Ruben Ostlund Latest Celebrity News & Gossip

The titular Triangle Of Sadness in previous Palme D’Or winner Ruben Ostlund’s current Cannes competition entry, we’re told, is the small space between the eyebrows and the bridge of the nose where nasty, aging lines register an accumulation of inconvenient emotions that, quite frankly, don’t sell a suit on the catwalk. “Do you think he needs Botox?,” mutters a model casting agent as Carl (Harris Dickinson) — who, being on the wrong side of 20, should worry — struts his stuff. He will soon find himself at a fashion show where a huge neon screen announces “Everyone is equal!” That’s nonsense, obviously. Carl can’t even find a seat.

Peter Debruge Chief Film CriticThe closer you look at the subject of beauty, the uglier it appears. Meanwhile, wealth is obscene from practically every angle. Irreverent Swedish satirist Ruben Östlund gets right up in there, probing the pores of the elitist worlds of supermodels and the mega-rich in “Triangle of Sadness,” which takes its name from a fashion-world term for the deep-V crease that appears between one’s eyebrows with stress or age.

In just over a decade, Ruben Östlund has established himself as one of the new Cannes masters, leapfrogging from sidebar to sidebar—2011’s Play debuted in Directors’ Fortnight, 2014’s Force Majeure was selected for Un Certain Regard—before jumping to the Competition, which he won at first strike with 2017’s art-world satire The Square. This year he returns with Triangle of Sadness, starring Harris Dickinson, Charlbi Dean and Woody Harrelson. The Swedish director cheerfully offers to tell Deadline everything—even the ending—but this is a director whose films are less about plot than they are about people, and his latest subject, the fashion world, suggests plenty of food for his dark thoughts.

Clayton Davis The 75th Cannes Film Festival returns with international auteurs, Palme d’Or winning filmmakers, potential summer blockbusters, and many films that will, if everything breaks their way,  be campaigning for Oscar come the fall.In short, the competition lineup is loaded with promise.The track record for Palme d’Or winners going onto Oscar success has varied over the years. Over the past two decades, Roman Polanski’s “The Pianist” (2002), Terrence Malick’s “The Tree of Life” (2011), Michael Haneke’s “Amour” (2012) and Bong Joon-ho’s “Parasite” (2019) have received best picture nominations.

When we sit down with Thierry Frémaux he is in pensive mood. As is his wont.

Elsa Keslassy International CorrespondentA few hours after unveiling Cannes Film Festival’s 2022 Official Selection on the Champs Elysees, artistic director Thierry Fremaux sat down with Variety to discuss the festival’s drive to not give in to calls for a cultural boycott of Russian films and filmmakers, efforts to have more female directors in competition, discussions to bring back streamers in a near future and what those rumors about David Lynch in the lineup were about. The all-star competition lineup of this upcoming 75th edition boasts no less than four Palme d’Or winning directors, including Japanese master Kore-eda Hirokazu (Japan) and Swedish helmer Ruben Ostlund (“Triangle of Sadness”), as well new films by David Cronenberg (“Crimes of the Future”), Kelly Reichardt (”Showing Up”), James Gray (“Armageddon Time”) and dissident Russian director Kirill Serebrennikov (“Tchaïkovski’s Wife”).

Main Competition“Holy Spider,” Ali Abbasi“The Almond Tree,” Valeria Bruni Tedeschi“Crimes of the Future,” David Cronenberg“Tori and Lokita,” Jean-Pierre Dardenne and Luc Dardenne“Stars at Noon,” Claire Denis“Brother and Sister,” Arnaud Desplechin“Close,” Lukas Dhont“Armageddon Time,” James Gray“Broker,” Hirokazu Kore-eda“Nostalgia,” Mario Martone“RMN,” Cristian Mungiu“Triangle of Sadness,” Ruben Ostlund“Decision to Leave,” Park Chan-wook“Showing Up,” Kelly Reichardt“Leila’s Brothers,” Saeed Roustaee“Boy From Heaven,” Tarik Saleh“Tchaikovsky’s Wife,” Kirill Serebrennikov“Hi-Han,” Jerzy SkolimowskiUn Certain Regard“Les Pires,” Lise Akoka and Romane Gueret“Burning Days,” Emin Alper“Metronom,” Alexandru Belc“All the People I’ll Never Be,” Davy Chou“Sick of Myself,” Kristoffer Borgli“Domingo and the Midst,” Ariel Escalante Meza“Plan 75,” Hayakawa Chie“Beast,” Riley Keough and Gina Gammell“Corsage,” Marie Kreutzer“Butterfly Vision,” Maksim Nakonechnyi“Godland,” Hlynur Palmason“Rodeo,” Lola Quivoron“Joyland,” Saim Sadiq“The Stranger,” Thomas M. Wright“The Silent Twins,” Agnieszka SmocynskaOut of Competition “Elvis,” Baz Luhrmann“Top Gun: Maverick,” Joseph Kosinski“Three Thousand Years of Longing,” George Miller“Masquerade,” Nicholas Bedos“November,” Cedric Jiminez“Z,” Michel Hazanavicius (opening film) Special Screenings“All That Breathes,” Shaunak Sen“The Natural History of Destruction,” Sergei Loznitsa“Jerry Lee Lewis: Trouble in Mind,” Ethan CoenMidnight Screenings“Hunt,” Lee Jung-jae“Moonage Daydream,” Brett Morgen“Fumer Fait Tousser,” Quentin DupieuxCannes Premiere“Non Frangins,” Rachid Bouchareb“Dodo,” Panos H.

