Claire Denis Latest Celebrity News & Gossip

Elsa Keslassy International Correspondent The César Awards are characterized as France’s answer to the Oscars. And just like their awards show cousin halfway across the world, the Césars are embroiled in controversy after failing to nominate any women directors.  This year’s Academy Awards were slammed by advocacy groups after ignoring the likes of Gina Prince-Bythewood (“The Woman King”) and Sarah Polley (“Women Talking”) in favor of an all-male contingent of auteurs. The Césars have followed suit with an all-male group of directing nominees, despite a banner year for French female filmmakers. It’s one that saw directors from Alice Diop (“Saint Omer”) to Claire Denis (“Stars at Noon”) dominating the festival circuit and scoring prizes, only to come up short when the Césars unveiled their contenders on Jan. 25. The omission has sparked a debate about gender equity and sexism in the French film business, as well as social media protests emblazoned with the hashtag #CesarsSoMale, an allusion to the #OscarsSoWhite campaign that erupted in 2015 when the Academy nominated an all-white group of acting nominees. 

Not yet thirty years old, Mia Goth has already collaborated with several world-renowned filmmakers for her willingness to follow their most demented muses. Her girlish appearance strikes a shocking contrast with the atrocity exhibitions that she gravitates toward: eagerly taking to sexual grooming in Lars Von Trier’s “Nymphomaniac;” undergoing forcible insemination and grisly spaghettification with Claire Denis in “High Life;” becoming an insane asylum’s incestuous princess for Gore Verbinski in “A Cure for Wellness;” witnessing her own disembowelment as part of the orgiastic blood ritual Luca Guadagnino that’s the grand finale to “Suspiria;” manifesting a century of madness for Ti West’s in-progress trio of period pieces of “X,” “Pearl,” and the upcoming “Maxxxine.” And so it’s no surprise that Goth’s latest outing is another twisted affair: Brandon Cronenberg‘s “Infinity Pool,” which takes place at a Mediterranean beach resort that hides a violent and depraved sub-culture.

EXCLUSIVE: Original Wild Bunch co-founders Vincent Maraval and Brahim Chioua bid farewell to the legendary company name they created in 2002 at a party in Paris on Thursday evening.

Elon Musk’s reluctant $44BN Twitter buyout and Warner Bros’ merger with Discovery were the most market-shifting M&A deals of the year but outside the U.S. there were several major developments that have impacted the global market.

This year’s International Film Festival Rotterdam (IFFR) has unveiled the 16 films selected for its flagship Tiger Competition. Scroll down for the full list.

Move over, Orson Welles and Alfred Hitchcock, there’s a new director at the top of BFI‘s “Greatest Films Of All Time” critics’ poll. And it’s none other than Chantal Akerman, whose 1975 “Jean Dielman, 23, Quai du Commerce, 1080 Bruxelles” now sits atop the esteemed list.

Belgian filmmaker Lukas Dhont’s Close, Danish director Ali Abbasi’s Holy Spider and Swedish director Ruben Ôstlund’s Triangle Of Sadness lead the nominations for the 35th European Film Awards, which were unveiled today.

Independent projections predicted a $50 million opening weekend for the Universal and Blumhouse picture, on par with that of “Halloween Kills.” The 2021 sequel scored $4.9 million at its Thursday box office debut. In 2018, “Halloween” made $7.7 million on its first night and went on to earn an eye-popping $77.5 million from its opening weekend – the second highest of any rated-R horror movie at the time.Set four years after the events of “Halloween Kills,” “Halloween Ends” presents the last showdown between Laurie Strode (Curtis) and longtime nemesis Michael Myers.

Joe Alwyn‘s star continues to be on the rise and now he has the public endorsement of Ryan Reynolds!

Joe Alwyn stars opposite Margaret Qualley in the forthcoming film, , from director Claire Denis and A24. On Thursday, the steamy first trailer was released and promises an «erotic tale of sex, lies and intrigue.» Based in Nicaragua,  is the film adaptation of Denis Johnson's 1986 novel of the same name.

EJ Panaligan editor A24 has released the official trailer for its upcoming Claire Denis-helmed romantic thriller “Stars at Noon,” starring Margaret Qualley and Joe Alwyn. The film first premiered at the Cannes Film Festival in May. The two-hour film follows a young American journalist (Qualley), who falls for a mysterious Englishman (Alwyn) while stranded in Nicaragua. Though at first he seems like her best bet at getting out of the country, it is slowly revealed that her affiliation with the Englishman has put both of them in immense danger. Also appearing in the film in supporting roles are Danny Ramirez, John C. Reilly and Benny Safdie. Ramirez plays a Costa Rican policeman, Reilly plays an American boss and Safdie plays a CIA agent. They all take interest in the Englishman’s ominous dealings in Nicaragua.

