Daniel Pemberton Latest Celebrity News & Gossip

Wilson Chapman editor“The Afterparty” on Apple TV Plus is a wildly ambitious storytelling exercise; over the course of its eight episode run, the series’ first season tells the story of a high school reunion that ends in murder in wildly different genres, as the various suspects recount their recollections of the night through the lens of their own worldviews. And in order to successfully embody the different genres, be they rom-com or thriller, the show needs to adapt itself to every episode: a single moment might be romantic one episode or comical the next, through the use of music and editing to change the mood of the scene.The music of “The Afterparty” is composed by Daniel Pemberton, who came to the project after working with creator and director Christopher Miller and executive producer Phil Lord on the critically acclaimed animated film “Spider-Man: Into the Spider-Verse.” He was attracted to working on the show because of the challenge and complexity of the score, which would require him to alter his musical style nearly every episode.

Jon Burlingame editorDaniel Pemberton’s score for Aaron Sorkin’s “Being the Ricardos” is unlike anything he’s written to date — a surprising choice for this think-outside-the-box composer, but one that would fit comfortably in the 1950s milieu of the film itself.“I felt it needed a kind of classic score that echoed the golden age of Hollywood,” Pemberton says from his London studio.

EXCLUSIVE: Deadline has the first exclusive track from Daniel Pemberton’s score for Being the Ricardos, which is set for digital release via Lakeshore Records on December 3—ahead of the film’s release in select theaters via Amazon Studios on December 10, and its Prime Video premiere on the 21st.

If you tuned in at 8:00 PM EST for the Academy Awards, then odds are you missed some of the best moments of the evening. As expected, the Academy broadcast the Best Original Song performances during the pre-show, with standout performances by Celeste, H.E.R., Leslie Odom, Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren mixed in with red carpet moments galore.

H.E.R., Leslie Odom, Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren performed five nominated original songs in their entirety at the 2021 Academy Awards pre-show special, .While four of the performances took place at the Dolby Family Terrace of the Academy Museum of Motion Pictures in Los Angeles, one performance was recorded in Húsavík, Iceland — Swedish pop singer Molly Sandén singing «Husavik» from, which she sang alongside a children's choir.

2021 Academy Awards are switching things up again.It was announced on Friday by producers Jesse Collins, Stacey Sher and Steven Soderbergh that the best original songs will be performed during a pre-show special, Celeste, H.E.R., Leslie Odom, Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren will perform the five nominated original songs in their entirety ahead of the 93rd Oscars.

Jon Burlingame Celeste’s contribution to the Golden Globe-nominated song “Hear My Voice” started with WhatsApp messages recorded in her bathroom.That’s just one of the revelations in a half-hour conversation with the U.K.’s latest singing sensation, her co-writer Daniel Pemberton and the legendary Sir Elton John, released today by “The Trial of the Chicago 7” distributor Netflix.“Hear My Voice” concludes the Aaron Sorkin film about the controversial 1969 court case involving Tom Hayden (Eddie

Jem Aswad Senior Music EditorBritish soul singer Celeste has dropped the video for her new single “Hear My Voice,” via Interscope Records.

Clayton Davis Variety has learned that a song from Aaron Sorkin’s “The Trial of the Chicago 7,” titled “Hear My Voice,” will be submitted for best original song at the 93rd Academy Awards next April. It is performed by Celeste, who co-wrote the song with the film’s composer Daniel Pemberton.

Jon Burlingame Ian Bonhôte and Peter Ettedgui, the directors of “Rising Phoenix,” a documentary airing on Netflix starting Wednesday, knew they wanted a song to conclude their film about the history of the Paralympics, the international competition for athletes with disabilities.But, having demanded from composer Daniel Pemberton a “no excuse, no surrender soundtrack, something that would punch people in the face,” as Bonhôte put it, they expected nothing less for their end-title song.And while

Hildur Gudnadóttir won the award for best original score at Sunday night's Golden Globe Awards.

Hildur Guðnadóttir, who composed the music for Joker, has won the Golden Globe for Best Original Score. She won the trophy over Randy Newman (Marriage Story), Alexandre Desplat (Little Women), Thomas Newman (1917), and Daniel Pemberton (Motherless Brooklyn). See the full list of nominees and winners here.