Steve Macqueen Latest Celebrity News & Gossip

“A lot of very impressive people have led this festival and what connects them is a love for movies and culture and what that can achieve,” Kristy Matheson told Deadline of her new job as Director of the British Film Institute’s London Film Festival.

Cynthia Littleton Business Editor 1957 was a big year for David McCallum, the respected Glasgow-born actor known for “The Man From U.N.C.L.E.,” “The Great Escape” and his 20-year run on “NCIS” as quirky pathologist Dr. Donald “Ducky” Mallard. The actor, who died Sept.

French director Mehdi Fikri spent a decade working as a reporter covering social conflict and the issues of police violence and justice in France’s notoriously deprived out-of-town suburbs.

Jeymes Samuel’s sophomore feature The Book of Clarence, Martin Scorsese’s Killers of the Flower Moon, and The Boy and the Heron by Hayao Miyazaki are among the titles that have been announced within the full lineup of the British Film Institute’s (BFI) 67th London Film Festival. Scroll down for the full list.

Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.

Naman Ramachandran The work of pioneering Black British filmmaker Horace Ové will be celebrated this fall with a BFI Southbank retrospective season titled Power to the People: Horace Ové’s Radical Vision. A 4K restored version of “Pressure” (1976), the first full-length Black British film, which is an exploration of the concerns faced by emerging second-generation West Indians in Britain, will receive a joint restoration world premiere at the BFI London Film Festival and the New York Film Festival on Oct. 11.

Rebecca Rubin Film and Media Reporter New York Film Festival will serve as the world premiere of Nathan Fielder and Benny Safdie’s genre-defying series “The Curse,” led by Emma Stone; and Garth Davis’s science-fiction drama “Foe,” starring Saoirse Ronan and Paul Mescal. They will screen as part of Spotlight, which Film at Lincoln Center describes as a selection of “significant and surprising films, one-of-a-kind presentations including adventurous portraits of creative minds, one-night only events with live musical accompaniment, bold short films by acclaimed directors, and probing documentaries.” As previously announced, Bradley Cooper’s “Maestro” will hold its North American premiere on Oct.

Garth Davis’s science-fiction sci-fi drama Foe, directed by Garth Davis (Lion) and starring Saoirse Ronan and Paul Mescal, will have its world premiere at the New York Film Festival.

Naman Ramachandran Irish actor Liam Cunningham’s eclectic career includes playing fan favorite Davos Seaworth in HBO’s “Game of Thrones” and starring roles in Ken Loach’s Palme D’Or-winning “The Wind that Shakes the Barley” and Steve McQueen’s BAFTA-winning “Hunger.” Cunningham has won acting prizes at the Irish Film and Television Awards three times. Next up for him is the Amblin and Universal film “The Last Voyage of the Demeter,” by “The Autopsy of Jane Doe” filmmaker André Øvredal. The supernatural thriller, adapted from a chapter of Bram Stoker’s 1897 novel “Dracula” called “The Captain’s Log,” is set aboard the schooner Demeter, which was chartered to carry 50 unmarked wooden crates from Transylvania to London.

Oscar-nominated producer Bill Pohlad has a long history of aligning himself with auteurs on award-winning fare—from Ang Lee’s Brokeback Mountain to Terrence Malick on the Palme d’Or winning The Tree of Life to Steve McQueen’s Oscar Best Picture winner 12 Years a Slave, and getting financially behind them with his River Road Entertainment banner. We talk with Pohlad on Crew Call today about his third career feature as director, Dreamin’ Wild, based on the New York Times Steven Kurutz article about the Fruitland, WA-based Emerson brothers whose dad literally bet the farm (mortgaging it to the tune of $100K) on the duo’s singing talents in the 1970s, and built them a studio. They didn’t make it initially — not until 2008 when the album they made some near 40 years prior, “Dreamin’ Wild,” was discovered by a record collector in Spokane, Jack Fleischer, and championed fervently. The record’s single “Baby” ultimately became a cult hit when it was covered by Ariel Pink in 2012. Casey Affleck plays Donnie Emerson, the aorta of the songwriting duo, who grapples with the mid-life crisis of finding some facet of fame, when all seemed forever lost.

