Andrew Dominik Latest Celebrity News & Gossip

All eyes are on Saudi Arabia’s burgeoning film industry as the second edition of its Red Sea International Film Festival continues to unfold this week in the port city of Jeddah, running from December 1 to 10.

Nick Cave & The Bad Seeds have shared a new trailer showing the band recording their upcoming album ‘Wild God’ – watch below.The Nick Cave-fronted group are due to release their “deeply and joyously infectious” 18th full-length record on August 30 (pre-order/pre-save here). Co-produced by Cave and Warren Ellis, the 10-song LP has already been previewed by its title track.Arriving yesterday (April 3), a new two-minute-15-second trailer follows the Bad Seeds as they cut the album in the studio.

Ethan Shanfeld The infamous Razzie Awards are back, (dis)honoring the year’s worst in film. While Sunday’s Academy Awards will celebrate Christopher Nolan’s landmark drama “Oppenheimer” and Greta Gerwig’s $1.4 billion blockbuster “Barbie,” the 44th annual Razzies are focusing on lesser-seen fare, like the fourth “Expendables” movie and “Winnie the Pooh: Blood and Honey,” a horror adaptation that won five undesired awards.

J. Kim Murphy Awards season is here, which means it is also time for the annual Golden Raspberry Awards. The Razzies, which aims to (dis)honor the least successful films of the year, has announced nominations for its 44th edition.

By now, you should be aware that Nick Cave is more than just a singer/songwriter, artist, and musician. On top of his many bands, The Bad Seeds, Birthday Party, and his solo projects, Cave has been involved in dozens of film projects; he and creative partner Warren Ellis have scored over two dozen films—for filmmakers like John Hillcoat, David McKenzie, David Michôd, and Taylor Sheridan—and he’s been the featured player in two documentaries by Andrew Dominik (Cave and Ellis’ score to the “Assassination of Jesse James” remains one of the decades best).

Netflix is developing a limited series inspired by John F. Kennedy’s life.Variety reported last Friday (October 13) that the series will be based on the book JFK: Coming Of Age In The American Century, 1917-1956 by Fredrik Logevall. Published in 2020, it is the first part of a two-volume biography of the former president, and details his birth up until his role as the junior U.S.

episode.The topic came up during a conversation about the recent ruling about the will found in Aretha Franklin’s couch cushion, as they spoke about being proactive about your own wishes — especially when you’re a public figure.“Yeah, no, I don’t want to be a hologram, that’s been in my will for 15 years,” Goldberg said.“No one has really asked me if I want to be a hologram yet,” co-host Joy Behar joked in response.“Well no, they don’t ask you, that’s the thing, they just do it,” Goldberg said. “They just do it and then you go, ‘Hey, isn’t that Tupac? You know? Wait a minute, didn’t Tupac die? What is he doing up on …’ Yeah see, I don’t want that.”“It’s a little freaky, creepy,” she added.ARETHA FRANKLIN'S WILL FOUND IN COUCH FOUND VALID: Following a Michigan jury ruling that a document handwritten by the Queen of Soul and found in her couch after her death is a valid will, #TheView co-hosts discuss why some are hesitant to create a will.

Ana De Armas has joined the cast of Ron Howard's survival thriller 'Origin of Species'. The 35-year-old actress - who previously played Paloma in the James Bond film 'No Time to Die' - is set to star in the upcoming movie alongside the likes of Jude Law, Alicia Vikander and Daniel Bruhl, according to Deadline. The film has been billed as a "tale of murder and survival, set around a group of eclectic characters who abandon civilisation for the Galapagos.

EXCLUSIVE: Argo actor Scoot McNairy is the latest to join the cast of Speak No Evil, the Blumhouse and Universal psychological horror thriller from writer/director James Watkins.

No matter who wins Best Actress tonight, one thing is for certain, we’ll be remembering Andrew Dominik’s edgy, warts all NC-17 biopic of Marilyn Monroe, and Ana de Armas fearless portrayal of the big screen bombshell years from now.

The star of “Blonde” is still feeling that Marilyn Monroe glow.

Could Chris Pine possibly have a project in the works with director Andrew Dominik?!

There’s lots of Oscars drama recently, with Andrea Riseborough‘s surprise nomination for “To Leslie” having Hollywood and everyone else question the campaign tactics for the Academy Awards. But Lil Rel Howery is up in arms about a different nom altogether.

Andrew Dominik’s controversial Marilyn Monroe biopic Blonde landed eight nominations from this year’s Razzie Awards, including Worst Picture. 

Andrew Dominik shared his thoughts on the unexpected backlash against his Marylin Monroe drama Blonde during an In-Conversation event at the Red Sea International Film Festival on Sunday.

Saudi Arabia’s Red Sea International Film Festival has unveiled a star-studded In-Conversations program as the second edition gets underway in the port city of Jeddah today.

