Julia Ducournau Latest Celebrity News & Gossip

Elsa Keslassy International CorrespondentJuliette Binoche (“The English Patient”) and Vincent Lindon (“Titane”) who starred for the first time together in Claire Denis’s “Both Sides of the Blade” said the experience was emotionally draining at the Berlinale press conference. The highly anticipated film, which was acquired by IFC Films ahead of the festival, is world premiering in competition on Saturday evening.

Tim Gray Senior Vice PresidentAfter Oscar nominations were announced Feb. 8, the buzz seems equally centered on who was nominated and who wasn’t.There’s an impressive roster of work in both categories.

EXCLUSIVE: Growing theatrical distributor and streamer MUBI has picked up all rights from The Match Factory to Ryusuke Hamaguchi’s Oscar breakout Drive My Car for Latin America, India, Malaysia, Africa (excluding French language Pay-TV rights) and the Middle East (excluding Israel and Turkey).

 British Academy Film Awards have kicked things off by announcing the highly-anticipated nominations list for the 2022 ceremony. MORE: 9 movies to catch in the cinema in February 2022: Death on the Nile, The Duke, Marry Me and moreThis year's ceremony is set to take place on Sunday 13 March at the Royal Albert Hall and will be hosted by Australian actress Rebel Wilson.

bullying and abuse. Clarke denied accusations of sexual misconduct and the award finally had to be suspended. But this year’s list is very lively: the best director section is not lacking in inclusivity and good taste: Aleem Khan, Ryûsuke Hamaguchi, Audrey Diwan, Paul Thomas Anderson, Jane Campion and Julia Ducournau.

The BAFTA Film Awards nominations announced this afternoon in London offer up a diverse crop, and the highest number of female nominees on record; they’re also notable for a strong British presence and Will Smith’s first-ever mention.

Elsa Keslassy International CorrespondentXavier Giannoli’s sprawling period piece “Lost Illusions,” Valerie Lemercier’s Celine Dion biopic “Aline” and Leos Carax’s musical romance “Annette” with Marion Cotillard and Adam Driver are leading the race at France’s 47th Cesar Awards, France’s equivalent to the Oscars. Other top Cesar contenders include Cedric Jimenez’s action-packed cop drama “Bac Nord,” Catherine Corsini’s social drama “La fracture,” Yann Gozlan’s thriller Boite noire,” Jacques Audiard’s contemporary love drama “Paris, 13th District” and Arthur Harari’s WW2-set “Onoda: 10,000 Nights in the Jungle.” Audrey Diwan’s Venice Golden Lion-winning “Happening” and Julia Ducournau’s Cannes’ Palme d’Or-winning “Titane” earned four nods each.

Elsa Keslassy International CorrespondentAudrey Diwan’s “Happening” won best film and actress for Anamaria Vartolome at France’s Lumière Awards on Monday evening. “Happening,” which won the Golden Lion at the Venice Film Festival and was acquired by IFC Films, beat out Leos Carax’s “Annette,” Emmanuelle Bercot’s “Living,” Xavier Giannoli’s “Lost Illusions” and Arthur Harari’s “Onoda: 10,000 Nights in the Jungle.” Julia Ducournau’s Cannes’ Palme d’Or winning “Titane” was surprisingly snubbed from the best film and director categories.

Variety has been curating an annual list of just 10 helmers who stand out from the crowd, breakthrough storytellers we expect to go far. Past honorees have won studio gigs (Denis Villeneuve, Christopher Nolan), Oscars (Barry Jenkins, Steve McQueen) and even the Palme d’Or (Ruben Östlund, and most recently, “Titane” director Julia Ducournau).Of the emerging talents selected for this year’s list, five will world premiere their first/latest features at the Sundance Film Festival later this month.

Despite the continuing challenges of the pandemic, it was a year of highlights from film festivals around the world.

Elsa Keslassy International CorrespondentThanks to glamorous Paris-set shows like “Lupin” and “Emily in Paris” topping Netflix charts — and daring French female directors Julia Ducournau (“Titane”) and Audrey Diwan (“Happening”) winning top prizes at the Cannes and Venice film festivals — France drew more eyeballs worldwide in 2021 than it has in years.

Elsa Keslassy International CorrespondentThanks to glamorous Paris-set shows like “Lupin” and “Emily in Paris” topping Netflix charts — and daring French female directors Julia Ducournau (“Titane”) and Audrey Diwan (“Happening”) winning top prizes at the Cannes and Venice film festivals — France drew more eyeballs worldwide in 2021 than it has in years.

The Academy of Motion Picture Arts and Sciences today unveiled its shortlist of 15 films that will advance to the next stage of voting in the International Feature Film category at the Oscars. Notable among omissions is Julia Ducournau’s Titane, the entry from France which won the Cannes Film Festival’s Palme d’Or — becoming only the second movie directed by a woman to scoop that prize.

(Warning: This article contains spoilers about the plot of “Titane.”)The idea for “Titane” came to director Julia Ducournau in a nightmare. She dreamed that she was giving birth to engine pieces, which led to the central premise of her bold thrilling new film about a woman named Alexia (newcomer Agathe Rousselle), who is indeed impregnated by an automobile.

