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Todd Gilchrist editor Wes Anderson’s “Asteroid City” is a nesting doll of a film—a television broadcast of a documentary about a play, assembled with the same precision and detail as Anderson’s “The Royal Tenenbaums,” “The Grand Budapest Hotel” and “The French Dispatch” among others. Thematically, the connective tissue between its layers of reality, like many of those earlier films, is the notion and processing of loss.

Deadline’s Contenders Film: Los Angeles kicks off Saturday morning at 8:30 a.m. PT spotlighting 28 movies, with panel discussions featuring cast and creatives from this awards season’s most talked-about films, including actors scheduled to return to post-strike duty from Margot Robbie, Bradley Cooper, Cillian Murphy, Jeffrey Wright, Colman Domingo, Lily Gladstone, Fantasia Barrino, Taraji P. Henson and Annette Bening to Julianne Moore, Natalie Portman, Carey Mulligan, Anna Kendrick, Eve Hewson and America Ferrara.

There were so many celebs in attendance at the 2023 GQ Men of the Year party in Los Angeles this year, with Kim Kardashian, Megan Thee Stallion, and Megan Fox among those bringing star power to the event.

The trailer for season two of What If…? has dropped!

Jaden Thompson The Critics Choice Association has announced that Edward James Olmos, Sheryl Lee Ralph and Ken Jeong are among the honorees for the upcoming Celebration of Cinema and Television: Honoring Black, Latino and AAPI Achievements. The event will be held at the Fairmont Century Plaza on Dec.

When you’re composing music for a character named Thelonious “Monk” Ellison in the movie American Fiction, it should be pretty obvious where a composer like Laura Karpman might find her inspiration.

Rustin, the long-awaited biopic directed by George C. Wolfe, and written by Julian Breece and Dustin Lance Black, drives home the point that the arc of U.S.

Valerie Wu Intern The 2023 annual Newport Beach Film Festival (NBFF), hosted from Oct. 12 to Oct. 19, has announced its slate of awards winners.

It’s a big year for Colman Domingo, with three starring roles (four before Focus pushed “Drive-Away Dolls” to next February): “The Color Purple,” “Sing Sing,” and “Rustin.” And “Rustin” reaches audiences first, fresh off its world premiere at Telluride in August (read The Playlist’s review here).

American Fiction” from writer, director and producer Cord Jefferson, and the recent winner of the Toronto Film Festival’s People’s Choice Award. Based on the novel “Erasure” by Percival Everett, the film stars Jeffrey Wright as Thelonious “Monk” Ellison,” a frustrated novelist who is fed up with the establishment profiting from “Black” entertainment that relies on tired narratives and themes. After he writes an outlandish book making fun of the offensive tropes, his success propels him into the center of hypocrisy.

“American Fiction” has quickly become the movie to watch in the awards season after it premiered at the Toronto International Film Festival to critical acclaim, garnering the festival’s People’s Choice Award. The award has come to be seen as a precursor for Academy Award nominations.

Michaela Zee After winning this year’s Toronto International Film Festival’s people’s choice award, “American Fiction” has pushed back its limited release to Dec. 15 and will expand in theaters on Dec. 22.

EXCLUSIVE: Cord Jefferson’s feature directorial debut, American Fiction, is changing up its release plan from Nov. 3rd limited opening to Dec. 15.

TORONTO – “American Fiction,” the directorial debut from Cord Jefferson, is genuinely a very, very funny movie. And that’s hyperbole on our part.

Trends change and ebb and flow, but in years past, winning the Toronto International Film Festival audience award used to be a surefire way to mean you were getting an Oscar nomination for Best Picture and, and many instances, winning the big Academy Award prize. And while the winning element of that trend has somewhat waned in recent years, the power of the prize is still there.

Brent Lang Executive Editor It’s been a Toronto Film Festival like few others. The writers and actors strikes meant that many A-listers opted not to touch down in Canada this year, depriving the gathering of film lovers of the star-studded red carpets and Q&As that make Toronto so memorable. Even if this year’s festival was starved for glamour, it was still a good opportunity to get a clearer picture of the awards race — and to check the pulse of Hollywood at a tumultuous time for the industry.

Peter Debruge Chief Film Critic In Cord Jefferson’s idea-dense “American Fiction,” no one wants to publish literary professor Thelonious Ellison’s latest novel. Thelonious — or “Monk” to his friends — has delivered a modern reworking of Aeschylus’ “The Persians” (hardly bestseller material to begin with), but all the industry can see is the color of his skin.

In Cord Jefferson cinematic adaptation of Percival Everett’s Erasure, American Fiction emerges as a hard-hitting commentary on identity, storytelling, and the microaggressive terrains of the publishing industry. With a powerhouse ensemble, led by Jeffrey Wright and supported by the likes of Tracee Ellis Ross and Sterling K. Brown, the film aims to deconstruct the publishing world as it relates to myriad facets of Black lives.

