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“Blonde” has arrived on Netflix. The highly anticipated feature reimagines the life of screen legend Marilyn Monroe (played by “Knives Out” star Ana de Armas), based on the novel by Joyce Carol Oates.

Note: The following contains spoilers for the ending of “Blonde” and discussion of self-harm.Filmmaker Andrew Dominik’s Marilyn Monroe film “Blonde” is now streaming on Netflix after years of anticipation and controversy, and when it comes to depicting Monroe’s demise at the end of the movie, Dominik had to make a decision about what he believed happened to her.As the film comes to a close, Ana de Armas’ Marilyn Monroe is in a fragile emotional state when she receives a package from former lover Cass (Xavier Samuel), which he left to her when he died. The box contains a memento from her childhood and a letter which reads, “There never was a Tearful father,” suggesting all those letters she received from her “father” were from him.

Courtney Howard Sound designer/re-recording mixer Leslie Shatz has used his finely tuned skills to service many movies, from cutting Yoda’s dialogue in “The Empire Strikes Back” to collaborating with Toto on David Lynch’s “Dune.” Yet with “Blonde” (now streaming on Netflix), based on author Joyce Carol Oates’ fictionalized look at Marilyn Monroe’s life and death, he and filmmaker Andrew Dominik (“Killing Them Softly,” “The Assassination of Jesse James by the Coward Robert Ford”) reunite a third time to create a striking sonic experience. “Andrew’s very untraditional in terms of sound,” Shatz says. “He wants sounds to have an emotional context.”

Despite "Blonde" topping the Netflix chart since its streaming release on Wednesday, the film is facing criticism from viewers.  "Blonde," which is based on a fictional take on the life of Marilyn Monroe, is played by Cuban actress Ana de Armas.  The film’s director, Andrew Dominik, is receiving heat, as subscribers view his work as "hideous," while being "exploitative" and "sexist." Critics took to Twitter to express their review of the biopic, as one user writes, "Marilyn Monroe deserves more than #Blonde." Marilyn Monroe deserves more than #Blonde pic.twitter.com/llpU5KhXxC— Rebecca Rideal (@RebeccaRideal) September 29, 2022 "I had the extreme misfortune of watching ‘Blonde’ on Netflix last night and let me tell you that movie is so anti-abortion, so sexist, so exploitative," Steph Herold, an abortion researcher at the University of California, San Francisco tweeted. Despite "Blonde" topping the Netflix chart since its streaming release on Wednesday, the film is facing criticism from viewers.  (Getty Images) "Cannot recommend it LESS.

Netflix viewers have called a scene in Andrew Dominik’s Blonde “horrifying”, as it fictionalises Marilyn Monroe performing oral sex on JFK.After the film was released on Netflix on Wednesday (September 28), users took to social media to call out the “insane” scene.The Daily Beast journalist Marlow Stern shared an article detailing the “horrifying” scene in which John F Kennedy rapes Monroe, which was fictionalised by director Andrew Dominik.let's talk about arguably the most horrifying scene in 'blonde': jfk's rape of marilyn monroe https://t.co/Gp5aeo2SIi— Marlow Stern (@MarlowNYC) September 16, 2022Another viewer called the JFK scene “insane” and added: “andrew dominik you’re going to hell.”One person took to social media after watching the film to call out the “degrading” scene. They wrote: “Oh my God! 2 hours and 10 minutes into #Blonde I’m wondering why it’s NC-17 then comes the JFK scene for the most degrading depiction of Marilyn Monroe.”Take a look at some more reactions here:Why would the film #Blonde fabricate a graphic rape of #MarilynMonroe by #JFK? Disgusting exploitation.

Jazz Tangcay Artisans Editor In the end, an old-fashioned filmmaking trick involving heated cardboard helped costume designers re-create Marilyn Monroe’s famous pleated halter dress from “The Seven Year Itch” for Andrew Dominik’s “Blonde.” “On paper, it looks easy,” says “Blonde” costume designer Jennifer Johnson, who worked on many of Monroe’s looks — including that one — for the movie, which is now streaming on Netflix. She started by outfitting the film’s star, Ana de Armas, with a facsimile of the dress from a costume house. “It looked cute,” but it wasn’t right, says Johnson.

Zack Sharf As soon as word got out that “Blonde,” Andrew Dominik’s Marilyn Monroe drama starring Ana de Armas, was going to be rated NC-17, the film became an instant source of months-long controversy and fascination. Such is the effect of the NC-17 rating, which prohibits anyone under the age of 17 years old from buying a ticket.