Sharon Farrell, whose long career included star turns in film, television, and on Broadway, died May 15 in Orange County. Her death at 82 was only recently discovered by relatives, who posted the news to Facebook, but they were unsure of the cause.

UK agency Casarotto Ramsay & Associates has named former Meta and Film4 exec Anna Higgs as Managing Director.

Manori Ravindran Executive Editor of International Former Meta executive and BAFTA Film Committee chair Anna Higgs has joined U.K. theater, film and television agency Casarotto Ramsay & Associates as managing director. Higgs, who will begin her role in August, will be entrusted by the Casarotto board to oversee the business and drive the strategic development and direction of the org. Founded in 1989 and based in London, the independent global agency represents many top writers, directors, playwrights, theater creatives, literary properties and heads of departments in film, theater, TV and new media.

New Regency said today it’s closed a $175 million term loan from global investment firm Carlyle Group, providing new capital for the indie to scale up production. The loan is a refinancing and upsize of an existing Carlyle facility.

Frank Sinatra's former co-star Jacqueline Bisset shared insight into the musician's tough guy reputation as the two starred together in "The Detective" in the 1960s. Bisset's role was small, but she described Sinatra as "protective" of her during the time they worked together. "He wasn’t going through an easy period in his life with the breakup with his wife, but he was very protective of me," Bisset explained to Closer Weekly.

Naman Ramachandran A reimagined version of Fleetwood Mac’s all-time classic song “Don’t Stop” is the soundtrack to environmental organization Greenpeace’s new call to action. Fleetwood Mac vocalist and keyboard player Christine McVie wrote the song, which featured in hit 1977 album “Rumours,” and she gave Greenpeace the rights to use the song before she died in 2022. Created by Grammy-winning producer Fraser T Smith, who has worked with Stormzy, Adele, Dave and Drake, and acclaimed British rapper Avelino (“God Save The Streets”), the song features instrumentation from jazz talent development organization Tomorrow’s Warriors and vocals from the House Gospel Choir. 

Angelique Jackson Growing up in South London, “They Cloned Tyrone” star John Boyega would sit on his mattress watching Jamie Foxx act up on “The Jamie Foxx Show” or his Oscar-winning portrayal of Ray Charles in “Ray.” So, getting the opportunity to team up with Foxx for the conspiracy caper “They Cloned Tyrone,” was a dream come true. “That’s someone that I’m very much inspired by,” Boyega told Variety on the red carpet at the American Black Film Festival, where the Netflix movie was the opening night selection. “He’s definitely been one of the major hands behind my career that helped me to get roles, get opportunities and I appreciate it.” Of course, Boyega has come a long way from watching movies and TV in his bedroom. After breaking onto the scene in “Attack the Block” and then playing Finn in the latest “Star Wars” trilogy,” Boyega has starred as King Ghenzo in the critically acclaimed film “The Woman King,” portrayed a military veteran with PTSD in “Breaking,” and delivered a Golden Globe-winning performance in Steve McQueen’s “Small Axe” anthology series. But watching Foxx’s process up close made a major impression.