Naman Ramachandran Ryûsuke Hamaguchi’s “Drive My Car,” Japan’s entry to the Academy Awards’ international category, looks to be the odds on favorite from Asia to win the category.The drama with a theater world backdrop follows the trajectory of South Korean four-statuette winner “Parasite” in that it began its winning ways at Cannes and is festooned with awards en route to the Oscars.

Clayton Davis French director Julia Ducournau, who burst onto the world filmmaking scene in 2016 with “Raw,” admits it wasn’t easy to come up with her latest film, “Titane.” “I think that it is the hardest script I’ve ever had to write, although I’m very young in my career,” she tells Variety’s Awards Circuit Podcast. “But I think that I never struggled as much as I did for this one for many reasons.

A version of this story about Julia Ducournau and “Titane” first appeared in the International issue of TheWrap’s awards magazine.Sexual congress with an automobile is merely the ignition switch of Julia Ducournau’s graphic, sensory “body horror” thriller, which scored the 38-year-old director an historic Palme d’Or at the Cannes Film Festival this year.

Peter Debruge Chief Film CriticVariety recognized “No Time to Die” maestro Cary Joji Fukunaga’s potential on the strength of his debut, “Sin Nombre.” Wes Anderson caught our eye with “Bottle Rocket.” And “Red Rocket” director Sean Baker made the cut the year “Tangerine” took Sundance by storm. Other distinguished alumni of Variety’s annual 10 Directors to Watch program include “The Green Knight” helmer David Lowery, Palme d’Or winner Julia Ducournau (“Titane”) and “Bergman Island” auteur Mia

Nick Vivarelli International CorrespondentPaolo Sorrentino’s “The Hand of God,” Julia Ducournau’s “Titane,” Jasmila Žbanić’s “Quo Vadis, Aida?,” Florian Zeller’s “The Father,” and Juho Kuosmanen’s “Compartment No. 6” are the five nominees for best film at the upcoming 34th European Film Awards, which see no clear frontrunner this year.The more than 4,100 academy members will now vote for the winners, who will be honored at a Dec.

The European Film Academy has announced nominations for the 34th European Film Awards which will be handed out in Berlin on December 11. Julia Ducournau’s Cannes Palme d’Or winner, Titane; Florian Zeller’s 2020 drama and double Oscar winner The Father; and Jasmila Zbanic’s Quo Vadis Aida?, which was nominated for an Oscar at the 93rd edition, are tied with four mentions each.

Sequels are a tough sell in the horror genre. While there are some great ones every once in a blue moon, most of them are pretty terrible, including the recently released “Halloween Kills.” So, in honor of the terrible sequel issue, this episode of The Playlist Podcast is devoted to talking about horror films that didn’t get a sequel (and didn’t need a sequel) because they’re perfect just how they are.

Leo Barraclough International Features EditorRebecca Hall’s deft directorial debut “Passing,” which competed for Sundance’s Grand Jury Prize and was acquired by Netflix, and Julia Ducournau’s sophomore feature “Titane,” winner of Cannes’ Palme d’Or and France’s entry in the International Feature Film Oscar race, have been selected to compete in a section devoted to up-and-coming directors at the 29th edition of EnergaCamerimage, a film festival that focuses on the art of cinematography.

To suggest that France had an abundance of quality candidates for its International Film Oscar submission this year is beyond an understatement.

Julia Ducournau’s Cannes Film Festival Palme d’Or winner Titane has been selected to represent France in the Best International Feature Film Oscar race. The country’s selection committee had previously shortlisted three titles as the potential submission, including Audrey Diwan’s Venice Golden Lion winner L’Evénement (Happening) and Cédric Jiminez’s Bac Nord (The Stronghold).

Guy Lodge Film CriticWhen French filmmaker Julia Ducournau took the Palme d’Or at Cannes this year for “Titane,” her wild explosion of body horror and gender politics, Jane Campion’s status in film history shifted slightly: no longer the only woman to take the top prize at the festival, the New Zealand writer-director will forevermore be the first.

Titane filmmaker Julia Ducournau didn’t just make history this year as the first female director to win Cannes Film Festival’s Palme d’Or solo, she was also the first to find out she had won the prize twice during the ceremony.

France’s Oscar selection committee has shortlisted three titles as the country’s potential submission for the International Feature Oscar race. They include Audrey Diwan’s Venice Golden Lion winner L’Evénement (Happening), Julia Ducournau’s Cannes Palme d’Or laureate Titane and Cédric Jiminez’s Bac Nord (The Stronghold) which ran out of competition on the Riviera in July.

Elsa Keslassy International CorrespondentAudrey Diwan’s Venice-prizewinning timely abortion drama “Happening,” Julia Ducournau’s Cannes’ Palme d’Or-winning horror film “Titane,” and Cedric Jimenez’s cop thriller “Bac Nord” have been shortlisted by France’s Oscar committee. The French Oscar candidate is expected to be selected next Tuesday.

Clayton Davis France has been a supreme force in the Oscars’ international feature race for decades. This year, three acclaimed films from women directors — Céline Sciamma, Audrey Diwan and Julia Ducournau — are believed to be at the top of the list to represent the country for the upcoming 94th ceremony, set to take place on March 27.