Blonde has dropped out of the Netflix Top 10 movies chart in the US.The controversial biopic, released on the streaming platform on September 28, was missing from Netflix’s Top 10 chart for Monday October 10. As reported by IndieWire, the film spent just three days at the number one spot.In the UK chart on Wednesday October 12, Blonde is currently positioned in tenth place, behind 2015’s Goosebumps and Netflix original Old People.The most popular film on the US and UK chart is Luckiest Girl Alive, an original film starring Mila Kunis which holds a Rotten Tomatoes score of 43 per cent.Directed by Andrew Dominik and starring Ana de Armas, Blonde is based on a novel by Joyce Carol Oates and is described as a “reimagining” of Monroe’s life.A synopsis reads: “Blonde boldly reimagines the life of one of Hollywood’s most enduring icons, Marilyn Monroe.

Nick Cave has shared a previously-unseen performance of ‘Earthlings’ – you can watch the video below.The track, an outtake from the Bad Seeds‘ ‘Ghosteen’ era, was originally released last year as a preview of the band’s ‘B-Sides & Rarities Part II’ album.“‘Earthlings’ is the missing link that binds ‘Ghosteen’ together,” Cave explained of the cut. “A lovely song that just got away.

Blonde, the Marilyn Monroe biopic, premiered on Netflix and it took the second spot on the charts. The Ana de Armas-starring movie got an 11-minute standing ovation when it was screened at the Venice Film Festival.

Blonde, taking to TikTok to call out the film for adding to society's obsession with "fetishising female pain".Watch Below: Emily Ratajkowski on Marilyn Monroe biopicDirected by Andrew Dominik, Blonde has been hit with an onslaught of backlash over its depiction of Monroe's life, glorifying the exploitation of the movie star—and all women—in Hollywood and in her personal life.Ratajkowski stands with those slamming the film, heading to her TikTok to share the many other women in Hollywood who have had their struggles and pain glamorised and glorified."So I’ve been hearing a lot about this Marilyn Monroe movie, Blonde, which I haven’t seen yet, but I'm not surprised to hear it’s yet another movie fetishising female pain, even in death.""We love to fetishise female pain.""We love to fetishise female pain. Look at Amy Winehouse.

biopic *—*and says she's not surprised to hear it's another movie that "fetishizes female pain" while perfectly summarizing her views on the controversial movie.Since its release, the -starring film, directed by Andrew Dominik, has faced significant for its sensationalist depiction of the late star's life, with many arguing that we are seeing too many stories of exploited women getting the Hollywood treatment.And model Emily has backed that belief, as she explained in a video: "So I've been hearing a lot about this Marilyn Monroe movie, Blonde, which I haven't seen yet, but I'm not surprised to hear it's yet another movie fetishizing female pain, even in death."Speaking directly to the camera, Ratajkowski—who also called out during his cheating scandal recently—continued: "We love to fetishize female pain. Look at Amy Winehouse. Look at Britney Spears.

Blonde author Joyce Carol Oates has defended the new Ana de Armas biopic.The Netflix film, which “blurs the lines of fact and fiction” on Marilyn Monroe’s life, has proved divisive since its release last week. While de Armas’ performance has been praised, many have suggested that the film is exploitative of Monroe.Oates, who wrote the book that the film is based on, came to its defence by calling it a “brilliant work of cinematic art obviously not for everyone”.“I think it was/is a brilliant work of cinematic art obviously not for everyone,” she tweeted.

Emily Ratajkowski has criticised the new Marilyn Monroe movie Blonde. Andrew Dominik's new movie Blonde, a fictional take on the life of Monroe, has been savaged by viewers, with many calling it sexist, exploitative and cruel. Actress/model Emily took to TikTok on Friday to address the criticism.

The Netflix release of “Blonde” has been met with controversy over director Andrew Dominik’s depiction of Marilyn Monroe (played by Ana de Armas), with critics and viewers alike slamming the film using such descriptives as “sexist,” “exploitative,” “detestable” and “cruel.”

The negative reactions to the new Marilyn Monroe biopic just keep rolling in, with the latest one coming from a celeb!

WARNING: SPOILERS AHEAD! DO NOT READ IF YOU DON’T WANT TO KNOW!

Ellise Shafer “Blonde” author Joyce Carol Oates, who penned the biographical fiction novel that the Netflix film is based on, has weighed in on the discourse surrounding Andrew Dominik’s controversial portrait of Marilyn Monroe. On Friday, Oates answered some burning questions from fans via Twitter, including about backlash the film has received that it exploits Monroe’s trauma. Dubbed a fictionalized retelling of the movie star’s life and untimely death, “Blonde” loosely recreates several tragedies during the life of Monroe (Ana de Armas), including the abuse she endured from her mother and the sexual assaults she experienced in Hollywood. In addition to fan outrage on social media, the movie has also been panned by several film critics, including The New York Times’ Manohla Dargis, who wrote in her review: “Given all the indignities and horrors that Marilyn Monroe endured during her 36 years, it is a relief that she didn’t have to suffer through the vulgarities of ‘Blonde,’ the latest necrophiliac entertainment to exploit her.”