Blonde was released on Netflix just , but many film critics have already seemingly : If you have a strong moral compass, you probably won’t like it. The part-fact, part-fiction Marilyn Monroe biopic was written and directed by Andrew Dominik, best known for his work on thrillers like Chopper and Killing Them Softly. stars as Monroe, and her performance has garnered well-deserved awards buzz.

Michael Nordine author “There is no meaning to life apart from the movie story,” writes Joyce Carol Oates in the opening pages of “Blonde,” “and there is no movie story apart from the darkened movie theater.” If it was inevitable that Oates’ novel about Marilyn Monroe would be made into a movie, it’s also a little ironic that that movie was made by Netflix — suffice to say that few who see “Blonde” will do so in a darkened movie theater. How many potential viewers are scared off by its runtime of 167 minutes is impossible to say, but there is a good reason for its protracted length: The book is similarly imposing at 738 pages. A finalist for both the Pulitzer Prize and National Book Award, Blonde was released in 2000 and adapted once before — not that the CBS miniseries starring Poppy Montgomery garnered nearly as much attention as this new version has.

Jazz Tangcay Artisans Editor A photo shoot for the stills of Marilyn Monroe that would feature throughout Andrew Dominik’s “Blonde,” coming to Netflix Thursday, was essential to the hair and makeup team in transforming Ana de Armas into the celebrated icon. Jaime Leigh McIntosh, hair department head and makeup department head Tina Roesler Kerwin spent two and a half hours each morning applying hair and makeup to de Armas. “That photo shoot for stills gave us a chance to try out a lot of different colors and figure out what worked. It gave us a chance to figure out what worked better in black and white as opposed to color,” explains Kerwin.

“Blonde” director Andrew Dominik has strong opinions about cultural icon Marilyn Monroe as his NC-17-rated Netflix film starring Ana de Armas as the golden-haired bombshell dropped on Wednesday.Although Dominik. 54, created the movie inspired by Joyce Carol Oates’ fictional book, he’s not a big fan of the late actress’ film career.Dominik spoke to Sight and Sound magazine’s film critic Christina Newland, who shared a portion of her interview that didn’t make the official profile on Twitter Tuesday.“She’s somebody who’s become this huge cultural thing in a whole load of movies that nobody really watches, right?” the New Zealand filmmaker said.

Blonde‘s explicit scenes, claiming they’re harder for people to watch than they were for her to make.In a recent interview with Entertainment Weekly, the actress – who stars in the Netflix film as Hollywood icon Marilyn Monroe – discussed some of the movie’s more uncomfortable moments.These range from sexual assault to abortion, as well as a scene in which Monroe performs oral sex on President John F. Kennedy. However, de Armas made it clear that she always felt safe on set with director and writer Andrew Dominik.“It’s harder for people to watch [those scenes] than for me to make them, because I understood what I was doing and I felt very protected and safe,’ she said.“I didn’t feel exploited because I was in control.

Ethan Shanfeld “Blonde” director Andrew Dominik has previously said he was unfamiliar with Marilyn Monroe’s filmography before adapting Joyce Carol Oates’ book about the late actor. Now, Dominik says Monroe starred in a “whole lot of movies that nobody really watches,” calling her famous romance film “Gentlemen Prefer Blondes” a movie about “well-dressed whores.” Dominik’s comments were part of an outtake from an interview with the British Film Institute’s Sight and Sound Magazine. Journalist Christina Newland, who conducted the interview, posted the transcript on Twitter, in which Dominik asked, “Does anyone watch Marilyn Monroe movies?” Newland added in a follow-up tweet: “I do want to make sure I’m doing my due diligence here: [Dominik] did talk about and reference many of her films. He clearly had studied and watched everything: whether he liked it (bar ‘Some Like it Hot,’ which he loves) another story, evidently.”

Netflix’s new Marilyn Monroe movie that hopes to be a major contender during awards season.Running time: 166 minutes. Rated NC-17 (some sexual content). Out Sept.

NC-17 rating or star Ana de Armas’ accent, but writer-director Andrew Dominik doesn’t see any truth to claims his movie is anti-abortion. In fact, he sees the point of his film as directly addressing the “rescue fantasy” he feels many of the film’s detractors are experiencing.“The film is concerned with the meaning of Marilyn Monroe I guess a bit more than the documented reality, but I think what the film is really about is, I think everything to do with Marilyn Monroe is kind of a rescue fantasy,” Dominik told TheWrap in a recent interview about the Netflix drama.

