Gareth Edwards Latest Celebrity News & Gossip

Naman Ramachandran Disney’s Agatha Christie adaptation “A Haunting in Venice” stayed atop the U.K. and Ireland box office for the second successive weekend with £1.4 million ($1.8 million), per numbers from Comscore. The film, directed by Kenneth Branagh, where he plays detective Hercule Poirot, now has a total of £4.9 million after two weekends in release.

He’s captivated our imaginations with iconic monsters and futuristic space battles, using a symphony of light, scale, sound, and mastery over visual effects. Oh, and he really knows how to make Darth Vader scary.

Gareth Edwards directed his first movie, the 2010 indie “Monsters,” it could scarcely have been a more DIY endeavor. He had less than $500,000 to tell an intimate story about two Americans contending with giant aliens rampaging through Mexico, so his crew consisted of just his actors (Scoot McNairy and Whitney Able), a sound tech, a line producer, a translator and a driver.

Throughout an entire junket day as well as a special screening tonight at the TCL Grauman Chinese Theatre, The Creator filmmaker Gareth Edwards showed his solidarity for the pic’s cast as the SAG-AFTRA strike continued into its 67th day.

The 2023 Beyond Fest lineup is set. America’s biggest genre-focused festival is returning this month with a 55-film slate that includes a Roger Corman career celebration, special screening of The Abyss with James Cameron, the world premiere of Legendary’s It’s a Wonderful Knife and much more.

Even though Gareth Edwards broke out with his debut feature, “Monsters,” back in 2010, we really don’t know too much about him, as a filmmaker. He followed that film up with “Godzilla” in 2014, which was fairly well received, but it’s his third film, “Rogue One: A Star Wars Story” that most people remember him from.

One of the most anticipated sci-fi film of 2023 — particularly now, with “Dune: Part Two” having been pushed back to 2024 — has got to be Gareth Edwards‘ latest feature,”The Creator.” Edwards’ first film since 2016’s “Rogue One” Lucasfilm movies, this new thriller is set in the year 2070, in the midst of a war over the future of artificial intelligence.

Gareth Edwards, the director, producer and co-writer of The Creator, is opening up about the timing of the release of his film that draws parallels to the fight between SAG-AFTRA and WGA members against the studios.

Sure, this time of year, everyone is thinking about the prestigious fall festival events, such as TIFF, Venice, Telluride, NYFF, etc.. However, what they’re forgetting is the sheer madness and joy that comes with visiting Fantastic Fest in Austin.

Sure, this time of year, everyone is thinking about the prestigious fall festival events, such as TIFF, Venice, Telluride, NYFF, etc.. However, what they’re forgetting is the sheer madness and joy that comes with visiting Fantastic Fest in Austin.

20th Century Studios has unveiled a premiere date and first look photo for its sci-fi psychological thriller No One Will Save You starring Emmy and Golden Globe nominee Kaitlyn Dever (Dopesick), announcing that it will premiere exclusively on Hulu in the U.S., Star+ in Latin America and Disney+ in all other territories on September 22nd.

New Regency said today it’s closed a $175 million term loan from global investment firm Carlyle Group, providing new capital for the indie to scale up production. The loan is a refinancing and upsize of an existing Carlyle facility.

Humans go to war with robots in the action-packed new trailer for “The Creator”.

Obviously, it takes years for feature films to get developed, written, filmed, and then released. And though artificial intelligence has been a topic of sci-fi films for years, it feels like there is no better time than now to release a film about rogue A.I.

Patrick Frater Asia Bureau Chief Major Japanese studio Toho Co. has announced “Godzilla Minus One” as the title of the latest instalment in its “Godzilla” film franchise. The film will premiere in Japanese theaters on Nov. 4. A U.S. release is set a few weeks later, on Dec. 1. The company revealed an understated poster and a short but punchy teaser trailer. It suggests that an already-devastated postwar Japan faces a new threat in the form of Godzilla, an enormous, mutated kaiju. Directed by sci-fi and fantasy specialist Yamazaki Takashi, the picture is the first Japanese-produced “Godzilla” movie since 2016’s “Shin Godzilla.” The previous picture topped the Japanese box office, earning JPY25 billion ($181 million at current exchange rates).

