Why Ron Howard’s ‘Nice’ Reputation Is So Fitting (Guest Column)
07.05.2024 - 19:25
/ variety.com
Janet Maslin Ron Howard has been part of our collective consciousness for as long as I can remember. Or at least he looms large in mine. Born in 1954, he was on many of the TV series I grew up watching and had his own starring role on “The Andy Griffith Show” by 1960.
And his father had the idea that little “Ronny Howard” should play a good kid, not the wise-guy type popular in those “Dennis the Menace” years. He’d be nice. It stuck.
He’s been known as “nice” ever since.
That made him much too easy to dismiss. However prominent he was — as a principal star of “American Graffiti” in 1973, top-billed “Happy Days” actor the next year and then as a director debuting with “Night Shift” in 1977 — we could take him lightly. By then I was reviewing films, and I overlooked him to a fault.
I didn’t even give him credit for holding his own at 22 against John Wayne, Jimmy Stewart, Richard Boone, Scatman Crothers and Lauren Bacall in Don Siegel’s “The Shootist,” Wayne’s valedictory role. But he grew into someone to reckon with. He currently has 714 credits on IMDb, and I’ll bet they missed a few.
By the time of “Apollo 13” — 10 years after “Cocoon” — I had seen the light.
He had become, like Jonathan Demme, a filmmaker whose next move was always surprising. I never bargained on getting to know either of them, but we all wound up on the board of the same movie theater and media arts center in the 2000s. With reviewing long behind me, I now talk with Ron there whenever a new film of his comes along.
What a series of revelations it’s been.
His “niceness” evolved into a solid work ethic and a constantly inventive approach to whatever he does.
The website celebfans.org is an aggregator of news from open sources. The source is indicated at the beginning and at the end of the announcement. You can
send a complaint on the news if you find it unreliable.