Gareth Edwards Latest Celebrity News & Gossip

Jazz Tangcay Artisans Editor “The Creator” director and co-writer Gareth Edwards started out making documentaries for the BBC, moving to fiction with 2010’s “Monsters.” From there, he jumped into “Godzilla” and “Rogue One: A Star Wars Story.” For “The Creator,” a futuristic sci-fi film depicting AI robots and humans in conflict, he wanted to draw from the best aspects of each filmmaking approach. That meant staying nimble on shots while relying on a big visual effects team to create the look he wanted, according to ILM visual effects supervisor Jay Cooper. One of the biggest challenges for Cooper was the destroyer tank.

Sharmeen Obaid-Chinoy is a two-time Oscar winner and the first female director of a Star Wars film.

Richard Franklin, who is best known for his roles in Doctor Who and Emmerdale, died on early Christmas morning at the age of 87.

Taika Waititi has already clarified he won’t be back for “Thor 5“ if Marvel Studios wants one. So who will take his place in the directing chair for that hypothetical sequel? Don’t look at “The Creator” director Gareth Edwards who, despite rumors to the contrary, insists he’s not connected to the project.

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Rebecca Rubin Film and Media Reporter “The Bikeriders,” a drama directed by Jeff Nichols and starring Austin Butler, Jodie Comer, and Tom Hardy, is being shopped around town after Disney took the film off its slate. Disney and 20th Century were scheduled to open the film on Dec. 1.

New Regency‘s Jeff Nichols directed crime drama The Bikeriders is getting shopped to rival studios and streamers after the movie stepped off its Dec. 1 theatrical release date, Deadline has confirmed.

In 2010, writer and director Gareth Edwards blew away cinema-goers with his haunting science-fiction tale, Monsters. The film was made on a micro-budget, but managed to appear vastly more expensive. Edwards’ skills caught the eye of the studios and he was quickly hired to direct Godzilla. After that came Rogue One: A Star Wars Story. Then came a quiet period for Edwards, but now he has returned with another science-fiction epic, The Creator. Whereas Godzilla and Rogue One were both based on pre-existing properties, The Creator sees Edwards get back to his basics.

Gareth Edwards burst onto the film scene with the fantastic Monsters back in 2010. The low-budget, high emotional tale of a couple connecting during an alien occupation caught the attention of the big studios. Edwards was quickly rushed into the corporation machine. He followed up Monsters in 2014 with a reboot of Godzilla before directing Star Wars prequel Rogue One in 2016. After that the filmmaker took a well earned break, but returns this week with new sci-fi action epic, The Creator. Starring John David Washington and Madeleine Yuna Voyles, The Creator is set amidst a future war between the human race and the forces of artificial intelligence.

Disney has unset the wide theatrical release of Jeff Nichols’ Bikeriders from its Dec. 1 theatrical release. Wouldn’t you know? AMC has their Renaissance: A Film by Beyoncé on that date. Even though Beyoncé won’t be as big as Taylor Swift, she’ll the queen bee at the box office on the post Thanksgiving dead December weekend with around a $20M start.

Filmmaker Gareth Edwards is coming off his epic sci-fi original film, “The Creator,” a film that saved millions of dollars in VFX by essentially doing it all after the fact. Meaning instead of setting up expensive green screens, blue screens, and mo-cap suits to capture the spots where VFX would typically be inserted, Edwards and his team just shot the movie generally as one would in the wild and then basically Photoshopped on all the VFX afterward (that’s not the most technical version, but probably the most accurate the audiences will understand; read our ‘Creator’ review here).

Jazz Tangcay Artisans Editor Oscar-winning cinematographer Greig Fraser was “devastated” when Warner Bros. announced that “Dune: Part Two” was shifting its release date from Nov. 2023 to March 2024.

Jazz Tangcay Artisans Editor Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount. Rather than shoot on a studio backlot, the filmmaker behind “Godzilla” and “Rogue One: A Star Wars Story” opted to shoot in eight different countries, including Nepal, Thailand, Vietnam, Cambodia, Indonesia and Japan. For an all-out climatic action sequence set in Thailand, a village comes under attack by the U.S.

Does any film really need a full six-hour documentary devoted to it? Honestly, you would be hard-pressed to think of one single film that deserves a multi-episode docuseries analyzing every aspect of its creation. And yet, the filmmakers behind “RoboDoc – The Creation of RoboCop” did just that.

With a budget of $80 million—a pittance compared to the budgets of most modern blockbusters— Gareth Edwards has made his long-awaited return to science-fiction on the big screen with “The Creator,” a provocative sci-fi adventure set roughly 50 years in the future, where Western society is devastated by and at war with artificial intelligence (read our review). Whereas the East, having not undergone a similar tragedy, has embraced and fostered the technology.

Michaela Zee “Rogue One: A Star Wars Story” director Gareth Edwards is once again addressing the multiple reports about the 2016 film requiring extensive reshoots overseen by Tony Gilroy (the eventual “Andor” creator was hired by Lucasfilm to join the “Rogue One” team in June 2016). On a recent episode of KCRW’s “The Business” podcast, Edwards claimed “there is so much inaccuracy” surrounding the making of the “Star Wars” prequel.

Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records.

Rebecca Rubin Film and Media Reporter Paramount’s animated sequel “PAW Patrol: The Mighty Movie” topped the box office in its debut, earning a solid $23 million from 3,989 North American locations over the weekend. Those ticket sales were more than enough to rule over the three other new nationwide releases, which could be categorized as the good (Lionsgate’s gruesome “Saw X“), the meh (Disney and New Regency’s sci-fi thriller “The Creator“) and the ugly (Sony’s Game Stop stock-inspired “Dumb Money“). “Saw X” took second place with $18 million, an impressive start for the 10th entry in the long-running horror series.

Rogue One director Gareth Edwards‘ new movie The Creator is now in theaters and it’s an epic sci-fi action thriller that will definitely have audiences excited!

Todd Gilchrist editor As costs spiral upward for production infrastructure, visual effects and good old fashioned star wattage, blockbuster budgets tend to be one of the closely guarded secrets in Hollywood. Yet in the weeks and months leading to the release of “The Creator,” due Sept.

Flashback looks back on fascinating stories or artifacts of the past, not necessarily tied to today’s news but still relevant and sometimes extra-significant in relation to today’s ever-evolving context. As we all know, “Rogue One: A Star Wars Movie” underwent major reshoots, apparently to salvage the film.

Hopefully three wide releases can wake up what’s been a relatively sleep time at the box office, ratcheted down by the SAG-AFTRA strike. With New Regency/20th Century Studios/Disney’s original Gareth Edwards sci-fi movie The Creator, Paramount and Spin Master’s PAW Patrol: The Mighty Movie, and Lionsgate’s Saw X, the top three movies look to make around $45M. All three of them are vying for No. 1 with a high teens take, however, it’s likely a two-way race between PAW Patrol 2 and The Creator since both pics have had the loudest marketing campaigns, and Lionsgate usually executes their smaller budgeted movies on the cheap.

Jordan Moreau Move over, Barbenheimer, it’s time for Saw Patrol. This weekend sees the releases of four major movies, including Paramount’s family friendly “PAW Patrol: The Mighty Movie,” Lionsgate’s gory, R-rated “Saw X,” 20th Century’s sci-fi epic “The Creator” and “Sony’s GameStop stock story “Dumb Money.” “PAW Patrol” is expected to come out on top with an estimated $18 million to $20 million opening, but “Saw X” will be right on its tail with an estimated $15 million to $18 million. However, some projections go as high as $20 million to $25 million, overtaking the “PAW Patrol” pups.

“No one is really creating original sci-fi blockbusters anymore, it’s an endangered species.”

Gareth Edwards returns to theaters this weekend with “The Creator,” a sci-fi epic that’s his first feature since 2016’s “Rogue One: A Star Wars Story.” But is a return to big-budget blockbuster filmmaking for the director? Kind of, sort of, but not quite. “The Creator” boasts an $80 budget, still a hefty price tag these days, but mild in comparison to the estimated $265 million for “Rogue One” and the $160 for Edward’s 2014 film “Godzilla.” READ MORE: ‘The Creator’ Final Trailer: Gareth Edwards’ Sci-Fi Epic About The War Between Humans & A.I.

So, filmmaker Gareth Edwards is doing the interview round for his latest sci-fi extravaganza, “The Creator,” starring John David Washington. It’s a movie heavily indebted to “Blade Runner,” “Apocalypse Now,” and even “Star Wars” (read our review here).

A familiar mélange and pastiche of sci-fi-tropes you’ve seen and felt before, filmmaker Gareth Edwards’ science-fiction drama, “The Creator,” is recognizable but, nonetheless, largely compelling— skillfully understanding the crucial balance of blockbuster scale and grounding character intimacy. Its intriguing examination of what constitutes a sentient being—coupled with its aesthetic mix of lo-fi, gritty, and grimy tech blended with sleeker, cleaner, and austerely traditional visual references to the future— makes for an engaging experience clearly designed for the big screen.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events.

Peter Debruge Chief Film Critic The creator of “The Creator,” Gareth Edwards, started his filmmaking career teaching himself VFX at home. He’s an innovator on that front, devising ways to generate creepy CG monsters for “Monsters” more than a dozen years ago, then overseeing deceptively massive blockbusters, like “Godzilla,” ever since (deceptive because much of that stunning scale comes from virtual detail added in post).

Director, Producer, and Co-Writer (with Chris Weitz) Gareth Edwards (Monsters, Godzilla, Rogue One: A Star Wars Story) has been working on his idea for an original science fiction tale involving human interaction with advanced AI childfor many years. Now that The Creator is finally reaching the screen I would say it is more like science fact, or at least a plausible facsimile. With recent warnings from Silcon Valley leaders about imminent dangers with the alarming speed of AI progress, and all the talk (especially with the guild strikes) about the threat of AI technology invading and possibly even shifting out of our control in frightening ways, Edwards has cooked up a hell of a story in which AI just might be the good guys – or robots as it were – in a world where humans could be losing the upper hand.