‘Occupied City’ Review: Steve McQueen’s Holocaust Documentary Is a Trial to Sit Through: Four Hours Long But Only an Inch Deep

America’s Richest Self-Made Women” list published Thursday — but only one of them is still a billionaire.On the 2023 list, Jenner, 25, is ranked 38th with $680 million, and Kardashian, 42, is ranked 21st with $1.2 billion.Jenner was originally crowned Forbes’ youngest self-made billionaire in 2018, only to have the title taken away after a recalculation of her net worth.The founder of Kylie Cosmetics launched her line of lip kits in 2015, using $250,000 of her modeling earnings. In January 2020, she sold 51% of Kylie Cosmetics to Coty Inc.

Jordan Moreau What’s up, danger? After nearly five years, it’s time to swing back into the Spider-Verse, as Sony’s sequel, “Spider-Man: Across the Spider-Verse,” has webbed up $17.35 million in Thursday previews at the box office. The animated sequel is expected to open at $80 million this weekend, with some projections going as high as $90 million or more. It’s a big swing ahead of the original movie, 2018’s “Spider-Man: Into the Spider-Verse,” which opened with $35.4 million and had $3.5 million in Thursday previews. The Thursday total also gives “Across the Spider-Verse” the second-highest preview gross for an animated movie, behind “The Incredibles 2” with $18.5 million, and the second-highest previews for any “Spider-Man” film, behind “Spider-Man: No Way Home” with $50 million.

Kelly Clarkson has released a new song from her upcoming album!

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday. Visit the prediction pages for the respective ceremonies via the links below:

 has officially dropped — and it's jam-packed with signs of what's ahead and hat tips to what the characters left behind… or did they? From the start, fans see Carrie Bradshaw unboxing her iconic bird headpiece from her wedding and trying her hand at boiling an egg in her kitchen, a place that once only served as an extra closet. As the beloved New York City writer leans on her signature coping mechanisms — namely going on a shoe spree at Bergdorf Goodman — it seems like Carrie is still steadying her footing after the death of her husband, Mr. Big, a year earlier. «I thought I was doing so well,» she says.

Documentary fans might be forgiven for nurturing a dream – that Cannes would follow the recent example of Venice and Berlin and award its top prize to a nonfiction film. Complete the documentary Triple Crown – the Golden Lion, the Golden Bear and the Palme d’or.

Closure-threatened Howden Park centre has been thrown a lifeline - but only until next year.

Peter Debruge Chief Film Critic Taking a cue from the movie’s soon-to-be-infamous spanking scene between Robert De Niro and Leonardo DiCaprio, someone ought to paddle whoever let Martin Scorsese take three and a half hours to retell “Killers of the Flower Moon.” You could read David Grann’s page-turner — about an audacious 1920s conspiracy to steal resources from the Osage people by marriage and murder — in less time, and you’d learn a whole lot more about how J. Edgar Hoover and the newly formed FBI used this case to establish their place in American law enforcement. Granted, this is cinema legend Martin Scorsese we’re talking about. For years, he fought studio execs telling him what to cut, going head-to-head with Harvey Weinstein on “Gangs of New York” (a movie that probably would’ve been better longer). Now he’s earned the right to tell stories as he sees fit. Trouble is, at 206 minutes (still four shorter than “The Irishman”), “Killers of the Flower Moon” isn’t an epic motion picture so much as a miniseries. Nothing wrong with that, except it’s intended for the big screen — where Apple has committed to release it this fall. Closer to two hours, “Killers” would make a killing, whereas longer than “The Longest Day,” most folks will wait to watch at home.

Halle Bailey put in the work to play Ariel in The Little Mermaid.

Cannes Film Festival features an unusually robust selection of documentaries, two in the Main Competition alone, where nonfiction films almost never appear. And if the ones that have screened in the festival’s first three days have anything in common, it’s scale.

“Johnny! Johnny!! Johnny!!! Johnny Depp!!!!” The celebrity dutifully signed autographs for his followers on the red carpet for the premiere of Jeanne du Barry, director Maiwenn’s Cannes Film Festival opener.