Liza Foreman “You have to know how to reject roles so as not to enter into a system in which women are only seen in a certain way,” said French actor Juliette Binoche on Sunday. Binoche spoke up for women whilst answering questions from the press at the San Sebastián Film Festival where she is a recipient this year of the festival’s Donostia Award, as a tribute to her career. “The English Patient” star is a go-to actress for a slew of auteur directors, including Krzysztof Kieślowski and Claire Denis. Denis joined her on stage to discuss “Both Sides of the Blade,” a love triangle film co-starring Binoche, which will screen at the festival before the award’s presentation.

Belgium has selected Lukas Dhont’s Cannes-winning title Close as its official submission to the International Oscar race this year.

John Hopewell Chief International Correspondent Packing its first full-on onsite edition since the pandemic, Spain’s San Sebastian Festival has never been busier or bigger. 10 Takes on what is shaping up as a vibrant edition:    Playing Off Powerful Market Forces Nine of Netflix’s 20 Top 10 non-English-language films and TV series are sourced from Spain or Latin America. Platforms are battling to tie down talent.  This year, eight movies from Spain and Latin America play in competition alone at San Sebastian, the most important film event in the Spanish-speaking world. The fest’s main sidebar is its New Directors strand. San Sebastian’s focus on the Spanish-speaking world and new talent now aligns with powerful market forces. That fact plays out over the 2022 edition.

Anna Marie de la Fuente Seattle-based MindRiot Entertainment is teaming up with Panama’s Hypatia Films, an associate producer of Claire Denis’ Cannes Grand Prix winner “Stars at Noon,” on the groundbreaking documentary, “In Search of Atlantis,” based on the findings of Seattle native Dr. Jason Rubin who has used deductive reasoning, the writings of philosopher Plato and the most advanced satellite sonar imagery to pinpoint the location of the fabled lost island of Atlantis.  According to MindRiot co-founder and chief creative officer Jonathan Keasey, Dr. Rubin passed on other Hollywood suitors as he liked MindRiot’s approach to the content and the fact that it had marshalled the support of multiple universities, including deep sea explorer Don Walsh, the honorary president of the Explorers Club, and even European authorities, given the maritime jurisdiction of Rubin’s site in the Atlantic Ocean.

Canadian distributor Sphere Film has signed a multi-picture deal with A24 under which it will handle the release of nine of its titles in Canada.

Manori Ravindran International Editor Canada’s Sphere Films has signed a multi-picture deal with A24 that will cover nine of the U.S. studio’s films in the Canadian market. Under the deal, Sphere Films will theatrically release pics including Charlotte Wells’ Cannes breakout “Aftersun,” which is currently screening as part of TIFF, and Ari Aster’s “Disappointment Blvd.” starring Joaquin Phoenix. The latter is believed to be A24’s biggest production to date. The A24 deal comes off the back of Sphere Films’ acquisition of MK2 Mile End in April. Charles Tremblay, former boss of MK2 Mile End and now the president of Sphere Films, said: “We felt that by joining a larger media company like Sphere that would help our chances of being a larger distributor than on our own.”

Sam Mendes is set to be honoured by the Toronto International Film Festival following the Canadian premiere of his latest fil, “Empire Of Light”.

Sam Mendes is set to be honoured by the Toronto International Film Festival.

Sam Mendes, whose latest movie from Searchlight, Empire of Light, is making its Canadian premiere at the Toronto International Film Festival, will be receiving the event’s TIFF Ebert Director Award.

The Hollywood Reporter confirmed that the filmmaker would be going solo without his brother Joel who directed The Tragedy of Macbeth without him last year.Ethan wrote the script for the untitled film, reportedly inspired by Russ Meyer, alongside his wife Tricia Cooke in the early 2000s.A synopsis reads: “The story centred on a party girl who takes a trip from Philadelphia to Miami with her buttoned-down friend. Cruising bars ensues as does the potpourri of a severed head in a hatbox, a bitter ex-girlfriend, a mystery briefcase and an evil senator.”The film’s lead roles have now been filled.

set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct.

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

Toronto announced the 10 world premieres in its Platform program, a section comprised of first-time feature filmmakers and vets whose voices are emerging in the cinematic landscape.