‘Violent Night’ Slays $1.1M In Thursday Previews – Box Office

A24’s release of Darren Aronofsky’s The Whale had a strong holdover its second weekend out, grossing $168.5k on the same six screens in NYC and LA where it opened its first frame to the biggest per theater average of the year – beating the distributor’s March release of Everything Everywhere All At Once.

Welcome back, Insiders. Jesse Whittock here. Christmas is just around the corner now but the news doesn’t let up. Let’s begin.

Taking a look ahead to 2023, Gower Street Analytics is projecting global box office to hit $29B, repping a 12% gain on 2022 should this year remain on track for approximately $25.8B. The London-based firm estimates 2022 receipts stood at $23.6B as of December 10. 

EXCLUSIVE: We are hearing from our sources that James Cameron’s sequel to his highest grossing movie in the world, Avatar: The Way of Water, is currently on its way to a $17M Thursday night from showtimes that began at 7PM.

James Cameron’s Avatar: The Way of Water began its international box office rollout today in such majors as Korea, France, Germany and Italy — and with early sneaks in China. One of the most anticipated movies of recent years, it’s dominating play.

The holiday spirit – at least the kind measured at the box office – seemed to arrive on Broadway last week, for some shows anyway. Obvious case in point: A Christmas Carol, starring Jefferson Mays in his tour de force as every last ghost, miser and Cratchit in the story, was up a bountiful 34% in receipts, taking in $742,010 and filling 83% of seats at the Nederlander.

And so it begins. Thirteen years after the first Avatar arrived in movie theaters, conquered and continued to conquer the global box office as the highest release of all-time with $2.9 billion worldwide, Avatar: The Way of Water, the sequel to the James Cameron directed 3x Oscar winning 3D sci-fi movie arrives with a global outlook of $525M in what is Disney’s widest global release ever at 52K screens, surpassing Avengers: Endgame.

On the final weekend before Avatar: The Way of Water dominates screens globally, Disney/Marvel’s Black Panther: Wakanda Forever continued to lead the worldwide and international box office. The fifth session for the sequel added $11.8M in 50 overseas markets, lifting the offshore cume to $358M and global to $767.8M.

Darren Aronofsky’s The Whale from A24 swam to the biggest limited opening of the year in NY and LA this weekend, beating the per screen record set by in late spring by the indie distributor’s Everything, Everywhere All At Once.

What happens when there’s no wide theatrical releases and it’s the holiday season as we emerge from the pandemic? Why, you get the second-lowest box office weekend of the year at an estimated $37.2M. We’ll see if Saturday night business is so bad that that this weekend becomes the lowest of 2022, unseating that of Jan. 28-30, when all movies grossed $34.87M, per Comscore.

Akin to domestic, it was a rather sleepy weekend at the international box office. Disney/Marvel’s Black Panther: Wakanda Forever again won the frame, with $20.2M from 50 overseas markets for an offshore total of $339.3M and a global tally of $733M through Sunday.

Are we in the middle of a John Leguizamo renaissance … or did we never leave one?I love a philosopher interviewer. I’ve always been threatening to be renaissancing and doing as much as I can. I’m always doing as much as I can.Well between this and “The Menu,” that’s pretty good.Oh, I mean they’re quality picks, which I’m really happy about.

Before Disney’s 20th Century Studios’ Avatar: The Way of Water floods the box office with a potential $200M opening on Dec.16, Universal might have a surprise this weekend in the 87North holiday action movie Violent Night, starring David Harbour. Universal is hoping for $10M, maybe $12M on the Tommy Wirkola-directed movie for a second place take. However, rivals are truly excited by it, thinking it could do much more.

The holiday action comedy “Violent Night” feels like it was sold in one of those pitch meetings from “The Player,” two guys in a room with Griffin Mill, excitedly announcing their brainchild: “It’s ‘Die Hard’ meets ‘Bad Santa!’” They presumably lit cigars and slapped each other on the back after settling on that premise, which is too bad; they should’ve used that valuable time to spin their high-concept pitch into something with some jokes or funny situations.

Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices.

In its third weekend, Disney/Marvel’s Black Panther: Wakanda Forever continued to reign at the global and international box office. With a $32.1M offshore frame (-53%), the sequel has an overseas total of $308M for $675.6M worldwide through Sunday.

Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at Laemmle Royal, Alamo Drafthouse DTLA, Los Feliz 3, and Santa Barbara’s Riviera Theater at SBIFF. Director Jerzy Skolimowski will be on hand for Q&As all weekend.