Ana de Armas bares it all in the upcoming movie Blonde and she expects the clips to go viral online, which she says is “upsetting just to think about.”

Blonde star Ana de Armas says she went to Marilyn Monroe’s grave to ask permission to play her.The actor plays the Hollywood icon in new Netflix biopic Blonde directed by Andrew Dominik, released in cinemas today (September 23) and streaming next week.In an interview with AnOther, Ana de Armas revealed that she and the Blonde crew visited Monroe’s grave in Los Angeles, at Pierce Brothers Westwood Village Memorial Park Cemetery to ask permission to tell her story on film.“We got this big card and everyone in the crew wrote a message to her,” de Armas said. Then we went to the cemetery and put it on her grave.

Few movie dramas in recent years have generated as much fevered online speculation as Andrew Dominik’s Marilyn Monroe movie Blonde.

EXCLUSIVE: Film industry veteran Emily Wolfe  has joined Plan B Entertainment’s film division as they continue to expand their prolific slate of films.

The world premiere of “Blonde” at the Venice Film Festival earlier this month confirmed that Andrew Dominik‘s film is everything critics expected it to be, and maybe more. After all, the film did receive a 14-minute standing ovation, the longest at the festival.

Ana de Armas finds it "disgusting" that her nude scenes from the highly anticipated Netflix film "Blonde" will most likely go viral on the internet. "Blonde," which is based on a fictional take the life of Marilyn Monroe, debuts on the streaming service Sept. 28.  Speaking to Variety, de Armas discussed candidly what her reaction will be once the nude scenes hit the internet. "I know what's going to go viral," the 34-year-old actress said, being the one to first address the scenes.

Ana de Armas needed to convince Netflix that she could be Marilyn Monroe. She was already the first choice of director Andrew Dominik, whose film “Blonde,” a surrealist vision of the life and death of the screen legend, had been reportedly cast with various leading ladies before alighting on de Armas, but “Knives Out” — the hit film in which the previously little-known performer sat at the center of the mystery — hadn’t yet come out. In 2019, few knew her name. De Armas brought her accent coach to the in-person screen test with Netflix. “I hadn’t had the training and the voice and everything,” says de Armas, who was born and raised in Cuba. “So my coach was crouching on the floor, under the table.” The stakes were high. “I just knew that everything we did that day was going to be the definitive test of the movie to be greenlit or not.” The scene was one in which Monroe pleads with husband Joe DiMaggio to let her move to New York so that she can “start from zero, away from Hollywood,” de Armas recalls; passion had to enter Monroe’s voice, all as the woman under the table fed de Armas the proper pronunciations of the lines.

Ana de Armas is stepping out to promote her new Netflix movie.

Michaela Zee editor The first time “Blonde” star Adrien Brody saw Ana de Armas’ transformation into Marilyn Monroe was on set right before filming their first scene together. “I was transported to another time and place,” Brody, who plays Arthur Miller (aka The Playwright), told Variety at the U.S. premiere of “Blonde” in Hollywood Tuesday night. “I really thought she channeled [Marilyn] — she brought a nuanced, emotionally present [and] connected impression of her. I’m still blown away by it. It was really impressive.” Based on Joyce Carol Oates’ novel of the same name, “Blonde” presents a reimagined version of the iconic actor’s life, from the traumatic childhood of Norma Jeane Baker to her rise to fame as Marilyn Monroe. The supporting cast includes Brody, Bobby Cannavale, Julianne Nicholson, Xavier Samuel, Evan Williams, Sara Paxton and Scoot McNairy.

“Partner Track,” “Lost Ollie” and seven other book-based projects found their way onto streamers last month, including HBO’s “Game of Thrones” prequel series “House of the Dragon.” September has more theatrical releases, but fewer book adaptations to look forward to. Those that are coming out this month have rich history though, especially “The Rings of Power” series that Amazon has based on J.R.R. Tolkien’s books and appendices.There’s also “The Silent Twins” starring Letitia Wright and Jodhi May as well as Andrew Dominik’s feature film “Blonde” adapted from Joyce Carol Oates’ book about the career of Marilyn Monroe.Here are six book to screen adaptations coming out in September:J.R.R.

EXCLUSIVE: We are hearing that in a competitive situation, Paramount Pictures has swooped in with a high six-figure deal to acquire the film rights to Matt and Harrison Query’s upcoming book, Wilderness Reform.