Universal Closes Deal With ‘Last Night In Soho’ Scribe Krysty Wilson-Cairns & Jack Ivins’ Great Company

Motorway police have slammed a driver who 'forced' their way through a road closure this evening.

Will Tizard ContributorWith a reputation for nuanced color tones and tweaks that may evoke a suffocating Buckingham Palace in “The Crown” or a ghostly time shift in “Last Night in Soho,” Asa Shoul, senior colorist at Warner Bros.

Last Night In Soho co-writer Krysty Wilson-Cairns has defended the film’s twist ending, saying that it was an act of “female empowerment.”Wilson-Cairns wrote the screenplay for the film with director Edgar Wright, which includes a surprising reveal in the film’s final chapter.Ahead of the twist, Thomasin McKenzie’s character Eloise believes that she has seen a vision of Sandy – an abused cabaret singer who she occasionally embodies in her dreams – being murdered by her pimp in the very room that

Who went out of Strictly?Much to fans disappointment, Olympic gold medal winner, Adam Peaty left Strictly last night. Adam and his professional dance partner Katya Jones performed a Jive to Little Bitty Pretty One by Frankie Lymon & The Teenagers, but were surprisingly left in the bottom and had to perform in the dance off against Tilly Ramsay and her professional dance partner Nikita Kuzmin.

James Cameron needn’t worry about rushing his Avatar sequels, at least as far as John Oliver is concerned.

Spoiler warning: This story contains spoilers for the entirety of “Last Night in Soho.”Edgar Wright’s “Last Night in Soho” opens to a disorienting effect, not unlike awakening from a deep sleep and momentarily forgetting what day it is or where you are.As Peter and Gordon’s “A World Without Love” blasts from a record player, we’re introduced to what is either a teenager’s bedroom in the 1960s or a shrine to the decade.

Edgar Wright has made a career of mashing up genres and bringing an absurd level of energy and charm to his films like “Shaun of the Dead,” “Scott Pilgrim Vs. The World,” and “Baby Driver.” In this episode of The Discourse, Edgar Wright and writer Krysty Wilson-Cairns join host Mike DeAngelo to talk about doing a straight-up, wicked thriller in “Last Night in Soho,” which is in theaters now.

Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may have dinged October’s stellar recovery.)

Halloween falling on a Sunday, too many new options or simply a lack of enthusiasm, moviegoing audiences seemed to have other plans this weekend. Notable exceptions are the latest “My Hero Academia” and the new Wes Anderson pic “The French Dispatch.”First place still went to the bigger budget and wider release Timothée Chalamet film.

Rebecca Rubin Film and Media ReporterThe domestic box office was lighter on the treats and heavier on the tricks during Halloween weekend, capping an otherwise busy October at the movies on a muted note.Horror movies “Antlers” and “Last Night in Soho” opened nationwide and struggled to scare up strong ticket sales, leaving last weekend’s champion “Dune” to rule over box office charts again.

Saturday AM Update: The first Halloween in two years during the pandemic is taking its toll on the domestic box office, a grey cloud which many saw coming, with many trick-or-treating or heading to parties tonight.

Dune” is repeating its top performance at the domestic box office this weekend.Both Edgar Wright’s “Last Night in Soho” and Scott Cooper’s “Antlers” were expected to bring in around $5 million in their opening weekends, leaving the No.

Last Night in Soho, starring Anya Taylor-Joy and Thomasin McKenzie, is finally out in theaters.

Warning: This article contains major spoilers for “Last Night in Soho.”In “Last Night in Soho,” wanderlust and cultural nostalgia drive a young woman named Eloise (Thomasin McKenzie) to attend fashion school in London’s Soho district. There, her obsession with 1960s London takes on a new dimension when she crosses paths with rising star Sandie (Anya Taylor-Joy) in her dreams.

Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel.

Angelique Jackson Universal Pictures has signed a two-year overall film deal with Academy Award-nominated writer Krysty Wilson-Cairns and Jack Ivins’ Great Company.News of the pact comes ahead of the debut of “Last Night in Soho,” which Wilson-Cairns co-wrote alongside director Edgar Wright, as it bolsters the working relationship between Wilson-Cairns and Universal Filmed Entertainment Group. The Focus Features movie arrives in theaters on Friday, Oct.

Universal Pictures has signed a two-year film deal with Krysty Wilson-Cairns and her production banner Great Company, the studio announced Wednesday. Wilson-Cairns is the co-writer of Edgar Wright’s “Last Night in Soho,” which Universal’s subsidiary Focus Features is releasing in theaters this Friday.