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Young Belarusian Aleksei (Franz Rogowski) is impatient for a better life in Europe. Coming from a country under dictatorship and with very strong Russian ties, the political isolation of which has made it suffocating for the younger generations, he is seduced by the idea of a borderless, communal whole where everybody counts for something.

Barry Keoghan‘s forthcoming film Bird received a seven-minute standing ovation following its premiere at Cannes Film Festival.The Saltburn actor stars in the new drama directed by Andrea Arnold (American Honey, Fish Tank).Also starring Bafta-winning Top Boy actor Jasmine Jobson, Passages star Franz Rogowski, and child actor Nykiya Adams, Bird centres around a 12-year-old named Bailey (Adams) who, after searching for attention and adventure outside of her family, comes across a mysterious stranger named Bird (Rogowski) who asks for her help.The film premiered at Cannes on Thursday (May 16) and received a seven-minute standing ovation from the audience upon its conclusion. The festival is known for its lengthy applauses, with the longest-ever thought to last 22 minutes for Guillermo del Toro’s 2006 fantasy-horror Pan’s Labyrinth.Elsewhere at the festival, Furiosa: A Mad Max Saga received a six-minute standing ovation.

Barry Keoghan addressed his dance scenes and musical moments in his movies while attending the 2024 Cannes Film Festival.

After prancing through the hallways showing his man-ness at the end of Saltburn last year, Barry Keoghan is back with a another illustrious ditty performance in Bird. In the Andrea Arnold movie that had its world premiere Thursday night at the Cannes Film Festival, Keoghan plays a young father, and at one moment he croons an off-key version of Blur’s “The Universal” in what is a sweet moment with dance involved.

Owen Gleiberman Chief Film Critic Eight years ago, the writer-director Andrea Arnold packed up her hand-held-camera brand of kitchen-sink British austerity and took it across the pond to make “American Honey,” a movie about a wolf pack of kids in a van who seemed to incarnate the tumult of the 21st century. The movie, crafted in a style that I thought of as hip-hop Dardenne brothers, was an indie explosion that felt like a landmark. Now, though, in “Bird,” the first dramatic feature that Arnold has made since (in between, she directed episodes of “Big Little Lies” and “Transparent” and made the documentary “Cow”), she’s back to chronicling the miserablism of aimless, scroungy British young folk who experience their lives as a dead zone.

Children forced to grow up too fast understand the pained nature of powerlessness like few others. This is true of the pre-teen at the center of director Andre Arnold’s “Bird,” Bailey (Nykiya Adams).

Barry Keoghan strikes a pose with his Bird costar Jackie Mellor on the red carpet at the 2024 Cannes Film Festival.

Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.

Alex Ritman Rwandan actress Eliane Umuhire (“Augure by Baloji,” “My New Friends”), French producer Sylvie Pialat (“Timbuktu,” “Staying Vertical”), Belgian cinematographer Virginie Surdej (“The Blue Caftan,” “Our Mothers,” “Casablanca Beats”) and Canadian film critic, journalist and frequent Variety contributor Ben Croll have been named on the jury for the Critics’ Week section of the Cannes Film Festival. The four will now join Spanish filmmaker Rodrigo Sorogoyen, who last week was named Critics’ Week jury president, with the group set to choose the sidebar competition’s award winners, including the Grand Prize for best feature film, the French Touch Prize of the Jury, the Louis Roederer Foundation Rising Star award for best actor or actress and the Leitz Ciné Discovery Prize for best short film.

A lot of A-List stars are in attendance at the 2024 Film Independent Spirit Awards!

Alex Ritman Signature Entertainment has acquired the U.K. and Ireland rights to the Pete Davidson (“The King of Staten Island”) horror film ”The Home” from Miramax. The feature was produced by Bill Block(“Halloween Kills”) and Sébastian K.

Nick Vivarelli International Correspondent U.S. specialty distributor Shadow Distribution has taken North American rights to Italian director Giorgio Diritti’s ethnic cleansing drama “Lubo,” toplining Franz Rogowski, from Italy’s True Colours.

Alex Ritman “Bird,” Andrea Arnold‘s first narrative feature in almost a decade, has been picked up by Cornerstone Films with the company set to launch the feature at the upcoming European Film Market in Berlin. Little is known about the film, except that it was shot in the U.K.

EXCLUSIVE: Ben Whishaw will reunite with director Ira Sachs to shoot an “intimate” movie about photo artist Peter Hujar.