EXCLUSIVE: The Amazing Spiderman, 500 Days of Summer and Disney’s Snow White director Marc Webb has been set to direct supernatural thriller Day Drinker.

Elsa Keslassy International CorrespondentFor such a small and lightly populated region, the Nordics have been delivering an impressive number of critical darlings from a wide range of filmmakers. Nordic features hit a milestone this year, with three Cannes prize-winning films, Valdimar Jóhannsson’s “Lamb,” Juho Kuosmanen’s “Compartment No.

Variety has been curating an annual list of just 10 helmers who stand out from the crowd, breakthrough storytellers we expect to go far. Past honorees have won studio gigs (Denis Villeneuve, Christopher Nolan), Oscars (Barry Jenkins, Steve McQueen) and even the Palme d’Or (Ruben Östlund, and most recently, “Titane” director Julia Ducournau).Of the emerging talents selected for this year’s list, five will world premiere their first/latest features at the Sundance Film Festival later this month.

There are shades of Ruben Ostlund’s “The Square”, if it were remade to target the film world, in Mariano Cohn and Gastón Duprat’s crowd-pleasing Spanish comedy “Official Competition” starring Penélope Cruz and Antonio Banderas. Controlled pacing, visual punchlines, and an insider knowledge of the varied pretensions within filmmaking make this a consistently amusing – if never downright hilarious – vehicle for the well-honed comic sides of two of Spain’s most famous exports.

Annika Pham Swedish producer Erik Hemmendorff, Ruben Östlund’s regular production partner at Plattform Produktion, has attached “Holy Motors” star Denis Lavant for the sophomore pic from John Skoog, which has the Swedish working title of “Värn” (”Redoubt”).Hemmendorff was also behind the Sundance-selected pic “Pleasure” by Ninja Thyberg, which screens at this week’s Norwegian Intl.

Christopher Vourlias Though a rising number of COVID-19 cases pushed Greece into its second lockdown on Nov. 7, production has continued apace since early summer, with the government putting its weight behind measures to ensure cameras continue to roll on film and television shoots despite the pandemic.Principal photography on the Woody Harrelson-starring “Triangle of Sadness,” directed by Oscar-nominee and Palme d’Or winner Ruben Östlund (pictured), wrapped Nov.

Leo Barraclough Senior International CorrespondentDirector Ruben Ostlund, who won the 2017 Palme d’Or and was Oscar-nominated for “The Square,” finished filming his followup, dark comedy “Triangle of Sadness,” on Saturday after a 73-day shoot. Shooting started on Feb.

Tom Grater International Film ReporterAfter a complicated pandemic-affected shoot, Palme d’Or-winning Swedish filmmaker Ruben Östlund has wrapped his new movie Triangle Of Sadness, a satire set in the world of high fashion.The project first rolled cameras on February 4 in Sweden, completing its initial 25-day leg as lockdowns were being implemented across Europe.

Christopher Vourlias With a second lockdown looming amid a spike in coronavirus cases across Greece, Giorgos Karnavas, of production outfit Heretic, knew it was a race against time to wrap shooting on “Triangle of Sadness,” a satire directed by Oscar nominee and Palme d’Or winner Ruben Östlund.Production on the Woody Harrelson-starring feature was postponed for three months earlier this year due to COVID-19, and principal photography was underway on the island of Evia and on a yacht in the

Andreas Wiseman International EditorPalme d’Or winner Ruben Ostlund (The Square) resumed shooting in Sweden last week on his satire Triangle Of Sadness, following a three month break due to COVID-19.With a budget of more than $11M, the project is one of the biggest European movies to get back underway since the pandemic struck.Ostlund’s first English-language feature is a satire that takes on the world of fashion and the super rich.

Nancy Tartaglione International Box Office Editor/Senior ContributorWe Are UK Film hosted a Cannes Market panel today with participants from far and wide speaking about their experiences on international co-productions amid the coronavirus pandemic, and what the future holds for projects that were suspended as well as the disparity in government aid that has been made available.Producer and former Protagonist Pictures CEO Mike Goodridge recounted how his next film, Oscar nominee Ruben Ostlund’s

The foreign-language film remake has never been the most esteemed sort of Hollywood production, but the timing of “Downhill,” a remake of Ruben Östlund’s 2014 Swedish film “Force Majeure,” hasn’t done it any favors.

In today’s film news roundup, Woody Harrelson will star in a satire, Kaitlyn Dever will be honored, and the docs “Saul & Ruby’s Holocaust Survivor Band” and “Before the Plate” find distribution.

Swedish filmmaker Ruben Ostlund, winner of the 2017 Cannes Palme d'Or for The Square, has cast Woody Harrelson and newcomers Charlbi Dean and Harris Dickinson in his satire Triangle of Sadness.The feature film set against the world of fashion and the super rich also includes Henrik Dorsin, Zlatko Buric, Iris Berben and Sunnyi Melles.Triangle of Sadness is Ostlund’s first English language film, and his sixth feature after The Guitar Mongoloid, Involuntary, Force Majeure and The Square, another

By Andreas Wiseman

Julia Louis-Dreyfus and Will Ferrell's is being billed as a «different kind of disaster movie.» And while the equal parts comedic, romantic and dramatic flick does contain cast Mother Nature as, the majority of the fallout here is of the emotional variety.

An avalanche isn’t the most desirable image to show packed movie houses at the base of a mountain in Utah, but it’s used to great effect in “Downhill,” an American riff on the Ruben Ostlund film “Force Majeure,” set to light up the Sundance film festival this week.