Maïmouna Doucouré Latest Celebrity News & Gossip

Pat Saperstein Deputy Editor UPDATE: Canadian filmmaker Xavier Dolan, whose film “Mommy” received the Cannes Jury Prize in 2014, will head the jury of Un Certain Regard at the Cannes Film Festival. Joining him on the jury will be “Cuties” director Maïmouna Doucouré, “The Mother of All Lies” helmer Asmae El Moudir, “Phantom Thread” actor Vicky Krieps and film critic Todd McCarthy. “I am humbled and delighted to return to Cannes as President of the Un Certain Regard Jury,” he said in a statement.

Studiocanal has announced it is in development on a biopic feature film devoted to the life of iconic U.S.-born, French artist Josephine Baker.

Wilson Chapman editor“Emily,” a biopic starring Emma Mackey as “Wuthering Heights” writer Emily Brontë, will have its world premiere through Toronto International Film Festival’s Platform program, the festival announced Wednesday.Platform, which was established in 2015 and is named after the 2000 film by Jia Zhang-ke, screens eight to 12 films from a diverse range of global filmmakers with rising careers. After the screenings, the Platform Prize, an award of $20,000 CAD, is given to one film selected by an international jury.

Elsa Keslassy International CorrespondentAmazon Prime in France has unveiled its upcoming slate of director-driven Originals, including ‘Hawa,’ a new movie by “Cuties” director Maimouna Doucouré, Nicolas Bedos’ TV debut “Alphonse” and Franck Gastambide’s “”Medellín.” “Hawa” follows the coming-of-age tale of a teenage girl who lives with her grandmother and worries she will be removed by social services. She sets off to get adopted by someone she admires more than anything, one of the most powerful woman in the world.

Elsa Keslassy International CorrespondentAudrey Diwan’s Venice’s Golden Lion prize-winning “Happening,” has won France’s Alice Guy Award for the best female-directed French film of the year.The Alice Guy Prize, which was named in honor of the first female helmer, was created by veteran film journalist Veronique Le Bris in 2018 to highlight the work of women directors. The other four movies which were vying for the prize were Aissa Maiga’s lushly-lensed documentary feature “Marcher sur l’eau” and Catherine Corsini’s timely social drama “La fracture” which world premiered at last year’s Cannes in the official selection; as well as Aurélie Saada’s uplifting dramedy “Rose” and Charlène Favier’s “Slalom,” a coming-of-age film set in the world of competitive skiing.

Cuties, a film its director argues “sounds the alarm” about sexualising pre-pubescent girls instead of exploiting ideas for art.In a memo sent out to the French industry today (September 18), the state-backed group, which supports and promotes French cinema worldwide, said it “offers its full support” to director Maïmouna Doucouré and the film’s producers.Online trolls have attacked Doucouré, Netflix and anyone connected with the movie of hyper-sexualising the movie’s young characters.As The

Elsa Keslassy International CorrespondentUniFrance, the French film promotion organization, released a letter on Friday supporting Maimouna Doucouré, the helmer of Netflix film “Cuties,” which has been the subject of a backlash on social media for allegedly “sexualizing” young girls.UniFrance, which also gave its support for the movie’s producer, Zangro and Paris-based distributor Bac Films, is the latest French film body to side with Doucouré.

Andreas Wiseman International EditorFrench cinema organization UniFrance, which is backed by the French government and represents hundreds of local producers, sales agents, directors and talent agents, has sent out a memo to industry expressing its support for filmmaker Maïmouna Doucouré and her film Cuties after the social media frenzy sparked by a Netflix poster for the film.

Who would have thought a small, indie French film would cause a worldwide uproar? Alas, that’s exactly what has happened with the new feature, “Cuties,” which has been making headlines for all the wrong reasons over the past couple of weeks.

Cuties director Maïmouna Doucouré has defended her Netflix film amid a potential US government investigation.The film, which won a directing award at Sundance but has been the subject of controversy since its release on September 9, is still at the centre of debates about the sexualisation of children.“It’s because I saw so many things and so many issues around me lived by young girls, that I decided to make this film and sound an alarm and say we need to protect our children,” Doucouré

Maimouna Doucouré is speaking out following the massive backlash her movie, Cuties, is getting.

Elsa Keslassy International Correspondent“Cuties” filmmaker Maimouna Doucouré says that Netflix’s initial marketing campaign opened up the film to a level of criticism that it didn’t receive after its Sundance Film Festival debut in January, and that she’s fighting “the same fight” as her critics.Speaking on Monday as part of a virtual 10 Talents to Watch panel hosted by French promotion organization UniFrance, Doucouré highlighted the streaming giant’s early artwork, which depicted the film’s

Director Maïmouna Doucouré experienced intense backlash over Netflix’s promotional campaign for “Cuties”, but she learned about the artwork at the same time as the public.

“ filmmaker Maïmouna Doucouré. The film, her debut feature that was an award winner at Sundance earlier this year, was released in French cinemas on August 19 to positive reviews and strong word-of-mouth from the public who were willing to don their masks and venture out to the theater.But then there was that Netflix poster.Released by the streamer at the same time as the French theatrical rollout in a bid to begin promoting the movie ahead of its U.S.

Tom Grater International Film ReporterLess than an hour after we published our interview with Cuties director Maïmouna Doucouré, in which she defended her movie after a backlash against its U.S. poster, the Turkish government has said it will order Netflix to block local access to the movie.Reuters is reporting that the country’s broadcasting watchdog claims the film contains images of child exploitation.

Tom Grater International Film ReporterThe last fortnight has been a period of contrasting emotions for Cuties filmmaker Maïmouna Doucouré.

Those awkward preteen years are tough on kids. It’s a time filled with emotional ups and downs, thanks in no small part dto the physical and chemical changes happening inside.

The awkward transition from childhood into sexually self-aware adolescence is navigated at reckless speed by the young protagonist of Cuties. Writer-director Maïmouna Doucouré's captivating but structurally shaky first feature is stronger on set-up than development or payoff, becoming less controlled as its opposing forces of tradition and rebellion collide.

Eleven-year-old Senegalese immigrant Amy (Fathia Youssouf) reckons there are two ways to be a woman. Amy could mimic her mom (Maïmouna Gueye), a dutiful drudge with three kids and a husband who’s just announced he’s bringing home a second wife.