Uma Thurman On Making Paul Schrader’s Cannes Film ‘Oh, Canada’: “I Had A Strong Feeling This Was Very Personal To Him”

Often, the juries at the Cannes Film Festival will try to make a political statement in their choices for the winners of the world’s most famous film festival. Not this year. At least, not in the way they might have.

Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, has won the Cannes Film Festival’s top award, the Palme d’Or.Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony Saturday. The win for “Anora” marks a new high point for Baker, the director of “The Florida Project.” It’s also, remarkably, the fifth straight Palme d’Or won by indie distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.”“I don’t really know what’s happening right now,” said Baker.While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise.

Refresh for latest…: The 77th Cannes Film Festival draws to a close this evening with the prize ceremony about to kick off inside the Grand Théâtre Lumière. The past 10 days have been building to this moment after a somewhat muted start that arrived under gloomy skies. The clouds have since cleared and several films have emerged as potential winners tonight. Scroll down for the list of laureates which is being updated as awards are announced.

transforming the red carpet of the 77th annual Cannes Film Festival into a chichi bridal aisle. Stealing the spotlight from the marquee movies premiering at this year’s fête along the French Riviera, celebrated starlets such as Anya Taylor-Joy, Uma Thurman, Kelly Rowland and Helena Christensen stunned in wedding-inspired gowns from luxe houses of design. And the radiantly white regalia left online onlookers saying “yes” to each dress.

Elsa Hosk, Alessandra Ambrosio, and Izabel Goulart are among the supermodels who are making a splash on the 2024 Cannes Film Festival red carpet!

Paolo Sorrentino has done a wide range of films but until his most personal, The Hand Of God two years ago (a prize winner in Venice) he had not returned to Naples, the land of his youth except for the very first feature he made, 2001’s One Man Up. Since then though he has been to Cannes with his films 6 times, and his impressive list of movies have included The Consequences Of Love, Il Divo, Loro, and his Oscar winning The Great Beauty. There have been more mixed reactions for his starry English language films as well like Youth and This Must Be The Place, but Italy seems to drive his creative mojo and may be closest to his heart is the current phase of his filmmaking career when he has found new inspiration by going back to his youth, first in The Hand Of God which closely reflected his own coming of age in Naples, and now his latest, Parthenope which reflects the youth he wished he had experienced. Instead he moved away to a whole new career in film (that was indicated at the end of Hand Of God). It had its World Premiere at the Cannes Film Festival Tuesday night.

Despite many of his generation taking time between films, Paul Schrader is a filmmaker who has kept working quite prolifically over the decades. Since 2002, he’s directed no fewer than 11 features.

We are less than two months away from the most anticipated horror film of the year, “MaXXXine.” Coming off of the surprising (and massive) success of both “X” and “Pearl,” the trilogy-capper looks like it could become the biggest in the franchise yet.

calendar—is in full swing, and you better believe the A-listers are posing up a storm in the south of France.A luminous made an appearance with her daughter, Marlowe; swapped diamonds for an affordable ensemble; and supermodel just sailed into port. But we couldn’t help but notice that the women making the biggest splash are all 50-plus.By GlamourPerhaps it’s the confidence that comes with getting older, or maybe it’s just the fact that each and every one of them looks absolutely incredible, but the likes of (61), (53), (61), Isabelle Huppert (71), Julianne Moore (63), (57), Uma Thurman (54) and Jane Fonda (86) have all owned the red carpet at the Cannes Film Festival.Salma HayekMichelle YeohIt’s an exhaustive list of women who, in a different era, would have been subtly sidelined in the industry.

Paul Schrader hit Cannes this weekend with Competition title Oh, Canada, reuniting him with American Gigolo star Richard Gere in the role of a terminally ill documentarian who reveals secrets as his life nears its end.

Diaries are written in secrecy, free-flowing thoughts anchored to the page as if the ink could stop memories from vanishing through the hands of time. Filmmaker Paul Schrader understands the lingering, often quiet desperation of journaling like few filmmakers do.

Paul Schrader revealed first details about his next feature project entitled Non Compos Mentis, at the press conference for his Cannes Competition title Oh, Canada on Saturday.

Matt Donnelly Senior Film Writer The unstoppable Paul Schrader, the 77-year-old auteur who just brought his latest movie “Oh, Canada” to Cannes, has announced his next project. The director revealed he intends to start production this fall on “Non Compos Mentis,” a noir film he is currently writing.

Paul Schrader had a special job on the set of his latest film, “Oh, Canada”: drawing on the jockstrap that Jacob Elordi wears in one of the Vietnam War drama’s pivotal scenes. There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife (played as a young man by Elordi, and older man as Richard Gere) dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical.

Paul Schrader shed tears as his new film “Oh, Canada” earned a four-minute standing ovation at Cannes Film Festival on Friday night. Jacob Elordi was notably absent from the premiere, possibly because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out.

Richard Gere poses for a family photo while attending the 2024 Cannes Film Festival premiere of his upcoming film Oh, Canada held at Palais des Festivals on Friday (May 17) in Cannes, France.

Hard to believe it has been 44 years since Paul Schrader and star Richard Gere last worked together on 1980’s seminal American Gigolo, a film that became not just a keystone in Gere’s celebrated career but also one for one Schrader’s as one of his earliest directorial credits. Of course he has written some of the great screenplays, particularly in his collaborations with Martin Scorsese on Raging Bull, The Last Temptation of Christ and Taxi Driver. But it is what interests him now a half century later as a writer-director that continues to fascinate.

Peter Debruge Chief Film Critic Straying from the hotheaded “Taxi Driver” style that has dominated much of his career, Paul Schrader pays ruminative and respectful tribute to his late friend, novelist Russell Banks, who gave the writer-director the raw material for one of his best films, “Affliction” — and now, for one of his best films in years. Adapted from Banks’ “Foregone” (and given the title the author told Schrader he wanted for the book), “Oh, Canada” presents a dying artist’s final testimony as a multifaceted film-within-a-film, honoring Banks while also revealing so many of Schrader’s own thoughts on mortality.

Angelique Jackson Richard Gere and Jacob Elordi star in Paul Schrader‘s latest, highly anticipated film ‘Oh Canada,’ which premieres at the Cannes Film Festival on Friday. Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam, shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard. In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate.

Gregg Goldstein These auteurs are ready for their close-up. When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.