Zack Sharf Digital News Director Harrison Ford revealed in a new interview with Esquire magazine that the most common question “Star Wars” fans ask him is who would win a fight: Han Solo or Indiana Jones? It’s a question that has provided fodder for many Reddit discussions and social media debates, but it’s not one Ford ever wants to entertain. As Ford said about his fans: “Well, they usually ask me, ‘If there was a fight between Han Solo and Indiana Jones, who would fuckin’ win?’ And I say [voice rising, fingers drumming], ‘Me, asshole! I don’t want to fucking make shit up like that. I mean, what are you asking me that crap for?’” Ford has played Indiana Jones in five movies, including the upcoming “Indiana Jones and the Dial of Destiny,” while his filmography with Han Solo also consists of five movies, including an uncredited cameo appearance in 2019’s “Star Wars: The Rise of Skywalker.” That film marked the end of his Han Solo run, while “Dial of Destiny” will mark the same for Indiana Jones. Despite these iconic characters, Ford often stresses to fans that he is Harrison Ford and not Han Solo or Indiana Jones.

Documentary fans might be forgiven for nurturing a dream – that Cannes would follow the recent example of Venice and Berlin and award its top prize to a nonfiction film. Complete the documentary Triple Crown – the Golden Lion, the Golden Bear and the Palme d’or.

Indiana Jones and Harrison Ford swung into Cannes on Thursday for the world premiere of “Indiana Jones and the Dial of Destiny” in one of the most anticipated events of the French Riviera festival.

Cannes Film Festival was bursting with powerful auteurs debuting new work and a bevy of titles being prepped for acquisition. From Pedro Almodóvar to Steve McQueen, festival attendees were flush for choice on what to watch — this despite reports that issues with tickets were still happening.

Cannes Film Festival features an unusually robust selection of documentaries, two in the Main Competition alone, where nonfiction films almost never appear. And if the ones that have screened in the festival’s first three days have anything in common, it’s scale.

“Johnny! Johnny!! Johnny!!! Johnny Depp!!!!” The celebrity dutifully signed autographs for his followers on the red carpet for the premiere of Jeanne du Barry, director Maiwenn’s Cannes Film Festival opener.

Owen Gleiberman Chief Film Critic Over the past 15 years, Steve McQueen has become one of my favorite filmmakers. He’s made only a handful of features, but in almost every case he takes a subject of extraordinary magnitude (the 1971 IRA prison hunger strike in “Hunger,” the complex horrors of slavery in “12 Years a Slave,” the collision of gritty city politics and feminine revolt in “Widows,” the epochal crackdown on West Indian immigrants in London in “Mangrove”) and uses it to box open your heart and mind. And he does it all with a storytelling vibrance that’s at once heady and populist. So when it was announced that McQueen would be directing his first documentary feature, and that it would tackle the subject of the Holocaust, dealing with the victims of the Nazi occupation of Amsterdam (the city where McQueen now lives), my anticipation took the form of thinking: How, with a director of McQueen’s skill and imagination and gravity, could this be less than fascinating?

In cinematic form, how do you tell history without archive footage? Occupied City shows how it can be done, and to what effect.

Manori Ravindran Executive Editor of International Steve McQueen looks stressed out. He’s a few weeks into post-production on “Blitz,” his World War II drama for Apple TV+, while starting promotion on his other, long-gestating wartime project, the documentary “Occupied City.” “It’s definitely pleasurable, but this is work,” declares McQueen with the wariness of a filmmaker who’s just been plucked out of the edit suite. “Hard work is always hard work. You can’t avoid it.” The British director, who was Oscar-nominated for “12 Years a Slave,” didn’t set out to make back-to-back movies about the war, but “you plant seeds, and some come to fruition and others don’t,” he explains. “These two happened to blossom fairly close to each other.”

Twelve months ago, the UK industry drew a sharp intake of breath when Euphoria and Moonlight outfit A24 lured Piers Wenger and Rose Garnett to launch the studio’s London-based production division.

Amsterdam today. Pause on a bridge and watch the Amstel River gently flow through picturesque canals. Eighty years ago, the same vista might have revealed a horror – bodies floating by of Jews who had flung themselves into the Amstel rather than face cruel death from the occupying Nazi forces.

EXCLUSIVE: Argo actor Scoot McNairy is the latest to join the cast of Speak No Evil, the Blumhouse and Universal psychological horror thriller from writer/director James Watkins.