Just as he redefined the legal drama with the Oscar-winning movie Michael Clayton, Tony Gilroy has made arguably the most serious Star Wars streaming series to date in Disney+/Lucasfilm’s Andor, which is steeped in the binary of a burgeoning morose utilitarian empire that’s dominating the denizens of the universe.

It’s already been an eventful week for Walt Disney Studios. The long-promised layoffs hit the company’s theatrical divisions yesterday and this morning Disney filed a lawsuit against Florida Gov.

was there in Disney’s showcase was a demonstration of the studio’s plans to diversify its theatrical offerings. While the likes of Marvel and Pixar are still around to offer family films and IP-fueled blockbusters, 20th Century Studios and Searchlight got a much larger presence than they’ve had in past CinemaCons since the Disney acquisition.

20th Century Studios/New Regency’ Gareth Edwards directed movie, True Love, has had a title change to The Creator. The release date has been moved up from Oct. 6 to Sept. 29.

“Godzilla vs. Kong” series, that initially started with the 2021 feature of the same name directed by Adam Wingard (“The Guest”). We don’t get much in 35-seconds but we do get a shot of King Kong himself on his throne, surrounded by the bones of, no doubt, a legion of enemies.

Star Wars instalments is London. Londoners who watch Star Wars: Andor on Disney+ might even recognise a few of the places they see in the background. Far from being on another planet, the filming is actually done at Canary Wharf Underground Station, along the London Docklands.

“Andor” Episode 4 just debuted on Disney+ in the “Star Wars” series’ second week of release (the first three episodes were dropped on premiere day), and more than anything, this installment of the series cements that the new show is a very different approach to a galaxy far, far away. And that, according to showrunner Tony Gilroy, was entirely by design.“Andor” follows the radicalization of Cassian Andor (Diego Luna), who we last saw giving his life for the nascent Rebellion in “Rogue One.” The show eschews the almost videogame-like plotting of Lucasfilm’s breakout series “The Mandalorian” for something grittier and earthier; textures feel tactile; characters feel troubled and broken, they look for their way and move in with their parents; dialogue is emphasized.

Elsa Keslassy International Correspondent Pascal Breton’s European banner Federation Entertainment (“The Bureau”) has acquired a majority stake in Vertigo Films, the U.K. production company behind the hit TV shows “Britannia” and “Bulletproof.” The London-based company is also the producer of B.O. films such as “StreetDance 3D,” “The Sweeney” and award-winning titles including Gareth Edwards’s “Monsters” and Nicolas Winding Refn’s “Bronson.“ Founded 20 years ago by executive producers Allan Niblo and James Richardson, Vertigo is currently in post-production with Jez Butterworth’s new comedy-drama series “Mammals,” starring James Corden and Sally Hawkins for Amazon, and the 1980s-set gangster epic “A Town Called Malice” by Nick Love for Sky Max. The banner just wrapped principal photography on a new film for Sky Cinema, with further details to be announced at a later date.  

Tony Gilroy didn’t want to make a prequel to “Rogue One.” The 2016 “Star Wars” feature, which Gilroy co-wrote, is itself a prequel, detailing how a ragged crew of rebels, led by spy Cassian Andor (Diego Luna), steal the plans to the Death Star. They succeed, but (spoiler alert!) they all sacrifice their lives doing so — an uncharacteristically dour ending for a “Star Wars” endeavor. The production was also infamously troubled, with Gilroy, who wrote four “Bourne” movies and directed “Michael Clayton,” stepping in to helm extensive reshoots in place of director Gareth Edwards. When the result was a massive hit, grossing just over $1 billion worldwide, Lucasfilm president Kathleen Kennedy was eager do more “Star Wars” movies with Gilroy.

Update: With the lack of major studio product in the fall, and Lionsgate’s Judy Blume movie, Are You There God? It’s Me, Margaret heading to the end of April 2023, Searchlight is going to have a moderate theatrical release with their comedy caper See How They Run, and moving it up to Sept. 16.

EXCLUSIVE: Marc Menchaca (Ozark) has signed on to star alongside André Holland, Don Cheadle, Alessandro Nivola and Tiffany Boone in the six-episode limited series The Big Cigar, centered on Black Panther leader Huey P. Newton (Holland), for Apple TV+.

“Dune: Part Two” is being shifted from Oct. 20, 2023 to Nov. 17, 2023.