W Magazine is kicking off Golden Globes weekend with a star-studded party!

W Magazine is kicking off Golden Globes weekend with a star-studded party!

Lily Gladstone and Charles Melton were among the big winners at the 2024 New York Film Critics Circle Awards this week!

Austrian filmmaker Michael Haneke has been relatively quiet of late and hasn’t made a film since 2017’s “Happy End,” but his exacting reputation has been coming under fire in recent weeks.

We often wax effusive about movies, their meaning, their craft, their intention, how they are sculpted and shaped, but sometimes we forget about the director’s mantra: that casting is everything and we arguably sometimes take for granted how some movies that seem so perfect, may not work at all without the actors and performers at their center. READ MORE: The 21 Best Films Of 2023 2023 was a great year for movies, see our Best Films Of 2023 list, but let’s be real, so many of these movies were make or break based on their performances.

Refresh for updates: The oldest critics group in the U.S. is voting on the year’s best film as well as several other categories Thursday in what is a very lengthy process that soaks up most of the morning. Check back here every now and then to see who has won.

The best in film and television was honored tonight at the 2023 Gotham Awards, which kicked off awards season with a bang!

Clean, green Switzerland, land of chocolate, cuckoo clocks and direct democracy, is revealed to have a history of racial abuse as ugly as any other in Giorgio Diritti’s rolling epic Lubo, showing in competition at the Venice Film Festival. German actor Franz Rogowski plays the title character, a street performer and paterfamilias who is part of Switzerland’s community of Jenisch, a nomadic people originating in Germany. Lubo’s story is a dramatically terrible one – his wife is killed in a spat with heavy-handed police and his children are taken away, all while he is being marched off to serve time in the army – but it speaks to the truth.

Marta Balaga In Giorgio Diritti’s film “Lubo,” based on Mario Cavatore’s novel “Il seminatore,” Franz Rogowski seduces as Lubo, a Yenish traveling performer, father and husband, who has to join the Swiss army in 1939. He is one hell of a charmer, although his passion has dark undertones. “Our take is more playful, but the book put more emphasis on the fact that this man impregnated over 100 women in Zurich.

Jessica Kiang For around half of the entire last century, there was a semi-official policy enacted by the Swiss state to forcibly separate the children of “itinerant” parents from their families. The program, known as “Kinder der Landstrasse” (“Children of the Road”), was ostensibly designed for the protection of such children from the perils of vagrancy and criminality which the state imagined rife among the traveller population.

Naman Ramachandran Director Ira Sachs and lead Franz Rogowski discussed their film “Passages” at an exclusive screening in London on Friday. The screening was the first of a series of exclusive Q&A events curated by Variety in partnership with brand and culture consultancy BSBP targeted at BAFTA and AMPAS voters as well as key players in the showbiz community in the U.K., taking place at London’s The Cinema at Selfridges. Variety and BSBP teamed with film distributor, global streaming service and production company MUBI for the first screening in the series, “Passages,” written and directed by Sachs.

Leo Barraclough International Features Editor Variety has partnered with brand and culture consultancy BSBP to curate a series of exclusive Q&A screenings in London of some of the industry’s most anticipated films. The screenings, which are targeted at BAFTA and AMPAS voters as well as key players in the showbiz community in the U.K., will take place at London’s The Cinema at Selfridges.

EXCLUSIVE: Big World Pictures has acquired U.S. and Canadian rights from Paris-based sales firm Charades to Giacomo Abbruzzese’s debut feature, Disco Boy.

CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami to recede as bit as these unusual blockbusters vacuum up the arthouse/adult audiences.

When it comes to “Passages,” Ira Sachs’ witty, wise and very sexy Parisian drama, it all started with Franz Rogowski, who plays the film’s self-absorbed film director, Tomas. “I had seen Michael Haneke’s “Happy End” starring Franz,” remembers Sachs, the auteur of richly textured, grown-up gems such as “Love is Strange,” “Little Men” and “Keep the Lights On,” recently joining me for an interview about his latest, opening in theaters this week.

An NC-17 rating for a film may as well be a scarlet letter branded on it before release, limiting its audiences and causing certain theaters not to carry it at all. But that branding won’t stop MUBI and Ira Sachs from debuting “Passages,” Sachs’ latest, in theaters next month.

Love is a complicated thing.