Clayton Davis Senior Awards Editor With “American Fiction,” Cord Jefferson, best known for penning television episodes of “Succession” and “Watchmen,” helms one of the finest directorial debuts seen since Sam Mendes’ “American Beauty.” In the style that feels like an audacious blend of the screenplays of Alexander Payne’s “Sideways” and Nicole Holofcener’s “Can You Ever Forgive Me,” he shepherds an audacious dramedy anchored by a career-best and Oscar-worthy performance from star Jeffrey Wright. After debuting at the Toronto International Film Festival, it’s a movie that could be a contender for the coveted TIFF Audience Award, and it would be deserved.

Similar to how Disney changed up the feature release schedule due to the strikes, it’s doing the same with Marvel series. However, it’s a little more than that as the Kevin Feige-run studio is looking to make the best product possible after fans thumbed their noses at various projects including Secret Invasion, Ant-Man and the Wasp: Quantumania and Eternals to name a few. In addition, Disney+ is making less product, so the studio is spacing out its event programming.

Sixty years to the day after what Colman Domingo’s Bayard Rustin calls “an epic demonstration in our nation’s capital,” Netflix has dropped the new teaser for Rustin, the biopic about the activist and organizer behind the historic 1963 March on Washington.

. Directed by Tony and DGA Award winner George C. Wolfe, the Netflix film stars Emmy winner Colman Domingo as the queer Civil Rights activist who served as one of the main architects behind the August 1963 March on Washington.

Jazz Tangcay Artisans Editor Lenny Kravitz has written and recorded an original song “Road to Freedom” for George C. Wolfe’s upcoming film “Rustin.” Wolfe’s film stars Colman Domingo as the gay activist Bayard Rustin who helped co-organize the historic March on Washington. In a statement to Variety, Wolfe said, “I first met Lenny very early in both of our careers…and the first time I heard him sing was acapella, and I remember the sound quite vividly, and there was something about the quality of his voice that seemed viscerally perfect for the end of the film.

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Wes Anderson’s dazzling desert Americana “Asteroid City” will be available to stream on Peacock starting Aug. 11.

Wes Anderson’s arthouse oasis, Asteroid City, will stream on Peacock on Friday, Aug. 11, 57-days after opening in theaters.

posted on Facebook that she “passed away last week in London after a long battle with cancer.” She was diagnosed with Stage 3 cancer in 2020 in the middle of the pandemic but by 2021 was opening up about her experience and noting that she was now cancer-free and happy to spend more time with her young child.“Eva died on the same terms as she lived. She played her cards close to her chest.

Eva María Daniels, producer on the 2020 Mark Wahlberg-starrer Joe Bell and EP on the recent Sydney Sweeney vehicle Reality from HBO, has died. The news was announced by friend, filmmaker and fellow Icelander Börkur Sigthorsson. She was 43.

Already in limited release, Wes Anderson’s “Asteroid City” opens in a wider release this weekend, Friday, June 23. Essentially split into two parts, the film centers on a grieving father (Jason Schwartzman) who travels with his tech-obsessed family to a small rural ‘Asteroid City’ to compete in a junior stargazing event, only to have his perspective on life— his cosmology as it where— disrupted forever by world-altering events.

Margot Robbie, Matt Dillon, Tilda Swinton, Edward Norton and Steve Carell couldn’t make it today for what’s already resembling an Oscars’ night selfie. Who we do have is Scarlett Johansson, Maya Hawke, Adrien Brody, Tom Hanks, Jeffrey Wright and Bryan Cranston, plus the director himself, Wes Anderson. So, what makes this quirky comedy-romance-sci-fi set around a 1955 junior stargazer competition in the desert such a hot ticket? Well, it’s a Wes Anderson movie.

Wes Anderson’s Asteroid City has been released – check it out below.Set during a junior stargazer convention in 1950s America, the film stars a mix of new and frequent collaborators from Anderson’s past works, including Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston and Edward Norton.The comedy-drama had its world premiere at the Cannes Film Festival in May 2023, where it competed for the Palme d’Or prize. It was later released in cinemas on June 23.Alexandre Desplat created the film’s score, who has previously worked with Anderson on Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Isle Of Dogs and The French Dispatch.His other notable credits include Guillermo Del Toro’s Shape Of Water, Little Women directed by Greta Gerwig and both parts of Harry Potter And The Deathly Hallows.Desplat’s score is joined by various other country-orientated songs, including tracks by The Springfields featuring Dusty Springfield, Slim Whitman and Bing Crosby.Jarvis Cocker, who has a cameo in the film, contributes two original songs to the soundtrack titled ‘Dear Alien (Who Art In Heaven)’ and ‘You Can’t Wake Up If You Don’t Fall Asleep’.