Somewhere in the third hour of Steve McQueen’s documentary “Occupied City,” the camera slowly dollies left over a list of names in glowing green print on a black background, enumerating the thousands of Jews deported from Amsterdam during the Nazi occupation. A moment of silence in the audio mix announces this as an important shot, an occasion to consider the enormity of the loss that this four-and-a-half-hour film itemizes with near-comprehensive diligence.

We walk among ghosts in cities, storied urban constructs with layers of misty memories one can sense in their distinct smells, and perceive in their dated cracks and imperfections. There are hundreds of thousands of such ghosts that haunt Steve McQueen’s audacious documentary essay “Occupied City,” a 2023 Cannes premiere that is as much a hypnotizing and cumulatively disquieting cinematic artifact about the Holocaust and World War II-era Amsterdam as it is a stubbornly single-minded historical art installation.The simplest way to describe “Occupied City” would be calling it an extensive guided tour of Amsterdam’s past that uses Bianca Stigter’s book, “Atlas of an Occupied City (Amsterdam 1940-1945)” as a compass.

In cinematic form, how do you tell history without archive footage? Occupied City shows how it can be done, and to what effect.

Manori Ravindran Executive Editor of International Steve McQueen looks stressed out. He’s a few weeks into post-production on “Blitz,” his World War II drama for Apple TV+, while starting promotion on his other, long-gestating wartime project, the documentary “Occupied City.” “It’s definitely pleasurable, but this is work,” declares McQueen with the wariness of a filmmaker who’s just been plucked out of the edit suite. “Hard work is always hard work. You can’t avoid it.” The British director, who was Oscar-nominated for “12 Years a Slave,” didn’t set out to make back-to-back movies about the war, but “you plant seeds, and some come to fruition and others don’t,” he explains. “These two happened to blossom fairly close to each other.”

Amsterdam today. Pause on a bridge and watch the Amstel River gently flow through picturesque canals. Eighty years ago, the same vista might have revealed a horror – bodies floating by of Jews who had flung themselves into the Amstel rather than face cruel death from the occupying Nazi forces.

Amazon Studios is launching the Amazon MGM Studios Distribution division, which will oversee licensing of Amazon Original titles and MGM new release and library movies and series such as film franchises “James Bond,” “Rocky “and “Creed,” and series “The Handmaid’s Tale,” “Vikings,” “Fargo” and the upcoming “Hotel Cocaine” from MGM+.  Titles at launch will include television series like “The Marvelous Mrs. Maisel,” “Goliath” and “Hunters” and films like “Coming 2 America, “”Borat Subsequent Moviefilm,” “7500,” “All the Old Knives,” “Bliss,” “I Want You Back,” “The Tender Bar,” “The Tomorrow War,” “The Voyeurs,” and “Without Remorse.” MGM’s storied library houses more than 4,000 film titles, 17,000 TV episodes, including 180 Academy Awards winners and 100 Emmy Awards winners.The division will be helmed by Chris Ottinger, who has led the distribution team at MGM for more than a decade.

Taylor Swift‘s third and final ‘Eras’ tour show in Nashville last night (May 7) was delayed by four hours due to bad weather conditions.The singer was playing a trio of dates at the city’s Nissan Stadium as part of her huge North American stadium tour, with the final show coming on Sunday.Earlier in the day, Swift had warned fans about the weather, saying on Twitter: “I know there’s talk of a rainy weather vibe tonight but I’m ready to play.”The show was then delayed by four hours from its start time, with the venue telling fans to move from their seats and into the stadium’s concourses to keep safe and dry.It’s splash mountain pic.twitter.com/Hd81Ebe1lu— kla (nashville’s version)

Prince William and Kate Middleton have officially put King Charles III‘s coronation ceremony in the history books, and “what. a. day.” it was!

Prince William and Kate Middleton have officially put King Charles III's coronation ceremony in the history books, and «what. a. day.» it was!The Duke and Duchess of Wales' social media account on Saturday posted a 1-minute behind-the-scenes video of the royal couple and their children getting ready to embark on the eventful day.