertisement for the brand.“POV: The whole ‘Mean Gils’ movie,” one person captioned a clip alongside several e.l.f.

recently told USA Today about the movie, premiering Friday, Jan. 12.“Early on, there was conversation of, ‘Would the Burn Book still be a physical book or should it be a private Instagram?’ “I knew what my instinct was, but I ran it by my kids,” she confessed. “And my older daughter was like, ‘Yeah, no.

I’m Just Ken” from his summer blockbuster smash “Barbie” at the Academy Awards in March. “Well, I haven’t been invited,” Gosling, 43, stated during an interview with W Magazine. “But thanks for pointing that out.”“And I wasn’t thinking about it until now,” he jokingly added.

In a four-star review, I called director Jamie Lloyd’s imaginative revival “jolting” and “absolutely gut-wrenching,” and added that Scherzinger “stops you in your tracks” with her “breathtaking” turn. A few weeks after writing that, I went back to see it a second time.The acclaimed show is just what Lloyd Webber needs to recover from the one-two punch of “Phantom of the Opera” closing after 35 years and his “Bad Cinderella” flopping after just a few short months.Everybody on Broadway has been jetting over to the UK to watch his electric “Sunset,” which takes its final bow in the West End on Saturday.

Oprah Winfrey, was even the Queen of Talk.And the very same year, Stephen Bray — executive music producer of the new “Color Purple” movie musical that opens on Christmas Day — scored his first hits with the future Queen of Pop, Madonna, as co-writer of both “Into the Groove” and “Angel.”But Bray and Madonna shared a different kind of rhythmic history even before that — when they were both living in Ann Arbor, Michigan.“I used to play percussion in some of the dance classes that she was in,” Bray told The Post. “And then she moved to New York and was playing drums for [the band] Breakfast Club in ’79.

spoonful of sugar when she was working with Dick Van Dyke during their “daunting” rehearsals for “Mary Poppins.”The iconic actress, 88, applauded the “Bye, Bye, Birdie” star, 98, in Thursday’s “Dick Van Dyke 98 Years of Magic CBS” special.The “Princess Diaries” actress happily recalled meeting Van Dyke during the shooting of the 1964 Disney musical. She divulged during the two-hour show how it was a hot, September day that she encountered the actor at practice sessions.The crew had built a stage outside the studio where they were filming.

Fantasia Barrino, “The Little Mermaid” star Halle Berry and five-time Grammy winner H.E.R. to bring the belting in “The Color Purple,” the new movie musical adaption of Alice Walker’s Pulitzer Prize-winning novel that opens in theaters on Christmas Day.But Oscar and Emmy-nominated actress Taraji P. Henson also flexes some surprise vocal chops as blues singer Shug Avery.And Executive Music Producer Stephen Bray already envisioned the former “Empire” diva in the role when she came to see the “Color Purple” musical on Broadway in 2005.“We were sitting together, and at intermission I said, ‘You know, you’d make a great Shug Avery,’ ” Bray — who co-wrote the songs for both 2005’s original stage production and its 2015 revival — told The Post.

Harmony.It took several years of workshops and regional stagings to get the show to its current form, but to paraphrase one of Manilow’s own songs, “Looks Like They Made It.” After a highly praised 2022 run at New York’s Museum of Jewish Heritage, the production finally transferred to Broadway at the Barrymore Theater. It was well worth the wait.Stage stalwart Chip Zien (best known for originating the role of the Baker in Stephen Sondheim’s Into the Woods) leads a modest but marvelous cast as the older Josef Roman Cyckowski, aka “Rabbi.” Reminiscing, he narrates the tale of his fellow singers, all of whom he meets in 1927.“These are my friends, my buddies,” he tells us.

about the dance. Instead, that climactic event allows the viewer to meet the documentary’s extraordinary subjects and gain a deeper, more human understanding of what their daily lives are like. Unlike the overblown musical, the doc is not excessively and damagingly weighty.

To watch “Hell’s Kitchen,” the new off-Broadway musical by Alicia Keys that opened Sunday night at the Public Theater, is to experience euphoria followed by enormous frustration over and over again. How can we not feel elated being there for the star-is-born moment of actress Maleah Joi Moon, who makes an earth-shaking professional debut as 17-year-old Ali, a fictional stand-in for Keys?Two hours and 30 minutes, with one intermission.

Monty Python would often dryly announce, “and now for something completely different.”Well, not much is different about the revival of “Monty Python’s Spamalot,” the musical that’s based on their 1975 film “Monty Python and the Holy Grail,” that opened Thursday night at the St. James Theatre.

“I Wish You Well: The Musical.”A musical based on Gwyneth Paltrow’s ski crash trial is coming soon to London’s Pleasance Theatre. From Dec. 13 until Dec.

Micheal Bonshor, professor of Music Psychology at the University of Sheffield speaks to the profoundly healing power of song, “The neurological pathways which process sound affect the brain’s limbic system, which is responsible for emotional responses, memory and behavior. It can also reduce heart rate, lower blood pressure and reduce cortisol, [which is] the stress hormone.”According to Michael Spitzer, professor of music at the University of Liverpool, we’ve been making noise since time immemorial.The original instrument was the human voice, followed presumably by rocks and anything else our ancestors could beat a beat out of. Going back 40,000 years, we see the implementation of bone flutes made from the remains of vultures, the most heavy metal s–t I’ve ever heard.